Wednesday, May 28, 2014

Faeries Review













Faeries


Broadcast Date: 20th November 1999 - Australia


Production Companies
Cartwn Cymru 
HiT Entertainment PLC
United Productions


Genre: Animation/Family/
Fantasy

Rating: G

Runtime: 90 minutes


Plot Summary
While holidaying on a
farm, two children find
themselves transported to
Fairyland, but after one of
them eats an enchanted
fairy cake, they must
perform three tasks before
returning to their world.

Unbeknownst to the two
children and the faeries
of this realm, an evil
shapeshifter plots to take
over the fairy kingdom
and has heard of a
prophecy about what will
happen if he plans to
usurp the throne!


Voice Cast
Ciara Hanson - Nellie 
Freddie Ridge - George
Kate Winslet - Brigid
Jeremy Irons - The Shapeshifter
Dougray Scott - The Fairy Prince
Michael Burrell - Mr.
Coombs/Fume
Patrick Marlowe - Mone
Jane Horrocks - Huccaby
Charlotte Coleman - Merrivale
Tony Robinson - Broom
John Sessions - Chudley
Jessica Martin - Helen/Skrawk
Elizabeth Morton - Princess Brigid
Tracey-Ann Oberman - Tippycott
June Whitfield - Mrs. Coombs

Crew
Designer/Director - Gary Hurst
Writer - Jocelyn Stevenson
Executive Producer - Kate Fawkes
Co-Executive Producer: United Productions - Dan Maddicott
Producer - Naomi Jones
Folklore Consultant - Juliette Wood
Directors of Photography: 3D Sets -
Mark Chamberlain, Simon Jacobs and
Sam James
Motion Control Camera - Peter Tyler
Background Layouts - Christopher Evans,
Mark Morgan and Chris Glynn
2D Backgrounds - Graham Howells,
Mike Wall, Monica Herman and
Jocelyn Smith
Animo Supervisor - Martyn Yates
Animatic Editor - Keith Ware
Sound Designer & Re-Recording Mixer -
Peter Jeffreys
Sound Design & Editing - Ian "Spike" Banks
Music - Colin Towns


Review
I didn't imagine HiT Entertainment (the company renowned for its preschool shows) was responsible for this animated movie. Under the careful guidance of looking at the Internet Movie Database (IMDB), the film never existed in its home release in my country and was only shown on television. To my surprise, FAERIES is said to have featured a few talented actors known for their heritage in Britain. The film has good points, such as an advanced visual treat of 2D animation merged with live sets. However, it suffers from disappointing CGI. The movie's story feels underdeveloped and episodic if it could be an animated kids' program. Deeply undeveloped is the interracial love relationship, which failed to engage its audience if Disney or any hand-drawn studio would allow this poorly-developed story to be on their hands for any better development. Likely, this disaster could be redeemed, which is very optimistic.

The only reason I wanted to watch the movie is it surprisingly contains the benefits of one actor, Jeremy Irons. It's not the first time he's played a power-hungry evil brother. In many similarities, the character is a somewhat less successful and deadly villain than our favourite evil cat, Scar. Still, he did a good performance of that versatile voice. I could have the pleasure of saying he was perfect in this role because he is one of my favourite actors, but unfortunately, I cannot.

It makes FAERIES a dull and prosaic movie that, at the point, needed character building or a sense of adventure. I always believed it was half misconceived and thought it'd turn out worse as a non-Disney musical. I'm Film Guru Lad, and this is my critique of FAERIES.

Star rating: (4/10) Below Average

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Monday, May 26, 2014

After Earth Re-Review








After Earth


Release Date: 13th June 2013 - Australia


Production Companies
Columbia Pictures
Overbrook Entertainment
Blinding Edge Pictures

Distribution
Sony Pictures Australia


Genre: Sci-Fi

Rating: M

Runtime: 100 minutes


Budget: $130,000,000

Box Office Gross:
$243,611,982 (Worldwide)


Plot Summary
A crash landing leaves Cypher Raige, a legendary general, and his son Kitai stranded on Earth, now a dangerous planet after 1,000 years of cataclysmic events that forced humanity's escape. With his father wounded by the crash, Kitai must journey
across the hostile terrain
to recover their rescue
beacon.

If they are to survive and have a chance to get back home, they must learn to trust each other and work together.


Cast
Will Smith - Cypher Raige
Jaden Smith - Kitai Raige
Sophie Okonedo - Faia Raige
Zoƫ Kravitz - Senshi Raige
Glenn Morshower - Commander Velan
Jaden Martin - 9-Year-Old Kitai
Sincere L. Bobb - 3-Year-Old Kitai
David Denman - Private McQuarrie
Kristofer Hivju - Security Chief
Sacha Dawan - Hesper Pilot
Chris Geere - Hesper Navigator
Diego Klattenhoff - Veteran Ranger
Lincoln Lewis - Running Cadet
Monika Jolly - Female Ranger

