Thursday, July 19, 2018

Incredibles 2 Review










Incredibles 2


Release Date: 15th June 2018 - Australia 


Production Companies 
Walt Disney Pictures 
Pixar Animation Studios

Distribution 
Walt Disney Studios Motion Pictures Australia 


Genre: Animation/Family

Rating: PG 

Runtime: 120 minutes 


Budget: $200,000,000

Box Office Gross: $1,242,805,359 (Worldwide)


Plot Summary
Everyone’s favorite family of superheroes is back in “Incredibles 2” – but this time Helen is in the spotlight, leaving Bob at home with Violet and Dash to navigate the day-to-day heroics of “normal” life. It’s a tough transition for everyone, made tougher by the fact that the family is still unaware of baby Jack-Jack’s emerging superpowers. When a new villain hatches a brilliant and dangerous plot, the family and Frozone must find a way to work together again—which is easier said than done, even when they’re all Incredible. (Source - Google)


Voice Cast
Craig T. Nelson - Bob Parr/
Mr. Incredible
Holly Hunter - Helen Parr/
Elastigirl
Sarah Vowell - Violet Parr
Huck Milner - Dashielle Parr (Dash)
Samuel L. Jackson - Lucius
Best/Frozone
Brad Bird - Edna Moda (E)
Bob Odenkirk - Winston
Deavor
Catherine Keener - Evelyn
Deavor
Jonathan Banks - Rick Decker
Sophia Bush - Voyd
Michael Bird - Tony Rydinger
Isabella Rossellini -
Ambassador
Phil LaMarr - Krushaer/
Helectrix
John Ratzenberger -
Underminer
Bill Wise - Screenslaver/
Pizza Guy

Crew
Writer/Director - Brad Bird
Executive Producer - John
Lasseter 
Producers - John Walker and
Nicole Paladis Grindle
Story Supervisor - Ted Mathot
Story Consultants - Peter Sohn,
Mark Andrews and Michael Arndt 
Additional Story Artist/Character Designer/
Supervising Animator - Tony Fucile
Production Designer - Ralph Eggleston
Character and Costume Designer - Deanna Marsigliesse
Character Supervisor - Bill Wise
Supervising Animators - Alan Barillaro
and Dave Mullins
Directing Animators - Evan Bonifacio
and Travis Hathaway
Director of Photography: Camera - Mahyar Abousaeedi
Director of Photography: Lightning - Erik Smitt 
Film Editor - Stephen Schaffer
Second Film Editor - Anthony Greenberg
Music - Michael Giacchino


Review
It's been 14 years since Pixar released 'The Incredibles' and the stakes have never been higher. After such a long waiting period, a sequel has been released and it has met all expectations. Brad Bird has revisited his own cinematic creations and is again doing the impossible by putting them into this new installment with twice the fun and action as its predecessor. He even went back to his roots in 3D animation in the wake of the box office fiasco that was his second live-action feature 'Tomorrowland'. My small concern on 'INCREDIBLES 2' is that it doesn’t deliver as much of a original story and some bits were all too vaguely familiar from the original. However, it’s nice to get away from the excitement of the Marvel movies and that it is a rare opportunity to see the whole superhero family fight crime while trying to balance it in living with a normal life. 

One of the reasons that this film had brought me here is the whimsical joy of the humour and some of which has come from the antics of the baby Jack-Jack who has recently discovered his super-powers. Added to the movie was its message that promotes gender equality; probably because Elastigirl was the centre of attention and since Pixar nowadays has shifted lead characters from traditional male-dominated world of  animated movies. 

Now it seems that 'INCREDIBLES 2' won’t be up there with the sequels that Pixar has made for the original 'Toy Story', but I admit, it has been a fun, thrill ride and it would be more exciting if I have to see these two animated movies in a mini-marathon. WARNING!: Viewers with epilepsy are cautioned that due to several of the movie’s sequences containing flashing lights as a risk of seizures.

