Watch this blog site for film reviews, whether blockbusters, box office bombs or highly obscure. Our genres will include science fiction, animation, musical, action, fantasy, drama, documentary, thriller, horror, romance, western and comedy.
And The Oscar Goes To….. (94th Academy Awards Winners)
Now, here are the winners of the 94th Academy Awards.
As I predicted, Dune did win the Oscars for Best Visual Effects, Production Design, Cinematography and Original Score. It didn't win Best Makeup and Hairstyling and Best Costume Design. I'm also disappointed that Raya and the Last Dragondidn't get the Best Animated Feature Film award, but that's my opinion. I was pleased that Hans Zimmer had received his second Oscar for Best Original Score in Dune, the first being The Lion King in 1994.
When watching the ceremony, I was shocked that Will Smith slapped the comedian Chris Rock after the latter made an unsavoury comment about his wife. It's no wonder he didn't get arrested for that, but he did apologise when making his speech after winning the Best Actor award for his performance in King Richard.
Best Visual Effects
Dune - Paul Lambert, Tristan Myles, Brian Connor and Gerd Nefzer
Best Film Editing
Dune - Joe Walker
Best Costume Design
Cruella - Jenny Beaven
Best Makeup and Hairstyling
The Eyes of Tammy Faye - Linda Dowds, Stephanie Ingram and Justin Raleigh
Best Cinematography
Dune - Greig Fraser
Best Production Design
Dune - Production Design: Patrice Vermette; Set Decoration: Zsuzsanna Sipos
Best Sound
Dune - Mac Ruth, Mark Mangini, Theo Green, Doug Hemphill and Ron Bartlett
Best Original Song
"No Time to Die" from No Time to Die - Music and Lyrics by Billie Elish and Finneas O'Connell
Best Original Score
Dune - Hans Zimmer
Best Animated Short Film
The Windshield Wiper - Alberto Mielgo and Leo Sanchez
Best Live-Action Short Film
The Long Goodbye - Aneil Karia and Riz Ahmed
Best Documentary Short Subject
The Queen of Basketball - Ben Proudfoot
Best Documentary Feature
Summer of Soul (...Or, When the Revolution Could Not Be Televised) - Ahmir "Questlove" Thompson, Joseph Patel, Robert Fyvolent and David Dinerstein
Best International Feature Film
Drive My Car (Japan) in Japanese - Directed by Ryusuke Hamaguchi
Best Animated Feature Film
Encanto - Jared Bush, Byron Howard, Yvett Merino and Clark Spencer
Best Adapted Screenplay
CODA - Screenplay by Sian Heder; based on the film La Famille Bélier by Victoria Bedos, Thomas Bidegain, Stanislas Carré de Malberg and Éric Lartigau
Best Original Screenplay
Belfast - Written by Kenneth Branagh
Best Supporting Actress
Ariana DeBose - West Side Story as Anita
Best Supporting Actor
Troy Kotsur - CODA as Frank Rossi
Best Actress
Jessica Chastain - The Eyes of Tammy Faye as Tammy Faye Bakker
Best Actor
Will Smith - King Richard as Richard Williams
Best Director
Jane Campion - The Power of the Dog
Best Picture
CODA - Philippe Rousselet, Fabrice Gianfermi and Patrick Wachsberger
Experienced treasure hunter Victor "Sully" Sullivan recruits streetwise thief Nathan Drake to help him recover a lost
500-year-old fortune
amassed by explorer Ferdinand Magellan. What began as a heist evolves into a globe-trotting, white-knuckle race to reach the prize before it falls into the hands of the ruthless Santiago Moncada. If they can decipher the clues and solve one of the world's oldest mysteries, Nate and Sully could find $5 billion in treasure -- but only if they must learn to work together.