Crew
Screenplay/Producer/Director -
M. Night Shyamalan
Story - Will Smith
Screenplay - Gary Whitta
Executive Producer/Unit Production Manager -
E. Bennett Walsh
Producers - James Lassiter,
Jada Pinkett Smith, Caleeb Pinkett and
Will Smith
Co-Producer/First Assistant Director - John Rusk
Co-Producer - Ashwin Rajan
Military Advisors - James D. Dever
and Quay Terry
Production Designer - Thomas E. Sanders
Art Directors - Robert W. Joseph,
Naaman Marshall and Dean Wolcott
Set Decorator - Rosemary Brandenberg
Property Master - Andrew Petrotta
Costume Designer - Amy Westcott
Costume Supervisor - Lisa Lovaas
Director of Photography - Peter Suschitzky
"B" Camera Operator - John S. Moyer
Second Assistant Directors - John R. Saunders
and John Nasraway
Second Unit Director/Stunt Coordinator -
Chad Stalheski
Stunt Coordinator - R.A. Rondell
Aerial Stunt Coordinator - Tim Rigby
Stunt Coordinator: Second Unit - Brad Martin
E2 Coordinator: Jaden Smith - Darrell Foster
Aerial Helicopter Pilot - Cliff Fleming
Special Effects Supervisor - Tommy Frazier
Special Effects Coordinator: Second Unit -
Richard O. Helmer
Visual Effects Supervisor - Jonathan Rothbart
Digital Pipeline Supervisor - Craig A. Mumma
Visual Effects Supervisors: Tippett Studio -
Blair Clark and Aharon Bourland
Visual Effects Supervisor: DIVE - Mark O. Forker
Visual Effects Producer - Jenny Fulle
Visual Effects Producer: DIVE - David P.I. James
CG Effects Supervisor: Tippett Studio -
Scott Singer
Animation Supervisor: Tippett Studio -
James W. Brown
Digital Environment Supervisor: Tippett Studio -
Craig Barron
Editor - Steven Rosenblum
Assistant Editor - Luke Ciarrocchi
Supervising Sound Editors - Steven Ticknor
and Charles Maynes
Sound Designer - Randy Thom
Sound Mixer - Tod Maitland
Re-Recording Mixers - Paul Massey,
David Giammarco and Deb Abdir
Music - James Newton Howard
Score Recordist and Mixer - Shawn Murphy


Review
I originally reviewed AFTER EARTH in 2013 and didn't care for it. I couldn't wait to turn it off because I thought it was a below-average film. The flick was from the imagination of Will Smith, not M. Night Shyamalan. He wanted to make this coming-of-age story into a post-apocalyptic sci-fi adventure. AFTER EARTH had great potential to be a solid sci-fi survival movie, but due to setbacks like poor acting, weird accent and the misplaced jungle setting, it would've been better if it wasn't a sci-fi film, given its original idea. The visuals were old school in some scenes. The people of ILM (Industrial Light & Magic) must have declined an offer to work with Shyamalan after The Last Airbender.

While still different from his early sci-fi/action film roles, Will Smith's acting is not on par with his previous outings and portrays a stern and cold authority figure. The reason why Will had to act emotionally distant is that that's part of his character. Smith's offspring, Jaden, proves to be ill-suited for the lead hero. I admit it's Will's fault for casting Jaden in a serious movie that was his vanity project. If that isn't nepotism, I don't know what that is. There are a few elements that keep the movie half-intact. The more noticeable was the music by James Newton Howard.

The movie should not be AFTER EARTH. Instead, it'd be called Escape from Earth. This title would have made more sense and related to the plot. It is a far less forgiving movie, given its low re-watch value. But to be fair, M. Night Shyamalan is still a step away from his directorial comeback.

Star rating: (3/10) Disappointing

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Thursday, May 22, 2014

Feedback Survey

Hello, this is Film Guru Lad. I'm letting you know of a change I've made to my blog site. I removed the superhero category and moved all the multiple reviews of the comic book movies into sci-fi or action. If any people have ideas or feedback that could make my blog site more accessible, I utilise this as an opportunity to improve my blog site. I've listed some survey questions below. They shouldn't take more than 10 minutes of your time. I will check in regularly to see if there has been any feedback and make my best effort to respond to feedback. Thank you.

Question: #1 - Based on today's visit, how would you rate your site experience overall?

Question: #2 - Please describe the purpose of your visit.

Question: #3 - Are you willing to complete the purpose of your visit today? (If you answer yes, proceed to question 4. If you answer no, go to the fifth question).

Question: #4 - What do you value most about the website?

Question: #5 - Would you please tell me why you can't complete the purpose of your visit?

Question: #6 - What features does this site offer that others don't?

Question: #7 - What could make this site more accessible or user-friendly?

Question: #8 - Where did you find out about this website?

To leave feedback on these survey questions, please click on the comments tab below. Thank you for taking the time to fill out this survey.

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Monday, May 19, 2014

X-Men: First Class Review













X-Men: First Class 


Release Date: 2nd June 2011 - Australia


Production Companies
20th Century Fox
Marvel Entertainment
Bad Hat Harry 
The Donners' Company
Ingenious Media (produced in 
association with)
Big Screen Productions (made
in association with)
Ingenious Film Partners (made
in association with)

Distribution
20th Century Fox Australia


Genre: Action

Rating: M

Runtime: 131 minutes


Budget: $160,000,000

Box Office Gross: $353,624,124 (Worldwide)


Plot Summary
Before they became
Professor X and Magneto
and were enemies, Charles
Xavier and Erik Lensherr
were two young men
discovering their powers
and became close friends.
They assembled an elite
team to form the X-Men
and prevent World War
III.


