Showing posts with label 2000s. Show all posts
Showing posts with label 2000s. Show all posts

Monday, October 6, 2025

Snakes on a Plane Review














Snakes on a Plane


Release Date: 24th August 2006 - Australia


Production Companies
New Line Cinema (presents)
Mutual Film Company
Meradin Zweite Productions (in association with)
Eyetronics
H2L Media Group

Distribution
Roadshow Films


Genre: Action/Thriller

Rating: M (Not Suitable for Young Children)

Runtime: 101 minutes


Budget: $33,000,000

Box Office Gross:
$62,022,014 (Worldwide)


Plot Summary
FBI agent Neville Flynn
takes a plane from Hawaii
to Los Angeles to transport
a witness protected by the
government to a trial, in
the hope that the mob boss
will end up behind bars.
However, as soon as the
aircraft reaches an altitude
of 30,000 feet, several
hundred venomous snakes
burst out of the cargo and
attack everyone in sight,
causing violent mayhem.
With the help of a leading
snake expert from L.A.,
Flynn and a group of
terrified passengers and
crew must work together
to deal with the slithering
threat.


Cast
Samuel L. Jackson - Neville Flynn
Julianna Margulies - Claire Miller
Nathan Phillips - Sean Jones
Rachel Blanchard - Mercedes
Flex Alexander - Three G's
Kenan Thompson - Troy
Keith Dallas - Big Leroy
Lin Shaye - Grace
Bruce James - Ken
Sunny Mabrey - Tiffany
Casey Dubois - Curtis
Daniel Hogarth - Tommy
Gerald Plunkett - Paul
Terry Chen - Chen Leong
Elsa Pataky - Maria
Emily Holmes - Ashley
Tygh Runyan - Tyler
Mark Houghton - John Sanders
David Koechner - Rick
Bobby Cannavale - Hank Harris
Todd Louiso - Dr. Steven Price
Tom Butler - Captain Sam McKeon
Kendall Cross - Driver
Kevin McNulty - Emmett Bradley
Samantha McLeod - Kelly
Taylor Kitsch - Kyle
Ann Warn Pegg - Mrs. Bova
Byron Lawson - Eddie Kim
Darren Moore - Kraitler
Scott Nicholson - Daniel Hayes
Candice Macalino - Flower Girl
Yan-Kay Crystal Lowe - Autograph Girl
Agam Darshi - Dell Girl
Lisa Marie Caruk - Ken's Girlfriend
Jack di Blasio - Kid Fan
Darryl Quon - Man In Suit
David Neale - Navy Dad
Mi-Jung Lee - News Anchor
Kyle Alisharan - Airport Worker
Christopher Bachman - Lei Guy
Drew Wicks - Passenger

Crew
Director - David R. Ellis
Story - David Dalessandro
Story/Screenplay - John Heffernan
Screenplay - Sebastian Gutierrez
Associate Producers -
Jeff Katz and Tawny Ellis
Associate Producer/Unit Production Manager - Heather Meehan
Executive Producers - Stokely Chaffin, Toby Emmerich, Penney Finkelman Cox, Sandra Rabins and George Waud
Executive Producer/Unit Production Manager - Justis Greene 
Producers - Craig Berenson, Don Granger and Gary Levinsohn
Casting Director - Mindy Maren
Canadian Casting Directors - Coreen Mayrs
and Heike Brandstatter
Production Designer - Jaymes Hinkle
Art Director - John Alvarez
Set Decorators - Erin Boyd and Mary-Lou Storey
Costume Designer - Karen L. Matthews
Prosthetic Makeup Effects Designers &
Creators - Anthony Allen Barlow,
Ken Culver, Greg Johnson, Sarah Pickersgill,
Sam Polin, Brad Proctor, Dan Rebert,
Todd Masters and Jamie Salmon
Director of Photography - Adam Greenberg
Aerial Director of Photography - Hans Bjerno
"A" Camera Operator - Michael Ferris 
Second Unit Director/Stunt Coordinator - Freddie Hice
Stunt Coordinators - Annie Ellis and Scott Nicholson
Snake Handler & Coordinator - Jules Sylvester
Snake Handlers - Brad McDonald,
Marco Solis Chavez and Marissa Schwierjohn
Special Effects Supervisors - Alex Burdett
and Matt Kutcher
Visual Effects Supervisor - Erik Henry
Visual Effects Supervisor: CafeFX - Scott Gordon
Art Director: CafeFX - Peter Lloyd
Digital Effects Supervisor: CafeFX - Jeff Goldman
Lighting TDs: CafeFX - Mike Fischer,
Manuel H. Guizar, Nic Spier, William H. Ball,
Scott Harper, Kirk Cardette and Luis "Chico" Martinez
Modelling Lead: CafeFX - Steve Arguello
Compositing Supervisor: CafeFX - Edwardo Mendez
3D Matchmovers: CafeFX - Paul Hopkins,
Kevin Hoppe and Ondrej Kubrick
Software Development Supervisor: CafeFX - Robert Tesdahl
Editor - Howard E. Smith
Supervising Sound Editors - Tom Bellfort
and Dave McMoyler
Sound Designers - Harry Cohen and
Tim Walston
Re-Recording Mixers - Rick Ash,
Kevin E. Carpenter and Justin Jose
Production Sound Mixer - Michael McGee
Foley Artists - James Moriana and Jeffrey Wilhoit
Music - Trevor Rabin