Cast
Tom Holland - Nathan Drake
Mark Wahlberg - Victor Sullivan
Sophia Ali - Chloe Frazer
Antonio Banderas - Santiago Moncada
Tati Gabrielle - Braddock
Steven Waddington - The Scotsman
Pingi Moli - Hugo
Tiernan Jones - Young Nate
Rudy Pankow - Young Sam
Jesus Evita - Guard at Museum
Georgia Goodman - Sister Bernadette
Diarmid Murtagh - Police Officer
Joseph Balderrama - Carlos
Serena Posadino - Goldie
Alana Boden - Zoe
Jonathan Failla - Unsuspecting Doorman
Anthony Thomas - Luxury Sedan Driver
Peter Seaton-Clark - Auctioneer
Robert Maaser - Guard at Auction
Eskindir Tesfay - Security Guard
Manuel de Blas - Armando Moncada
Carme Capdet - Spanish Nun
Julia Schunevitsch - Club Bartender #1
Alois Knapps - Club Bartender #2
Patricia Meeden - Spanish
Woman in Club
Nolan North - Hotel Guest (Cameo)
Matt Barkley - Hotel Bellman
Jimmy Hart - Concepcion Helo
Pilot
Brett Praed - Concepcion Co-Pilot
Carlo Kitzlinger - Trinidad Helo Pilot
Pilou Asbaek - Gage
Crew
Executive Producer/Director - Ruben Fleischer
Screen Story/Screenplay - Rafe Judkins
Screen Story - Jon Hanley Rosenberg and Mark D. Walker
Screenplay/Executive Producers - Art Marcum and Matt Holloway
Associate Producer/First Assistant Director -
Brian Reylea
Executive Producers - David Bernad,
Robert J. Bohrmann, Neil Druckmann,
Tom Holland, Asad Qizilbash,
Carter Swan and Evan Wells
Producers - Avi & Ari Arad,
Alex Gartner and Charles Roven
Co-Producer - Elise Callas
German Co-Producers - Christoph Fisser,
Henning Molfenter and Charlie Woebecken
Casting Directors - John Papsidera and
Denise Chaiman
Production Designer - Shepherd Frankel
Concept Artists - Victor James Martinez,
Giorgio Grecu, Thomas Möhring
and Jamie Rawa
Supervising Art Director - David Ingram
Art Directors - Robert Reblin,
Daniel Chour, Michael Fissneider,
Calla Klessig, Florian Müller,
Cornelia Ott, Nenad Pecur,
Sabine Engelberg and Patricia Woerler
Set Decorator - Eli Griff
Costume Designer - Marlene Stewart
Hair & Makeup Designer - Victoria Down
Director of Photography - Chung-hoon Chang
Director of Photography: Second Unit -
Brad Shield
Director of Photography: Spain, Additional
Photography Unit - Eric Steelberg
"B" Camera Operator - Marcus Pohlus
First Assistant Director: Spain, Additional
Photography - Paul Barry
First Assistant Director: Second Unit - Joe Geary
Second Unit Director/Stunt Coordinator -
Scott Rogers
Stunt Coordinators - Stephen Dunlevy,
Ryan Hanna, Kyle Weishaar and Keir Beck
Fight Coordinators - Wayne Dalglish
and Jimmy Chhlu
Special Effects Supervisor - Uli Nefzer
Special Effects Coordinator - Jonny Martin
Visual Effects Supervisor - Chas Jarrett
Visual Effects Supervisor: Sydney Unit -
Chris Godfrey
Digital Effects Supervisors: DNEG - Gregor Lanker
Daniel Elophe and Jolene McCaffrey
Visualisation Supervisor: The Third Floor -
Nicholas Markel
Editors - Chris Lebonzon and Richard Pearson
Additional Editors - John Schaeffer and
Joseph Kirkland
Supervising Sound Editors - Kami Asgar
and Erin Oakley
Sound Designer - Paul N.J. Ottosson
Re-Recording Mixers - Beau Borders,
Kevin O'Connell, Mark Paterson and
Tony Lamberti
Foley Artists - Gary A. Hecker and
Adam DeCoster
Music - Ramin Djawadi
Music Supervisor - Gabe Hilfer
Review
I never actually played the Uncharted games on the PlayStation because, at the time, I used to have an XBOX and Wii. Now I have seen the recent movie adaptation. I'm new to this source material. While Pokémon Detective Pikachuand Sonic the Hedgehogare among a few that have shown respect, I'm unsure how accurate the movie is to the video games, considering that most of them turned out to be unsuccessful. I've just discovered that UNCHARTED is supposed to be an origin story that began with the two characters meeting for the first time. While UNCHARTED is mostly a lighthearted globe-trotting adventure, it gets too cliched in its plot and concept, and it's just a typical and safe action-adventure flick.