Cast
James McAvoy - Charles
Xavier/Professor X
Michael Fassbender - Erik 
Lehnsherr/Magneto
Jennifer Lawrence - Raven
Darkholme/Mystique 
Kevin Bacon - Dr. Klaus
Schmidt/Sebastian Shaw
Rose Byrne - Moira MacTaggert 
January Jones - Emma Frost 
Nicholas Hoult - Dr. Hank
McCoy/Beast
Oliver Platt - Man in Black Suit
Ray Wise - Secretary of State
Zoƫ Kravitz - Angel Salvadore
Caleb Landry Jones - Sean
Cassidy/Banshee
Lucas Till - Alex Summers/
Havok
Edi Gathegi - Armando
Munoz/Darwin
Jason Flemyng - Azazel
Alex GonzƔlez - Janos
Quested/Riptide
Demetri Gortisas - Levene
Glenn Morshower - Col. Rob Hendry
Annabelle Wallis - Amy
Don Creech - William Stryker
Matt Craven - CIA Director McCone
James Remar - US General
Ludger Pistor - 1st German/Pig Farmer
Wilfried Hochholdinger - 2nd German/Tailor
Rade Serbedzija - Russian General
Olek Krupa - Soviet Captain
Ɖva Magyar - Edie Lensherr
Beth Goddard - Mrs. Xavier
Laurence Belcher - Charles Xavier (12 Years)
Morgan Lily - Young Raven
(10 Years)
Bill Milner - Young Erik 
Gregory Cox - Dr. Leigh
Michael Ironside - Captain
Sasha Pieterse - Teenage Girl
Brendan Fehr - Communications Officer
Georg Nikoloff - Erik's Dad
Hugh Jackman - Logan/
Wolverine (Cameo) (Uncredited)
Rebecca Romjin - Mystique - Older (Cameo) (Uncredited)

Crew
Screenplay/Director - Matthew Vaughn
Based on Marvel's "X-Men" Comics (Uncredited)/
Executive Producer - Stan Lee
Based on Marvel's "X-Men" Comics -
Jack Kirby (Uncredited)
Story - Sheldon Turner
Story/Producer - Bryan Singer
Screenplay - Ashley Edward Miller,
Zack Stentz and Jane Goldman
Executive Producer - Tarquin Pack
Executive Producer/First Assistant Director:
LA Unit, Main - Josh McLaglen
Producers - Lauren Shuler Donner and
Simon Kinberg
Producer/Unit Production Manager -
Gregory Goodman
Co-Producer - Jason Taylor
Casting Director: UK - Lucinda Syson
Casting Directors: US - Roger Mussenden
and Jeremy Rich
Production Designer - Chris Seagers
Visual Consultant - Russell De Rozario
Supervising Art Directors - John Frankish
and Dawn Swiderski
Supervising Art Director: LA Unit,
Main - Marc Fisichella
Art Directors - Grant Armstrong,
Joe Howard, Alan Gilmore, Les Tomkins,
James Hambidge, Sue Whitaker, Mark Homes,
Ben Munro, Thomas Frohling and
Dawn Snyder
Set Decorators - Erin Boyd and Sonja Klaus
Costume Designer - Sammy Sheldon
Costume Supervisors - Nicole Young and
Wendy Craig
Costume Props Supervisor - Ivo Coveney
Special Makeup Designer - Mike Elizalde
(Uncredited)
Makeup and Hair Department Head -
Frances Hannon
Beast and Special Makeup Designers -
Alec Gillis and Tom Woodruff Jr.
Beast Makeup Effects Supervisor - Dave Elsey
Azazel Makeup Supervisor - Conor O'Sullivan
Prosthetic Supervisor - Mark Coulier
Director of Photography - John Mathieson
Director of Photography: LA, 2nd Unit -
Larry Blanford
Director of Photography: Georgia, 2nd Unit -
Josh Bleibtreu
Aerial Director of Photography: LA,
2nd Unit - Hans Bjerno
2nd Assistant Cameramen - Glen Coulman,
Wil Morris and Chris Clarke
Location Managers - David Pinnington,
Tony Hood and Chris Brock
Unit Production Manager - Janine Modder
Production Supervisor: LA, 2nd Unit -
Eric Hedayat
First Assistant Directors - Kim H. Winther
and Josh Robertson
First Assistant Director: LA, 2nd Unit -
Matthew Dunne
First Assistant Director: Georgia, 2nd Unit -
Lee Cleary
Second Assistant Director: LA Unit, Main -
Maria Battle-Campbell
Second Unit Directors - Brian Smrz
and Spiro Razatos
Second Unit Director/Director of Photography -
Alexander Witt
Stunt Coordinators - Jeff Habberstad and
Tom Struthers
Special Effects Supervisor - Chris Corbould
Special Effects Coordinator - Scott R. Fisher
Visual Effects Designer - John Dykstra
Visual Effects Supervisor: Weta Digital -
Guy Williams
Visual Effects Supervisor: Digital Domain -
Jay Barton
Visual Effects Supervisor: Rhythm & Hues -
Greg Steele
Visual Effects Supervisor: MPC - Nicolas Aithadi
Visual Effects Supervisor: Cinesite - Matt Johnson
Additional Visual Effects Supervisors -
Stephane Ceretti and Rob Hodgson
Visual Effects Set Supervisor - Gregory Nic Nicholson
Visual Effects Producer - Denise Davis
Visual Effects Producer: Weta Digital -
Annette Wullems
VFX Conceptual Consultant - Robert Stromberg
VFX Concept Artists - Aaron Sims,
Andrey Ryabovichev and Steffen Reichstadt
VFX Art Director: Rhythm & Hues - Chris Grun
Digital Effects Supervisor: Digital Domain -
Nikos Kalaitzdis
Digital Supervisor: Rhythm & Hues - John Gibson
Animation Supervisor: Weta Digital - Michael Cozens
Animation Supervisor: Rhythm & Hues -
Roberto Smith
Animation Supervisor: Digital Domain -
Bernd Angerer
Effects Animation Supervisor: Digital Domain -
Brian Gazdik
CG Supervisors: Weta Digital - Daniel Macarin
and Luke Millar
Previs Supervisors - Rpin Suwannath,
Jason McDonald, Faraz Hameed and
Roger Liu
Previsualisation: Digital Domain -
Scott Meadows, Robert Ostir, Patrick Perez
and Kevin Williams
Layout Supervisor: Weta Digital - Shawn Dunn
Creatures Supervisor: Weta Digital - Simon Clutterbuck
Look Development Supervisor: Rhythm & Hues -
Dante Quintana
Character Modelling Lead: Digital Domain -
Dan Platt
Digital Double Lead: Digital Domain -
Chris Norpchen
Film Editors - Lee Smith and Eddie Hamilton
Additional Film Editor - John Lee
1st Assistant Editor - Adam Gough
Supervising Sound Editor - John A. Larsen
Sound Designer/Supervising Sound Editor -
Craig Berkey
Sound Designers - Matthew Collinge and
Rob Prynne
Production Sound Mixer - Simon Hayes
Re-Recording Mixers - Chris Burdon,
Ron Bartlett and Doug Hemphill
Music - Henry Jackman
Additional Music - Chris Willis,
Matt Margeson and Dominic Lewis