Star rating: (8/10) Very Good Movie

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Wednesday, July 4, 2018

The Fifth Element Review









The Fifth Element


Release Date: 15th May 1997 - Australia


Production Companies
Columbia Pictures (presents)
Gaumont

Distribution
Madman Entertainment


Genre: Sci-Fi

Rating: PG

Runtime: 126 minutes


Budget: $90,000,000

Box Office Gross: $264,029,966 (Worldwide)


Plot Summary
In the 23rd century, life
has become boringly
repetitive for ex-Marine
Korben Dallas, who drives
a flying taxi and eats
takeaway from the same
Chinese restaurant that
delivers directly to his
window. Unbeknownst
to Korben, a tremendous
alien evil has joined forces
with Zorg and threatens
to destroy the Earth.
Combining the four
earthly elements with
an alien 'fifth' element can
only prevent this event.
Before long, Korben finds
himself a key player in
saving the Earth when a
beautiful alien, Leeloo,
falls through the roof of
his cab, revealing herself
to be the elusive fifth
element. Only Korben
and Leeloo hold the key
to humanity's survival in
the ultimate battle between
good and evil. But time is
running out.


Cast
Bruce Willis - Korben Dallas
Gary Oldman - Zorg
Ian Holm - Cornelius
Milla Jovovich - Leeloo
Chris Tucker - Ruby Rhod
Luke Perry - Billy
Brion James - General Munro
Tommy 'Tiny' Lister - President Lindberg
Lee Evans - Fog
Charlie Creed-Miles - David
Tricky - Right Arm
John Neville - General Staedert
John Bluthal - Professor Pacoli
Matthieu Kassovitz - Mugger
Christopher Fairbank - Mactilburgh
Kim Chan - Thai
Richard Leaf - Neighbour
Julie T. Wallace - Major Iceborg
Clifton Lloyd Bryan - Mangalore Aknot/
Mondoshawan/Airport Guard
Aron Paramour - Mangalore Akanit
Alan Ruscoe - Mangalore Kino
Vladimir McCrary - Human
Aknot
Al Matthews - General Tudor
Maïwenn - Diva Plavalaguna
John Bennett - Priest
Ivan Heng - Left Arm
Sonita Henry - President's Aide
Tim McMullan - Scientist's Aide
George Khan - Head Scientist
John Hughes - Head of Military
Roberto Bryce - Omar
Said Talidi - Aziz
Justin Lee Burrows - Mondoshawan
Richard Ashton - Mondoshawan
Jerome St. John Blake - Mondoshawan
Kevin Molloy - Mondoshawan/Ground Crew
Bill Reimbold - Mactilburgh's Assistant
Colin Brooks - Staedert's Captain
Anthony Chinn - Mactilburgh's Technician
Sam Douglas - Chief NY Cop
Derek Ezenagu - NY Cop
David Kennedy - Flying Cop
David Barrass - Flying Cop
Roger Monk - Flying Cop/Military Technician
Mac McDonald - Flying Cop
Mark Seaton - Flying Cop
Jean-Luc Caron - Flying Cop
Riz Meedin - Flying Cop
Jerry Ezekiel - Flying Cop
Indra Ové - VIP Stewardess
Nicole Merry - VIP Stewardess
Stacey McKenzie - VIP Stewardess
Rachel Willis - Stewardess
Genevieve Maylam - Stewardess
Josie Perez - Stewardess
Natasha Brice - Stewardess
Sophia Goth - Check-In Attendant
Martin McDougall - Warship Captain
Pete Dunwell - Diva's Manager
Paul Priestley - Cop
Jason Salkey - Cop
Stewart Harvey-Wilson - Ruby Rhod Assistant
Dave Fishley - Ruby Rhod Assistant
Gin Clarke - Diva's Assistant
Eve Salvail - Tawdry Girl
Kaleem Janjua - Shuttle Pilot
Tyrone Tyrell - Shuttle Co-Pilot
Kevin Brewerton - Shuttle Mechanic
Vincenzo Pellergino - Ground Crew
Ian Beckett - Baby Ray
Sonny Caldinez - Emperor Kodar Japhet
Zeta Graff - Princess Achen
Eddy Elwood - Roy von Bacon
Yui - Fhloston Hostess
Laura De Palma - Fhloston Hostess
Michael Culkin - Hefty Man
Lenny McLean - Police Chief
Robert Oates - Fhloston Commander
John Sharian - Fhloston Captain
Fred Williams - Hotel Manager
Sibyl Buck - Zorg's Secretary
Sarah Carrington - Scientist
Ali Yassine - Scientist
Sean Buckley - Scientist
Dane Messam - Military Technician
Nathan Hamlett - Military Technician
Cecil Cheng - Military Technician
Scott Woods - Lab Guard
Leon Dekker - Lab Guard
David Garvey - Staedert's Technician
Stanley Kowalski - Staedert's Technician
Omar Williams - Staedert's Technician
Robert Clapperton - Robot Barman
Robert Alexander - Warship Technician
Mia Frye - TV Stewardess
Leo Williams - Power Operator
C. Keith Martin - Power Operator
J.D. Dawodu - Zorg's Man
Patrick Nicholls - Zorg's Man
Shaun Davis - Zorg's Man
Roy Garcia - Zorg's Man
Alex Georgijev - Zorg's Man
Marie Guillard - Burger Assistant
Renee Montemayor - Burger Assistant
Stina Richardson - Burger Assistant
Fitz Hall - Young Boy (Uncredited)
Inva Mila - Diva's Singing Voice (Uncredited)