Review
SNAKES ON A PLANE is about, well, you know, as the title suggests, it lives up to its name. Admittedly, it wasn't a typical mockbuster movie; its plot was original. It came out before The Asylum started producing mockbuster films. Still, the film has the hallmarks of a mockbuster, with its over-the-top story and action sequences.

Before its release, word of SNAKES ON A PLANE spread online, gaining a cult following due to its title and the decision to cast Samuel L. Jackson in the lead role. During production, several changes, including reshoots, bumped the film from a PG-13 rating to R to appease the online fanbase. The film's title was also briefly changed to Pacific Air Flight 121, but Samuel L. Jackson insisted on changing it back, stating the title was the only reason he accepted the role. Although the film underperformed at the box office, it still turned a profit, and many people remember it today.

Director David R. Ellis had experience with outlandish stuff, considering he directed Final Destination 2 and, later, The Final Destination, where several people get killed in horrific, gruesome ways. He did a fantastic job of delivering an action movie that plays like a suspense thriller crossed with a comedy, a thrill ride that's a bit silly and even more fun. I'm sure you're well aware that this film had several issues.

While the premise is affectionately cheesy, it is part of its distinctive "B-movie" charm, along with its self-aware ridiculousness. By design, the film was clearly meant to be silly. Unfortunately, the plot is thin, the characters are stereotypical, and the CGI is laughably bad. Worse, it clearly tries to copy old 1970s disaster movies like Airport and Earthquake.

All is not lost, though, because the acting is terrific. Despite the film's absurdity, nearly all actors and actresses were fully committed to their roles. However, the best actor in this film is certainly Samuel L. Jackson, who plays FBI agent Neville Flynn. Jackson did a terrific job, balancing humour and seriousness. Overall, I enjoyed his performance, especially when he delivers that iconic line to the surviving passengers. Julianna Margulies is fine as Claire, the calm and collected stewardess who tries to keep the passengers safe.

For a "B-movie," SNAKES ON A PLANE is not as bad as it could have been. Clearly, the filmmakers never intended to make a film audiences would take seriously; they just wanted to entertain, and, all things considered, they succeeded. Yes, they could have done a few things better, but it is a ridiculous yet enjoyable film, as long as you don't take it seriously. Trust me, it's not for people terrified of snakes. And certainly not for those who are watching it on a flight.

Star rating: (6/10) Fair Movie

Friday, September 12, 2025

The Magic Pudding Review












The Magic Pudding


Release Date: 14th December 2000 - Australia


Production Companies
Australian Broadcasting Corporation (produced with the assistance of)
Energee Entertainment
Icon Entertainment International
New South Wales Film & Television Office (developed with the assistance of)
Premium Movie Partnership (produced with the assistance of)
RTV Family Entertainment AG (produced with the assistance of)


Genre: Animation/Family/
Adventure/Comedy 

Rating: G

Runtime: 80 minutes


Budget: A$12,000,000 (estimated)

Box Office Gross: A$1,001,000 (Australia)


Plot Summary
Bunyip Bluegum is a
splendid young koala on a
quest to find his missing
parents when he comes
across a magic pudding named Albert and meets a loud sailor, Bill Barnacle, and his penguin mate, Sam Sawnoff. Together, they form the Noble Society of Pudding Owners, as they constantly thwart the attempts of the Pudding Thieves.