Director Ruben Fleischer has never tapped into anything like this and was known for officially shepherding the two Zombieland movies. And to a lesser extent, Venom. He relies on heavy inspiration to make UNCHARTEDhis own Indiana Jones adventure. The action sequences are exciting, but I don't see the comparisons to the video games, which many said are unwanted.
One reason I wanted to see the filmis due to Tom Holland. He finished playing Spider-Man in the latest film for the Marvel Cinematic Universe. While UNCHARTED is one of his attempts to break away from his famous role, Holland performs terrific as street-smart thief Nathan Drake, who gets embroiled in a treasure hunt. He even has Cocktail vibes of Tom Cruise when working at a bar during an action scene. Mark Wahlberg did alright with his acting but had good chemistry with Tom Holland in creating Sully as a father figure to Holland's main protagonist. Antonio Banderas was a great actor but had less screen time and is playing a forgettable villain.
Despite offering nothing new to the action/adventure genre, I find UNCHARTED a moderately entertaining film. It had a better shot at a decent adaptation than most games would have and is enjoyable. While it isn't great, I recommend all audiences watch this movie once you get past its cliches.
After two years of fighting crime, Batman must look
for a sadistic serial killer
known as The Riddler,
who has killed Gotham's
key political figures and
has left behind a trail of cryptic clues. He must expose the corruption that has plagued the city and question his family's involvement.
Cast
Robert Pattinson - Bruce Wayne/Batman
Zöe Kravitz - Selina Kyle
Paul Nano - The Riddler
Colin Farrell - Oz/The Penguin
Jeffrey Wright - Lt. James Gordon
John Turturro - Carmine Falcone
Andy Serkis - Alfred Pennyworth
Peter Sarsgaard - District Attorney Gil Colson
Barry Keoghan - Unseen Arkham Prisoner (Cameo)
Jayme Lawson - Bella Reál
Gil Perez-Abraham - Officer Martinez
Peter McDonald - Kenzie
Con O'Neill - Chief Mackenzie Bock
Alex Ferns - Commissioner Pete Savage
Rupert Penry-Jones - Mayor Don Mitchell Jr
Kosha Engler - Mrs. Mitchell
Archie Barnes - Mitchell's Son
Janine Harouni - Carla
Hana Hrzic - Annika
Joseph Walker - Young Riddler
Luke Roberts - Thomas Wayne
Oscar Novak - Young Bruce Wayne
Stella Stocker - Martha Wayne
Sandra Dickinson - Dory
Jack Bennett - Travis
Andre Nightingale - Ritchie
Richard James-Neale - Glen
Lorraine Tai - Cheri
Joseph Balderama - Lead Detective
James Eeles - Another Officer
Angela Yeoh - Forensic
Photographer
Leemore Marrett Jr. - Muscle Cop
Ezra Elliott - Tactical Medic
Charlie Carver - The Twin
Max Carver - The Twin
Mark Killeen - Vinnie
Elliot Warren - Train Gang Leader
Jay Lycurgo - Train Gang Young Member
Crew
Writer/Producer/Director - Matt Reeves
Writer - Peter Craig
Batman Creators - Bob Kane
and Bill Finger
Associate Producer/First
Assistant Director - Toby Hefferman
Executive Producer/Unit Production Manager - Simon Emanuel
Executive Producers - Walter Hamada, Michael E. Uslan and Chantal Nong Vo
Producer - Dylan Clark
Casting Directors - Lucy Bevan and Cindy Tolan
Dialogue Coaches - Jill McCullough and Andrew Jack
Production Designer - James Chinlund