Crew
Story/Screenplay/Director - Luc Besson
Screenplay - Robert Mark Kamen
Associate Producer/Post-Production
Supervisor - John A. Amicarella
Producer - Patrice Ledoux
Co-Producer - Iain Smith
Casting Director - Lucinda Syson
US Casting Director - Francine Maisler
Production Design 'Moebius' Giraud,
Jean-Claude Mézières, Sylvain Despretz,
Patrice Garcia, Sean Hargreaves, Kanel Tazit,
Hélène Giraud, Jacques Rey, Michel Gibrat,
Humbert Chabuel and Pierre-Alain Chartier
Art Directors - Michael Lamont,
Jim Morohan and Kevin Phipps
Assistant Art Directors - Frederic Evard,
Gary Tomkins and Paul Kirby
Draughtsmen - Su Whitaker,
Peter Francis, Jon Billington, Pat Johnson,
David Wood and Stephen Morohan
Construction Coordinator - Ray Barrett
Set Decorators - Maggie Gray and Anna Pinnock
Property Master - Barry Wilkinson
Costume Designer - Jean-Paul Gaultier
Assistant Costume Designer - Graham Churchyard
Armourer - Simon Atherton
Chief Makeup Artist - Lois Burwell
Makeup Artist: Bruce Willis - Amanda Knight
Hairdressers - Lisa Tomblin
and Sarah Love
Director of Photography - Thierry Arbogast
Steadicam Operator - John Ward
Location Managers - Andrew MacDonald Brown
and Kevin de la Noy
Production Managers - Sarah Bradshaw
and Barrie Melrose
First Assistant Director - Chris Carreras
Key Second Assistant Director - Cliff Lanning
Assistant Director: Second Unit - Jamie Christopher
Second Unit Director - Pascal Chaumeil
Stunt Coordinator - Marc Boyle
Special Effects Supervisors - Nick Allder and Neil Corbould
Special Effects Workshop Supervisor - Trevor Wood
Pyrotechnics Supervisor - Thaine Morris
Creature Design Supervisor - Nick Dudman
Key Animatronic Model Designers -
Monique Brown, Chris Barton and
John Coppinger
Senior Animatronic Model Designers -
Malcolm Evans, Joe Scott, Jim Sandys
and Gary Pollard
Special Visual Effects Supervisor - Mark Stetson
Art Directors: Digital Domain - Ira Gilford
and Ron Gress
Supervising Visual Effects Director of
Photography: Digital Domain - Bill Neil 
Digital Effects Supervisor: Digital Domain -
Karen E. Goulekas
Digital Effects Producer: Digital Domain -
Tamara Watts Kent
Lead Digital Compositing Supervisor: Digital
Domain - Jonathan Egstad
Digital Compositing Supervisor: Digital Domain -
Bryan Grill
Sequence Supervisors: Digital Domain -
Remo Balcells, Sean C. Cunningham,
Sean Dever, Joshua I. Kolden, Christine Lo,
Franklin Londin, Rodney J. McFall,
Christopher Roda and Scott Stokdyk
Miniature Effects Supervisor: Digital Domain -
Niels Nielsen
Director of Photography: Camera, Digital
Domain - Paul Gentry
Editor - Sylvie Landra
Sound Designer and Supervisor - Mark A. Mangini
Sound Design - John Popisal and
John P. Fasal
Supervising ADR Editor - Curt Schulkey
Re-Recording Mixers - Chris Jenkins,
Mark Smith and Ron Bartlett
Foley Artists - Ellen Heuer and
James Moriana
Music/Words and Music: "The Little Light
of Love" - Éric Serra