Voice Cast
Sam Neill - Sam Sawnoff
Hugo Weaving - Bill Barnacle
Geoffrey Rush - Bunyip Bluegum
John Cleese - Albert the Magic Pudding
Dave Gibson - Uncle Wattleberry/Possum/Additional Voices
John Laws - Rumpus Bumpus
Greg Carroll - Watkin Wombat
Peter Gwynne - Benjamin Brandysnap
Michael Veitch - Bandicoot
Robyn Moore - Henrietta Hedgehog/Additional Voices
Jack Thompson - Buncle
Mary Coustas - Ginger
Sandy Gore - Frog on the Log
Toni Collette - Meg Bluegum
Roy Billing - Tom Bluegum
Martin Vaughan - Parrot
Gerry Connolly - Dobson Dorking
Lee Perry - Additional Voices
Marg Downey - Additional Voices

Crew
Story Development/Director - Karl Zwicky
Based on the Story "The Magic Pudding" - Norman Lindsay
Story Development - Morris Gleitzman
Screenplay - Harry Cripps,
Greg Haddrick and Simon Hopkinson
Executive Producers - Paddy Conroy
and Carmel & John Travers
Executive Producers: Icon - Bruce Davey,
Ralph Kemp and Mel Gibson (Uncredited)
Producer - Gerry Travers
Production Designer/Background
Style Development/Drawn Background
Artist/Digital Background Supervisor/Artist -
Helen Steele
Production Designer/Background Style
Development/Key Color Stylist/Digital
Background Artist - Kelly Wallwork
Character Designer/Storyboard/
Timing Artist/Animation Director -
Robbert Smit
Character Designer/Storyboard Artist/
Key Layout Design - Daniel Foley
Character Designer/Storyboard/Layout Artist -
David Wilkinson
Character Designer/Layout Artist - Jo-Anne Boag
Storyboard/Layout Artists - Stephen Doric
and Joe Wylie
Storyboard/Layout Artist/Mouth Breakdown -
Astrid Nordheim
Layout Director/Animation Supervisor -
Margaret Parkes
Editor - Richard Hindley
Sound/Re-Recording Mixer - Phil Judd
Re-Recording Mixer - Peter Purcell
Music/Original Songs/Keyboards/
Programming - Chris Harriott
Original Songs - Dennis Watkins
Conductor/Orchestrator - Christopher Gordon
Concert Master - Phillip Hartl


Review
As a young kid, I was unfamiliar with the children's classic The Magic Pudding, having never read it but having seen the animated movie only once, a long time ago. I have good memories of it and can't wait to see the film again. While it had decent production values, a tremendous voice cast, and terrific animation, the character designs remained true to the book illustrations. Unfortunately, the plot is unfaithful to the original story Norman Lindsay wrote. It lacks the wit and the surrealistic charm that make it so great. Perhaps the filmmakers got the recipe wrong and substituted their interpretation for the original storyline.

The songs don't advance the plot much and are instantly forgettable. Perhaps they were trying to follow in Disney's footsteps, but by the time the film premiered, they were unaware that the Disney formula had ended with the advent of computer animation, thanks to Toy Story. On the bright side, the racist overtones in Norman Lindsay's story are gone to make it more politically correct.

There are some good things about this film, especially the voices with actors like John Cleese, who is fitting as Albert, the irascible magic pudding, and Geoffrey Rush, who is appropriately sincere as the plucky young koala Bunyip. The rest of the cast, including Hugo Weaving, Sam Neill, and Jack Thompson, is also good, to be honest. I never knew Toni Collette could sing, and she is heard briefly as Bunyip's missing mum.

THE MAGIC PUDDING is an average but watchable film. Young children unfamiliar with the book will likely enjoy this movie. Those who have read the classic Australian book will be disappointed by this film, as its story differs significantly from the original.

Star rating: (5/10) Average

Monday, January 9, 2023

Iron Man Re-Review









Iron Man


Release Date: 1st May 2008 - Australia


Production Companies
Paramount Pictures (presents)
Marvel Enterprises (presents)
Marvel Studios
Fairview Entertainment (in association with)
Dark Blades Films

Distribution
Walt Disney Studios Motion Pictures Australia


Genre: Sci-Fi/Action

Rating: M

Runtime: 126 minutes


Budget: $140,000,000

Box Office Gross: $585,796,247 (Worldwide)


Plot Summary
When wealthy philanthropist Tony Stark ventures into Iraqi territory for a weapons demonstration, he gets injured and captured by Afghan terrorists who take him to their hideout. While imprisoned, Tony invents a weaponised suit of armour and uses it in an escape attempt. He safely returns home and uses his high-tech to perfect the armour, becoming the world's saviour, Iron Man.