Vehicle Concept Artist - Ed Natividad
(Uncredited)
Supervising Art Director -
Grant Armstrong
Supervising Art Director: US -
Maya Shimoguchi
Art Directors: Vehicles - Joseph Hiura and Will Newton
Set Decorator - Lee Sandales
Assistant Set Decorators - Ben Barrington-Groves,
Anita Gupta and Guy Mount
Property Master - Jamie Wilkinson
Standby Props - Sonny Merchant and Charlie Summerville
Costume Designer - Jacqueline Durran
Costume Designer: The Batsuit/Costume Supervisor - David Crossman
Costume Designer/Chief
Concept Artist: The Batsuit - Glyn Dillon
HOD Costume FX - Pierre Bohanna
Costume Cutters - Jennifer Alford, Sarah Humphrey
and Simone Feulmer
Makeup Designer - Naomi Donne
Prosthetics Design: The Penguin & Unseen
Arkham Prisoner - Michael Marino
Makeup Designer: Selina - Pat McGrath
Director of Photography - Greig Fraser
Supervising Location Manager/
COVID Compliance - Mark Somner
Chicago Location Manager - Adam Boor
Unit Production Manager: Second Unit -
James R. McAllister
First Assistant Director: Second Unit -
Tom Edmondson
First Assistant Director: Chicago Unit -
Julian Wall
Second Unit Director/Supervising Stunt
Coordinator - Robert Alonzo
Stunt Coordinators - Steve Griffin,
Samuel Le and Jacob Dewitt
Stunt Coordinator: Chicago Unit -
Rick LeFevour
Fight Co-Coordinator/Trainer - Daniel Arrias
(Uncredited)
Picture Vehicle Supervisor - Alex King
Special Effects Supervisor - Dominic Tuohy
Special Effects Supervisor: Chicago Unit -
Andre Christopoulos
Special Effects Coordinator - Alicia Davies
Visual Effects Supervisor - Dan Lemmon
Visual Effects Supervisor: ILM - Russell Earl
Visual Effects Supervisor: Weta Digital -
Anders Langlands
Visual Effects Supervisor: Chicago Unit -
Mark O. Forker
Additional Visual Effects Supervisor -
Jeremy Burns
Visual Effects Associate Supervisors: ILM -
Malcolm Humphreys and Anthony Smith
Visual Effects Supervising Producer: ILM -
Jill Brooks
Visual Effects Producers - Alex Bicknell and
Bryan Searing
Visual Effects Producer: Weta Digital -
Sophie Cherry
Editors - William Hoy and Tyler Nelson
Supervising Sound Editor - Douglas Murray
Supervising Sound Editor/Re-Recording Mixer -
Will Files
Sound Designers - Lee Gilmore,
Craig Henighan and and Chris Terhune
Sound Recordist - John P. Fasal
Re-Recording Mixer - Andy Nelson
Sound Mixer - Stuart Wilson
Music - Michael Giacchino
Music Supervisor - George Drakoulias
Music Editor - Joe E. Rand
Score Recordists & Mixers - Peter Cobbin
and Kirsty Whalley
Review
Fans are wary of THE BATMAN since it's not canonically part
of the DC Extended Universe, which is supposed to star Ben Affleck as
the titular caped crusader and produce, co-write and direct the film. It
was a bold reinvention of the title character that has been countlessly
adapted many times on the silver screen. The movie managed to arrive in
theatres by the time it came. Co-writer/director Matt Reeves is a
longtime Batman fan and has poured his heart and soul into making his
spin on the Dark Knight with inspiration from a few of David Fincher's
films. He's not as masterful as Chris Nolan, who did the character
justice in The Dark Knight trilogy. Reeves knows how to push
certain limits when making this recent cinematic interpretation a noir
thriller.