Review
An end to the marathon of the X-Men reviews brings to this fifth instalment. The themes are fundamental to the film's plot, including best friends turning foes. X-MEN: FIRST CLASS puts the franchise back on its feet after disappointing fans with The Last Stand and Origins: Wolverine. It revitalises the movie series in a whole new, fresh style. The series' original maker, Bryan Singer, has returned to co-supervise this film's production and sat on the producer's chair. Director Matthew Vaughn had never done any other superhero features apart from the violent and profane Kick-Ass. His sheer mad directional genius combines with Singer's perfection and plausible heartbeats in the original plot.

applaud the new cast for taking on the original generation of X-Men and a few of the old characters in their young versions. James McAvoy and Michael Fassbender were well-picked to look as young as the two actors who originally played Xavier and Magneto. Jennifer Lawrence is flawless as the blue shape-shifter Mystique, and playing this soon-to-be future henchwoman is like a dream come true for her. Kevin Bacon portrays the vile and sinister Sebastian Shaw in this undiluted prequel.

The acceptable quality of X-MEN: FIRST CLASS redeemed the seriesIt is a great superhero movie that is more likely to appeal to the fans of the original comic book. That is all with the X-Men movie marathon unless there's a chance to watch Days of Future Past to finish it.

Star rating: (8/10) Very Good Movie

Monday, May 12, 2014

X-Men: The Last Stand Review













X-Men: The Last Stand


Release Date: 25th May 2006 - Australia


Production Companies
20th Century Fox
Marvel Entertainment
The Donners' Company
Ingenious Film Partners
(produced in association with)
Dune Entertainment (made
in association with)
Major Studio Partners
(made in association with)

Distribution
20th Century Fox Australia


Genre: Action

Rating: M

Runtime: 110 minutes


Budget: $210,000,000

Box Office Gross: $459,359,555 (Worldwide)


Plot Summary
It has been a few months
since the X-Men put a stop
to William Stryker, which
costs the life of Jean Grey
as she sacrifices herself
to save them from a
collapsed reservoir. Still
mourning her loss is Scott
Summers (Cyclops). Once
he arrived at where Jean
Grey had given herself.
At that moment, Jean Grey
appeared right in front of
his eyes. However, Scott
seemed to have vanished
after that.

In the meantime, the rift
between the humans and
the mutants had finally
reached the boiling point.
The discovery of the
cause of human mutations
has led to the discovery
of a cure for them. Not
everyone was happy,
as this idea horrified
the X-Men. Before long,
news of it reached Magneto.
He plans to form an army
of mutants and wage war
on humanity. After that, it
became apparent that Jean
Grey had evolved into the
Phoenix, her mutant
powers so strong that she
could no longer control
her body.


Cast
Hugh Jackman - Logan/
Wolverine
Patrick Stewart - Charles 
Xavier/Professor X
James Marsden - Scott 
Summers/Cyclops
Famke Janssen - Jean 
Grey/Phoenix
Halle Berry - Ororo Munroe/
Storm
Ian McKellen - Erik 
Lehnsherr/Magneto
Anna Paquin - Marie/Rogue
Rebecca Romijn-Stamos - 
Raven Darkholme/Mystique
Shawn Ashmore - Bobby
Drake/Iceman
Ellen Page - Kitty Pryde/
Shadowcat
Kelsey Grammer - Dr. Hank
McCoy/Beast
Vinnie Jones - Juggernaut
Ben Foster - Warren 
Worthington III/Angel
Aaron Stanford - John
Allardyce/Pyro
Michael Murphy - Warren
Worthington II
Dania Ramirez - Callisto
Shohreh Aghdashloo - Dr. Kavita Rap
Josef Summer - President of the United States
Bill Duke - Secretary Trask
Cayden Boyd - Young Warren Worthington III
Haley Ramm - Young Jean Grey
Daniel Cudmore - Peter
Rasputin/Colossus
Eric Dane - James Madrox/
Multiple Man
Melling Melancon - Psylocke
Omahyra Mota - Arclight
Ken Leung - Kid Omega
Cameron Bright - Jimmy/Leech
Via Saleaumua - Phat
Richard Yee - Little Phat
Kea Wong - Jubilee
Shauna Kain - Siryn
Lance Gubson - Spike
Desiree Zurowski - Mrs. Grey
Adrian Hough - Mr. Grey
Bryce Hodgson - Artie (Uncredited)
Olivia Williams - Moria MacTaggert
(Uncredited)
Chris Claremont - Lawnmower Man (Cameo)
Stan Lee - Waterhose Man (Cameo)