Cast
Robert Downey Jr. - Tony
Stark/Iron Man
Terence Howard - Lt. Colonel
James "Rhodey" Rhodes
Jeff Bridges - Obadiah Stane
Gwyneth Paltrow - Virginia
"Pepper" Potts
Shaun Toub - Dr. Yinsen
Faran Tahir - Raza
Paul Bettany - JARVIS (Voice)
Jon Favreau - Hogan
Leslie Bibb - Christine Everhart
Clark Gregg - Agent Phil
Coulson
Bill Smitrovich - General Gabriel
Sayed Badreya - Abu Bakaar
Peter Billingsley - William
Ginter Riva
Tim Guinee - Major Allen
Kevin Foster - Jimmy
Garrett Noel - Pratt
Eileen Weisinger - Ramirez
Ahmed Ahmed - Ahmed
Fahim Fazli - Omar
Gerard Sanders - Howard Stark
Nazanin Boniadi - Amira Ahmed
Thomas Craig Plumer - Colonel Craig
Jim Cramer - Himself (Cameo)
Stan Lee - Himself (Cameo)
Samuel L. Jackson - Nick Fury (Cameo) (Uncredited)

Crew
Executive Producer/Director - Jon Favreau
Based on the Marvel Comic Book/
Executive Producer - Stan Lee
Based on the Marvel Comic Book -
Don Heck, Larry Lieber and Jack Kirby
Screenplay - Mark Fergus, Hawk Ostby,
Art Marcum and Mark Holloway
Script Supervisors - Rebecca Robertson
and Cristina Weigmann
Executive Producers - Ari Arad,
Peter Billingsley, Jeremy Latcham
and David Maisel
Executive Producer/Unit Production Manager -
Louis D'Esposito
Executive Producer/Executive in Charge of
Production - Ross Fanger
Producers - Avid Arad and Kevin Feige
Co-Producer/Visual Effects Producer -
Victoria Alonso
Military Advisor - Harry Humphries
Casting Directors - Sarah Finn
and Randi Hiller
Production Designer - J. Michael Riva
Supervising Art Director - David F. Klassen
Art Directors - Richard F. Mays
and Susan Wexler
Set Decorator - Lauri Gaffin
Property Master - Russell Bobbitt
Costume Designers - Rebecca Gregg
and Laura Jean Shannon
Suit Consultant - Adi Granov
Director of Photography/A-Camera Operator -
Matthew Libatique
Additional Photography - Gabriel Beristain
Director of Photography: Second Unit -
Jonathan Taylor
Aerial Director of Photography - David B. Nowell
Aerial Camera Operator - Craig O'Brien
Helicopter Pilot - Kevin LaRosa
First Assistant Camera: "B" Camera - Taylor Matheson
Production Supervisor - David J. Grant
First Assistant Director - Eric Heffron
Second Assistant Director - Michael J. Moore
Second Assistant Director: Second Unit -
Chris Castaldi
Additional Second Second Assistant Director -
Marvin Williams
Second Unit Director - Phil Neilson
Location Managers - Molly Allen
and Liz Matthews
Stunt Coordinator - Thomas Robinson Harper
Stunt Coordinator: Second Unit - Keith Woulard
Aerial Stunt Coordinator - Tim Rigby
Special Effects Coordinator - Daniel Sudick
Special Effects - Stan Winston (Uncredited)
Suit Model Department Key Coordinator:
Stan Winston Studio - David Merritt
Second Unit Co-Coordinator: Stan Winston
Studio - Christopher Swift
Studio Co-Administrator: Stan Winston Studio -
John Rosengrant
Visual Effects Supervisor - John Nelson
Visual Effects Supervisor: ILM - Ben Snow
Visual Effects Supervisor: The Orphanage -
Jonathan Rothbart
Visual Effects Supervisor: Lola Visual Effects -
Edson Williams
Additional Visual Effects Supervisor - Wesley Sewell
Visual Effects Producer: ILM - Wayne Billheimer
Visual Effects Art Director: ILM - Aaron McBride
Physical Suit Effects Supervisor - Shane Mahan
Visualisation/HUD Effects Supervisor - Kent Seki
Animation Supervisor: ILM - Hal T. Hickel
Associate Animation Supervisor: ILM - Marc Chu
Digital Production Supervisor: ILM - Douglas Smythe
Compositing Supervisor: ILM - Jeff Sutherland
CG Supervisor: ILM - Philippe Rebours
Digital Model Supervisor: ILM - Bruce Holcomb
Viewpaint Supervisor: ILM - Ron Woodall
Creature Supervisor: ILM - James Tooley
Film Editor - Dan Lebental
Additional Editors - Derek Brechin,
Greg Parsons and Michael Tronick
Sound Designer/Supervising Sound Editor
(Uncredited)/Re-Recording Mixer - Christopher Boyes
Sound Designer - Shannon Mills
Supervising Sound Editor - Frank E. Eulner
ADR Supervisor - Michael Silvers
ADR Editor - Gwendolyn Yates Whittle
Sound Mixer - Mark Ulano
Foley Mixer - Frank Rinella
Foley Artists - Ronni Brown,
Ellen Heuer, Dennie Thorpe and
Lana Vance
Re-Recording Mixer - Lora Hirschberg
Music - Ramin Djawadi
Additional Music Arranger/Composer/
Musician: Drums - Ryeland Allison
Additional Music Arrangers/Composers -
Lorne Balfe, Clay Duncan, Bobby Tahouri
and Atli Orvarsson (Uncredited)
Music Supervisor - Dave Jordan
Executive Music Producer - Hans Zimmer
Score Recordist - Geoff Foster
Score Mixer - Alan Meyerson