Awards

1998 Academy Awards
Best Sound Effects Editing - Mark A. Mangini (Nominated)


Review
The concept was first conceived decades ago by French filmmaker Luc Besson when he was 16. THE FIFTH ELEMENT is a colourful and entertaining sci-fi movie made after his groundbreaking 1994 masterpiece Leon: The Professional was successful. Some moviegoers claimed it was a dumb and cheesy film, while others thought it was impressive. I believe so myself, and there's nothing wrong with this movie that came out in the same year as the Star Wars special editions and James Cameron's Titanicexcept for one defect. It may have prevented THE FIFTH ELEMENT from being accomplished as the best movie of 1997. Immersive visuals, city landscapes and masterful concepts were designed beautifully with regal splendour as Luc Besson interpreted the future for sci-fi-loving audiences. It may have inspired George Lucas to create more of this city scenery for one of the Star Wars prequels, Attack of the Clones.

The cast is no huger than the extraordinary visuals on the left side of a plate. Bruce Willis was a multi-talented actor who ended up in this farce, even though he wasn't my favourite action star. He was convincing as the ex-military turned cab driver who finds himself in a predicament to save the universe, Korben Dallas. Milla Jovovich was pleasant to watch as the actress fits the bill of Korben's love interest and is the key to everything. Gary Oldman enjoys getting villainous roles and doing so without being typecast. Here, he portrays the immorally corrupt businessman Zorg, who speaks with a Southern accent, which differs from Oldman's English accent and is over-the-top rather than serious. All the actors are good. One particular performance I did not like is from Chris Tucker, whose musician Ruby Rhod acts like a prima donna and is very annoying.

Humorous, imaginative and explosive. Those are the three simple words I describe about THE FIFTH ELEMENT. It's been good to re-watch this movie again, but I know it's cheesy. Most moviegoers would agree this is a semi-decent feature.

Star rating: (7/10) Good Movie

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Monday, July 2, 2018

The Real Macaw Review












The Real Macaw


Release Date: 26th September 1998 - Australia


Production Companies
Adelaide Motion Picture Company
Becker Entertainment (presents)
Australian Film Finance Corporation Limited
Bellwether Films
The South Australian Film Corporation
New South Wales Film and Television Office
Film Queensland


Genre: Family

Rating: G

Runtime: 92 minutes


Budget: $5,000,000 (estimated)

Box Office Gross: $741,876 (Australia)


Plot Summary
In 1870, a pirate in the
Amazon captured a macaw
parrot and took it aboard
his ship, along with
priceless temple treasures.
The pirate, the bird and
the treasure drift
somewhere in the South
Pacific after a fallen lamp
sets fire to the ship. The
parrot watches the wounded
pirate bury it on a deserted
island, then dies.