Crew
Director - Brett Ratner
Writers - Simon Kinberg and Zak Penn
Script Supervisor: Second Unit - Jessica Clothier
Executive Producers - Kevin Feige,
Stan Lee and John Palermo
Producers - Lauren Shuler Donner,
Ralph Winter and Avi Arad
Co-Producer/Unit Production Manager - Ross Fanger
Co-Producer - Kurt Williams
Co-Producers/First Assistant Directors -
Lee Clearly and James M. Freitag
Production Designer - Ed Verreaux
Supervising Art Director - Geoff Hubbard
Art Directors - Chas S. Frey, Helen Jarvis,
and Sandi Tanaka
Set Decorator - Elizabeth Wilcox
Property Master - James H. Chow
Costume Designer - Judianna Makovsky
Co-Costume Designer - Lisa Tomczeszyn
Specialty Costume Supervisor: Spectral Motion,
Inc. - Linda Benavente-Notaro
Makeup Effects Supervisor: Spectral Motion,
Inc. - Mike Elizalde
Special Makeup Effects Consultant - Rick Baker
Prosthetic Supervisor: Spectral Motion, Inc. -
Roland Blancaflor
Key Prosthetics: Spectral Motion, Inc. -
Bart Mixon, Jayne Dancose and
Thom Floutz
Mold Department Supervisor: Spectral Motion,
Inc. - Brent Baker
Additional Mutant Prosthetics and Young Angel:
W.M. Creations, Inc. - Matthew W. Mungle,
Clinton Wayne, Ryan McDowell and
Kris Kobzina
Creature Effects "Angel" Wings Supervisor
Fabricator - Robin Dufay
Director of Photography - Dante Spinotti
Additional Director of Photography/
"A" Camera/Steadicam Operator - J. Michael Muro
"A" Camera/Steadicam Operator: Second Unit -
Jim Van Djik
2nd Unit Directors of Photography -
Jonathan Taylor and Paul Hughen
"A" First Assistant Camera: Second Unit -
Taylor Matheson
Location Manager - Ann Goobie
Production Supervisor - Jason McGatlin
First Assistant Directors: Second Unit -
Terry Madden and Richard Cowen
Second Assistant Director: Second Unit -
David Klohn
Additional Second Assistant Director: Second
Unit - Misha Bukowsko
Third Assistant Directors - Gary Hawes
and Katherine Keizer
Second Unit Director/Stunt Coordinator - Simon Crane
Stunt Coordinators - Wade Eastwood and
Mike Mitchell
Stunt Consultant - Conrad E. Palmisano
Special Effects Coordinator - Mike Vezina
Special Effects Coordinator: Second Unit -
Cameron Waldbauer
Senior Visual Effects Supervisor: Weta Digital -
Joe Letteri
Visual Effects Supervisor - John Bruno
Visual Effects Supervisor: Framestore CFC - Craig Lyn
Visual Effects Supervisor: Weta Digital - Eric Saindon
Visual Effects Supervisor: MPC - Nicolas Aithadi
Visual Effects Supervisors: Cinesite Europe -
Sue Rowe, Thrain Shadbolt, Ben Shepherd
and Simon Stanley-Clamp
Visual Effects Supervisor: CIS Hollywood -
Bryan Hirota
Visual Effects Supervisors: Soho VFX -
Berj Bannayan and Allan Magled
Visual Effects Supervisor: Lola Visual Effects -
Edson Williams
Visual Effects Supervisor: New Deal Studios -
Ian Hunter
Visual Effects Supervisor: Hydraulx/Lead
Inferno Artist: Lola Visual Effects - Greg Strause
Visual Effects Supervisors: Hydraulx/2D
Technical Supervisor: Lola Visual Effects -
Colin Strause
Visual Effects Supervisor/Producer: Kleiser-
Walczak - Jeff Kleiser
Additional Visual Effects Supervisor - John 'D.J.' Des Jardin
Visual Effects Coordinators - Ryan Stafford,
Keith Hamakawa and Scott Shields
Visual Effects Producer: Weta Digital - Cyndi Ochs
Visual Effects Executive Producer: Weta Digital -
Eileen Moran
Visual Effects Consultant - Daniel J. Lombardo
Digital Effects Supervisor: Weta Digital - Guy Williams
Animation Supervisor: Weta Digital - Richard Frances-Moore
Animation Supervisor: Hydraulx - Joshua Cordes
CG Supervisors: Weta Digital - Jon Allitt,
Simon Clutterbuck, Christopher Horvath
and Mark Tait
2D Supervisor: Framestore CFC - Matthew Twyford
Miniature Supervisor - Pat McClung
Compositing Supervisor: Weta Digital -
Erik Winquist
Composite Supervisor: MPC - Charley Henley
Editors - Mark Goldblatt, Mark Helfrich
and Julia Wong
Supervising Sound Editor - John A. Larsen
Sound Designer - Craig Heinghan
Sound Mixers - David Husby,
Steve Maslow, Doug Hemphill and
Rick Kline
Additional Sound Mixer - James Bolt
Foley Artists - Alicia Stevenson
and Dawn Fintor
Music - John Powell
Music Recordist and Mixer - Shawn Murphy