I don't
understand why some fans are disappointed with this iteration. Perhaps they expected an adaptation similar to The Dark Knightbut with a tonal balance of light and dark. I
admire its action sequences, in which the fighting felt very similar to
the combat style from the Arkham games I've been playing. Plus, it had
an engaging storyline with so many twists and turns.
After
years of seeing Christian Bale and Ben Affleck's takes on the
character, I was uncertain that Robert Pattinson would be an ideal actor
to portray Bruce Wayne/Batman. Given that he played a sullen vampire in the Twilight series. I didn't watch his work. However, Pattinson gives a vulnerable edge to his protagonist and proves that he's good at it. Few people complained that Batman was too much of a wimp and not a strong enough character, but they're probably not used to seeing the new version.
Paul Dano did a fantastic job as The Riddler, whereas Jim Carrey's is comical and lighthearted. His was darker, homicidal and extremely psychopathic and would probably rival Heath Ledger's Joker as the terrifying arch-foe of Batman. Colin Farrell looks unrecognisable as the Penguin, although the makeup team did an incredible job of making him look like that. Zöe Kravitz was terrific as Catwoman, and this wasn't the first time she played that anti-heroine, which she reprised from The Lego Batman Movie.
On the technical side, Greig Fraiser's cinematography is simply dazzling. Michael Giacchino's score is hauntingly brutal but eerily similar to Danny Elfman's compositions in the first two Batman movies by Tim Burton.
While it isn't as insightful or original as Nolan's films, THE BATMAN is a superbly daring movie that reinvents the Caped Crusader bleakly for a crime thriller/detective drama. It could be the second-best Batman movie, with The Dark Knight still on top. I highly recommend it to Batman and DC fans, and most would want to see it anyway.
The Academy Award-winning actor William Hurt passed away on March 13th, 2022, after a battle with prostate cancer one week before his 72nd birthday. He was best known for roles such as "Body Heat", "The Big Chill","Kiss of the Spider Woman", and "Broadcast News", and was also known for his portrayal of General Thaddeus Ross in the Marvel Cinematic Universe.
Hurt made his screen debut in 1980 with "Altered States", playing a psychopathologist, and quickly emerged as one of the decade's foremost leading men. The following year, Hurt starred opposite Kathleen Turner in a steamy noir film by writer/director Lawrence Kasdan, "Body Heat". It changed the lives of the two performers who positively ignited on screen into the major league players of Hollywood stardom. Hurt would have another lead role in "Gorky Park" and was part of an ensemble of a drama about a group of friends reuniting entitled "The Big Chill", which became a touchstone for the baby boomer generation.
Then came "Kiss of the Spider Woman", for which Hurt won the Best Actor Oscar for portraying a gay window dresser in a repressive dictatorship of South America. Following his award win in "Kiss of the Spider Woman", Hurt landed in roles that garnered him Oscar nominations in movies like "Children of a Lesser God" and "Broadcast News". Playing as a speech teacher at a school for the deaf and a likable, slightly-dimwitted newsman had showcased his talents, and the critical and commercial success of these films propelled Hurt into the A-list. However, the actor didn't seem to care about his celebrity status.
William went through a turbulent periodin the 1990s, when he became acclaimed for playing an arrogant surgeon in "The Doctor". Films such as "Second Chances" and "Until the End of the World" don't have the same immeasurable success Hurt had in the 1980s. Even his attempt at popcorn entertainment with the big-screen adaptation of "Lost in Space" didn't earn enough money to spawn a franchise, despite being a modest hit and Hurt looking bored throughout the movie.
He also appeared in the television mini-series adaptation of "Dune", as well as films like Steven Spielberg's "A.I. Artificial Intelligence" and M. Night Shyamalan's "The Village". William Hurt settled into supporting roles with his scene-stealing performances in "The Good Shepherd", "Into the Wild", and most notably "A History of Violence". The latter film, Hurt, was nominated for an Academy Award for Best Supporting Actor for his performance as a sinister mob boss.