The year is 1997 in Sydney,
and the parrot is the same!
Mac lives with his old pal,
the loveable Grandpa, and
is now 149. His 15-year-old
grandson, Sam, also
adores Grandpa. But their
fun-filled world is shattered
when Sam's father
discovers Grandpa is in
heavy debt and organises
the sale of Grandpa's
lifelong home and his move
to a "pet-free" retirement
centre.

The prospect of being
separated from his
grandfather is too much for
Mac to bear, and he reveals
to a stunned Sam that he
can talk. Talk for real! Plus,
he knows where the buried
treasure lies! So Sam and
the eccentric Mac set off
to find the treasure.


Cast
Jamie Croft - Sam Girdis
Daniel Murphy - Mac (Voice)/Pet Store Owner
Jason Robards - Grandpa Girdis
Joe Petruzzi - Rick Girdis
John Waters - Dr. Lance Hogan
Deborra-Lee Furness - Beth Girdis
Gerry Connolly - Lou Rickets
Robert Coleby - Mr. St. John
Petra Yared - Kathy Girdis
Nathan Kotzur - Scarlatta
Kevin Hudes - Businessman on Plane
Penny Everingham - Nurse Gimlet
Murray Shoring - Dr. Thompson
Anna-Maria La Spina - Museum Receptionist
Simon Chan - Phillip
Tango - Mac

Crew
Director - Mario Andreacchio
Based on a Original Story/Screenplay/
Co-Producer - Bruce Hancock
Based on a Original Story/Screenplay -
Matthew Perry
Executive Producer - Richard Becker
Producer - Margot McDonad
Co-Producers - Tim Prescott and
Rocky Bester
Casting Director - Ann Fay
Macaw Trainer - Peter Gregg
Production Designer - Ross Major
Art Director - Michael Rumpf
Set Decorator - Lisa Brennan
Director of Photography - David Foreman
Stunt Coordinator - Danny Baldwin
Editor - Edward McQueen Mason
Supervising Sound Editor - Wayne Pashley
Production Sound Mixer - Paul 'Salty' Brincat
Re-Recording Mixer - Pete Smith
Music - Bill Conti


Review
Greetings, everyone. Here's another review, a family movie this time! When we think about family movies with live animals that take up the spotlight from human actors, Babe is a worthy example of a film that is a rising success both worldwide and in Australia, where most of the filming took place. However, few of its competitors filmed in Australia did not achieve that same recognition, and each was left out financially at the box office. South Australian filmmaker Mario Andreacchio has a tough time because his all-animal kid movie Napoleon wasn't the success he hoped for. He nevertheless got tapped in to direct the feature as another bird-centric film named Paulie is about to make its way in theatres for that same year. THE REAL MACAW didn't do so well with its low box office receipts and got shipped into direct-to-video packaging for American audiences. Nothing in the film got altered and re-edited except for the macaw's voice, which was re-dubbed by John Goodman.

THE REAL MACAW is too predictable for a family movie. It addresses some themes that were all tried and true, especially the inner turmoil of family, which is one of its main issues. Fortunately, the film directs the viewers' attention to its delightful comedy and its feathered star, a wisecracking bird full of personality and spunk and voiced by the ad-libs of the original actor, Daniel Murphy. This actor is much better at giving the parrot its squawk than John Goodman did for the American version.

All the cast was spearheaded by some unrecognisable film talent in Australia, except for Jason Robards, the only American actor in the movie, and, to a lesser extent, Jamie Croft. The late actor is so out of place in this movie that even his role as the grandfather couldn't save him in a forgettable film forcibly marketed to international audiences. Croft provides a solid performance as the young boy desperate to save his grandfather from being sent into a retirement community and having financial problems.

THE REAL MACAW is just too average. It's much harder to find in a bargain bin in a second-hand retail store as if it were a rare bird (no pun intended). All of you will understand this critique that this movie isn't good enough for the entire family audience.

Star rating: (5/10) Average