Review
Bryan Singer has bravely proven himself in his grand design of the first two X-Men movies and now can hang up his hat in THE LAST STAND. Sadly, however, Singer hands over the title of director to an unworthy recipient, Brett Ratner. In a way, THE LAST STAND is subpar, and Ratner didn't follow Bryan's character-building and style. The film is by no means the best of the series; it leaves viewers disappointed when this movie comes off unfavourably compared to the first two hits. The plot comes off as deliberately rushed. It reflects a poor merging of a few story concepts. Some new mutants miss out on screen time due to the reliance on fighting action and comedy. Also, a few characters got reduced to minor roles, and they sealed their fate, such as Cyclops and Mystique.

It explains why a few actors are too busy doing other movies. Most notable is James Marsden, who went on to star in a supporting role in Superman ReturnsIt was a movie outside of Marvel adapted from the DC comics and directed by the old boy-wonder of X-Men. Had the third film not concluded with Singer's absence and Marsden's reduced role, this film could have been improved, along with the character Cyclops' portrayal. The character rivalry between him and Wolverine would progress to end their jealousy and differences. THE LAST STAND did, however, cut short the conflict they had with Jean Grey as their main romantic interest, but it too was rushed.

I blame the deficits of this movie on Ratner's poor direction. This film would have been better if it had a cohesive plot. The character depth and subplots need to align with the original storyline. Without Bryan Singer at the helm, the team can't do it. All hope of my liking the third instalment is gone. Being an X-Men fan, I remain optimistic about the next instalment. Kelsey Grammer respectfully plays Beast and is identical to this character. Another new choice of actor is Ellen Page, who receives the role of the ghosting mutant Shadowcat.

You should ignore the third movie and wait for Days of Future Past. Just keep waiting for the prequel X-Men: First Class, which the review will be in next week.

Star rating: (4/10) Below Average

Thursday, May 8, 2014

Another Important Message

Hello, I'm FilmGuruLad.

I'm just informing you that I have made changes to my site. I included the search engine I removed, located on the right side of the homepage. I deleted this bar because having two search engines on one page is confusing. You can instead use the nav bar shown in the image below and just type in the movie you wish to view. If I reviewed it, it would come up.



The other tweak I have made is renaming one of the categories. I have changed the category, documentary, to the other labels. The rationale for this decision is that I rarely reviewed documentaries and thought I should have a classification that broadly covers all the genres I rarely critique.

If you're wondering if the X-Men critique marathon will continue, look forward to Monday, when my review of the third and possibly most disappointing film of the series, The Last Stand, is published.

I hope the changes have not inconvenienced you, and I invite you to send me feedback. Please check my reviews of Tron: Legacy, X-Men 2 and Origins: Wolverine I updated yesterday.

Monday, May 5, 2014

X-Men 2 Review










X-Men 2


Release Date: 30th April 2003 - Australia


Production Companies
20th Century Fox (presents)
Marvel Enterprises (in association with)
Donners' Company
Bad Hat Harry Productions
XF2 Canada Productions
XM2 Productions

Distribution
20th Century Fox Australia


Genre: Action

Rating: M

Runtime: 128 minutes


Budget: $110,000,000

Box Office Gross: $407,711,549 (Worldwide)


Plot Summary
There is growing hostility
and suspicion between
human beings and
mutants. An unwarranted
attack by mutants on the
President presents General
William Stryker with an
opportunity he has long
been waiting for - to
launch a full-scale assault
on the mutants. A war from
which only one race will
emerge victorious. It is up
to Xavier, Wolverine,
Storm and the other X-
Men as they team up with
their old adversary,
Magneto, to stop this
menace from destroying
everything.


Cast
Hugh Jackman - Logan/
Wolverine
Patrick Stewart - Charles
Xavier/Professor X
James Marsden - Scott
Summers/Cyclops
Famke Janssen - Dr. Jean Grey
Halle Berry - Ororo Munroe/
Storm
Ian McKellen - Erik
Lehnsherr/Magneto
Anna Paquin - Marie/Rogue
Rebecca Romjin-Stamos -
Mystique
Alan Cumming - Kurt Wagner/Nightcrawler
Brian Cox - General William
Stryker
Bruce Davison - Senator Kelly
Shawn Ashmore - Bobby
Drake/Iceman
Aaron Stanford - John
Allerdyce/Pyro
Kelly Hu - Yuriko Oyama/
Deathstrike
Katie Stuart - Kitty Pryde (Cameo)
Kea Wong - Jubilation Lee/Jubilee (Cameo)
Cotter McSmith - President McKenna
Chiari Zanni - White House Tour Guide
Jackie A. Greenbank - President's Secretary
Michael Soltis - White House Checkpoint Agent
Michael David Simms - White House Agent (Lead Agent)
David Fabrizio - Oval Office Agent Fabrizio
Roger Cross - Oval Office Agent Cartwright
Richard Bradshaw - Special Ops Agent
Bryce Hodgson - Artie (Cameo)
Glen Curtis - Museum Teenager #1
Greg Rikaart - Museum Teenager #2
Shauna Kain - Theresa Rourke/Siryn
Ty Olsson - Mitchell Laurio
Alfonso Quijada - Federal Bldg. Cleaning Twin #1
Rene Quijada - Federal Bldg. Cleaning Twin #2
Brad Loree - Stryker at age 40
Sheri G. Feldman - Augmentation Room Doctor
Connor Widdows - Jones
Daniel Cudmore - Piotr Rasputin/Colossus
Peter Wingfield - Stryker Soldier Lyman
Charles Siegel - Dr. Shaw
Steve Bacic - Dr. Hank McCoy (Cameo)
Michael Reid McKay - Jason 143
James Kirk - Ronny Drake
Jill Teed - Madeline Drake
Alf Humphreys - William Drake
Michasha Armstrong - Plastic Prison Guard
Robert Hayley - Cop
Mark Lukyn - Cop #1 (Lead Cop)
Kendall Cross - Cop #2
Lori Stewart - F-16 Fighter Pilot
Keely Purvis - Little Girl 143
Dylan Kussman - Stryker Soldier Wilkins
Jason Whitmer - Stryker Soldier Smith
Aaron Pearl - Stryker Soldier
Aaron Douglas - Stryker Soldier
Colin Lawrence - Stryker Soldier
Richard C. Burton - Stryker Soldier
Michael Joycelyn - Stryker Soldier
Nolan Gerard Funk - X-Kid (Captured)
Devin Douglas Drewitz - X-Kid (Captured)
Jermaine Lopez - X-Kid (Captured)
Sideah Alladice - X-Kid (Captured)
Kurt Max Runte - Chief of Staff Abrahams
Benjamin Glenday - Cameraman
Ted Friend - News Reporter
Mi-Jung Lee - News Reporter
Marrett Green - News Reporter
Jill Krop - News Reporter
Brian Peck - News Reporter
Layke Anderson - Blond X-Kid Dressed in Blue
(Uncredited)
Newton Thomas Sigel - Cop (Cameo) (Uncredited)
Bryan Singer - Prison Security Guard (Cameo) (Uncredited)

Crew
Story/Executive Producer/
Director - Bryan Singer
Story/Screenplay - David Hayter
Story - Zak Penn
Screenplay - Michael Dougherty
and Dan Harris
Associate Producer - David Gorder
Executive Producers - Avi Arad, Stan Lee
and Tom DeSanto
Producers - Lauren Shuler Donner
and Ralph Winter
Co-Producer/Unit Production Manager -
Ross Fanger
Co-Producer - Kevin Feige
Casting Director - Roger Mussenden
Technical Advisors - Ron Blecker
and Robert Snow
Production Designer - Guy Hendrix Dyas
Supervising Art Director - Geoff Hubbard
Art Director - Helen Jarvis
Illustrators - Mark Goerner,
Jean-Francois Mignault, James Oxford,
Paul Ozzimo, Nathan Schroeder and
Dean Sherriff
Set Decorator - Elizabeth Wilcox
Property Master - James H. Chow
Costume Designer - Louise Mingenbach
X-Men Uniforms - Jose Fernandez
Special Makeup Designer - Gordon J. Smith
Makeup Designer - Norma Hill-Patton
Director of Photography - Newton Thomas Sigel
Director of Photography: Second Unit -
Gary Capo
Spacecam Camera Operators: Vancouver -
Hans Bjerno and Ron Goodman
First Assistant Director - Lee Clearly
Trainee Assistant Directors - Gary Hawes
and Ashley Bell
Third Assistant Director: Second Unit -
Misha Bukowski
Second Unit Director - Brian Smrz
Stunt Coordinators - Ernie Jackson,
Gary Jensen, Jacob Rupp and Melissa R. Stubbs
Stunt Coordinator: Second Unit/Stunts -
Mike Mitchell
Movement Coach - Terry Notary
Special Effects Coordinator - Mike Vezina
Special Effects Supervisor - Andrew Verhoeven
Special Effects: Shop Supervisor/Special Effects
Coordinator: Second Unit - Gord Davis
Special Effects: Shop Supervisor - Cameron Waldbauer
Senior Visual Effects Supervisor: Asylum,
Main Titles - Nathan McGuinness
Senior Visual Effects Supervisor: Kleiser-Walczak
Digital Effects - Jeffrey Kleiser (Uncredited)
Special Visual Effects: VCE.com - Peter Kuran
Visual Effects Supervisor - Michael J. Fink
Visual Effects Supervisor: Cinesite - Stephen Rosenbaum
Visual Effects Supervisor: Rhythm & Hues - 
Richard E. Hollander
Visual Effects Supervisor: Frantic Films - Chris Bond
Visual Effects Supervisor: Pacific Title - David Sosalla
Visual Effects Supervisor: CIS Hollywood - Bryan Hirota
Visual Effects Supervisor: Pixel Magic - Ray McIntyre Jr.
Visual Effects Supervisor: 4-Ward Productions,
"Forest Wave" Sequence - Robert Skotak
Visual Effects Producer - Joyce Cox
Executive Producer: 4-Ward Productions,
"Forest Wave" Sequence - Elaine Edford
Visual Effects Directors of Photography -
Eric Swenson and David Stump
Digital Effects Supervisor: Cinesite - Serge Sretschinsky
2D Digital Effects Supervisor: Cinesite - Jason Piccioni
Effects Lead: Rhythm & Hues - Mike O'Neal
Tornado Effects Lead: Rhythm & Hues - Douglas Bloom
CG Supervisor: Cinesite, Cerebro
Sequence - David Satchwell
CG Supervisor: Cinesite, Nightcrawler
Sequence - Greg Anderson
Animation Supervisor: Cinesite, Nightcrawler
Sequence - Chris Bailey
Director of Photography: Miniature Unit -
David Drzewiecki
Director of Photography: Pyro Crew - Barry Walton
3D Supervisor: VCE - Kevin Kutchaver
2D Supervisor: Cinesite, Cerebro
Sequence - Brian Leach
2D Supervisor: Cinesite, Nightcrawler
Sequence - David Lingenfelser
Compositing Supervisor: Rhythm & Hues - Edwin Rivera
Design Supervisor: Rhythm & Hues - Mike Meaker
Previz Artist: Rhythm & Hues - Bud Myrick
Film Editor/Music - John Ottman
Co-Film Editor - Elliot Graham
Supervising Sound Editor - John A. Larsen
Sound Designer/Co-Supervising Sound Editor - Craig Berkey
Effects Editors - Dave Kulczycki
and Erik Aadahl
Sound Mixers - Ron Young,
Paul Massey, Doug Hemphill and
Michael Hedrick
Additional Sound Mixer - James Bolt
ADR Supervisor - Donald Sylvester
Foley Artists - Alyson Dee Moore,
John Roesch and Marilyn Graf


Review
Now, this is a spectacular entry to the X-Men film series. X-MEN 2 (also known in the US as X2) continues the movie franchise established by Bryan Singer. The sequel has everything it needs, making it better than the original. Bryan was supposed to make two more features of X-Men. However, he left the franchise after this movie to produce Superman ReturnsLeaving Brett Ratner to step in and helm the third instalment, which I heard was very disappointing.

The element of Bryan Singer's direction is his passion for conceiving a movie with a terrific story and a visual display of impressive fight scenes. He successfully manages his profound creativity to accomplish a sequel of its structure. No one could be prouder than Bryan Singer at having this smash-hit feature he magnificently directed. All the cast from the predecessor is back as the mutants fighting between good and evil. Hugh Jackman is back as our heroic slasher Wolverine. One actor I didn't mention among the mutant ensemble in the first movie is James Marsden. He returns as Cyclops but could have gotten more opportunities to expand his role. But that's nothing compared to what will happen to his character in the next instalment.

Scottish actor Alan Cumming camouflages in dark-blue makeup as the teleporting mutant Nightcrawler. Willingly, he even furnishes a fake German accent to have the character sound more authentically like his nationality.

I have no problem picking X-MEN 2 as the best of the series. It isn't unexceptional (no pun intended). It's awe-inspiring, and it's a near-perfect superhero movie. For the record, X-MEN 2 is my third favourite superhero film.

Star rating: (10/10) Best Movie Ever

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Sunday, May 4, 2014

In Memory of Bob Hoskins (1942-2014)








Bob Hoskins (1942-2014)


Sorry to delay the mutant
marathon of the X-Men.
The British actor Bob
Hoskins, known for
many of his movie roles as Eddie Valiant in "Who Framed Roger Rabbit" and Mario in the infamous "Super Mario Bros", passed away of pneumonia on April 29th, 2014, at 71 years old. Hoskins was born on the Southern English border of Suffolk, and at that time, he was two weeks old when he left his birthplace with his parents when the war bombing occurred in London. Bob was 15 when quitting school and began odd jobs, including performing in a circus. In his love for theatre, Hoskins's career was only started by accident when he had only seen auditions with a mate and was then given a script by one director and told: "You're next."

This mistake would later get his career full-on in theatre plays and television. Then, later on, he went to the cinema in about 1975, receiving supporting roles. In 1980, it got him the attention that his career going up was building to fame in one of his roles in a movie called "The Long Good Friday". He is also famous for portraying characters in worthy films, such as "The Cotton Club" and "Brazil". Bob gets nominated for an Oscar for Best Actor for his performance in "Mona Lisa". 1988 saw Bob as he went to Disney and got cast in a leading role by Robert Zemeckis and Steven Spielberg in their new motion picture. The movie of its story would be about a cop teamed up with a toon supposedly wanted for murder entitled "Who Framed Roger Rabbit". The pride of this recognition earned him the chance to be a national star for playing once in Roger Rabbit as the cartoon-hating detective Eddie. His other prolific roles include "Mermaids" with Cher, "Hook", "Nixon", "The Inner Circle", "Enemy at the Gates", "Vanity Fair", and a voice role in "Balto". In 1993, he gained infamy from video gamers for being miscast as Mario in the underwhelming "Super Mario Bros" with John Leguizamo and Dennis Hopper. The film became oppressed to financial doom and turned Bob into despising the adaptation. In later years, Bob made his last credit to "Snow White and the Huntsman", playing one of the dwarfs. After this, health took its toll on Bob when suffering from Parkinson's, which settled him into a two-year retirement.

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