Awards

2009 Academy Awards
Best Sound Editing - Frank E. Eulner and
Christopher Boyes (Nominated)
Best Visual Effects - John Nelson, Ben Snow,
Daniel Sudick and Shane Mahan (Nominated)


Review
It was a great comic book movie, as IRON MAN was the first to launch the Marvel Cinematic Universe (MCU) in theatres, and the following year, Disney bought Marvel and its rights. Many comic-book fans were sceptical of this movie before it opened and regarded it as the MCU's best feature before The Avengers. The film was beginning to wear off its novelty. However, it is an excellent career choice for director Jon Favreau. He brought action and comedy with gusto before tackling the semi-decent sequel, Iron Man 2, and the partly animated, partly live-action remake of The Jungle Book.

It was a terrific comeback for Robert Downey Jr., proving that he could take on the role of the billionaire playboy Tony Stark, who becomes the wearer of a metal suit with no need for metaphysical powers. He outperformed the character as being himself, a little bit immature, but deadpan and witty. DC's Batman/Bruce Wayne was superior to Marvel's title character, as both were similarly wealthy and technologically advanced, and neither ever revealed their true identities to the public or any foe who might exploit them. Jeff Bridges was still a remarkable actor when portraying a villainous mentor like Obadiah Stane, who was affably evil and yet hid his true colours. He is the version of Lex Luthor that we never saw in Batman v Superman: Dawn of Justice.

I sincerely enjoyed the film for its style and visuals. I appreciate that IRON MAN hasn't gone unnoticed as an extraordinary film. It broke new ground for pre-released MCU films that later premiered, such as The Avengers, etc. Those who have seen the movie before will enjoy it with the other films in their order of continuity.

Star rating: (9/10) Excellent Movie

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Monday, April 19, 2021

Zoom Review











Zoom


Release Date: 20th June 2007 - Australia (DVD premiere)


Production Companies
Columbia Pictures
Revolution Studios (presents)
Team Todd
Boxing Cat Films
Underground
Revolution Leaf Productions (Uncredited)

Distribution
Sony Pictures Releasing Australia


Genre: Family/Comedy

Rating: PG

Runtime: 88 minutes


Budget: $75,600,000

Box Office Gross: $12,506,362 (Worldwide)


Plot Summary
Reluctantly called back to
duty by the military, former
superhero Jack Shepard,
a.k.a. Captain Zoom, must
train an unlikely group of
superpowered children
to become the next
generation of superheroes.
Jack must teach them to
work as a team and harness
their superhuman abilities
to counter a returning threat that has yet to wreak havoc and imminent destruction worldwide.


Cast
Tim Allen - Jack Shepard/
Captain Zoom
Courteney Cox - Marsha Holloway
Chevy Chase - Dr. Grant
Spencer Breslin - Tucker Williams/
Mega-Boy
Kevin Zegers - Connor Shepard/
Concussion
Kate Mara - Summer Jones/Wonder
Michael Cassidy - Dylan West/Houdini
Ryan Whitney - Cindy Collins/Princess
Rip Torn - Larraby
Cornelia Guest - Cindy's Mom
Ashton Moio - Halloween Bully
Hunter Aarniokoski - Prince
Thomas F. Wilson - Dylan's Teacher
Ridge Canipe - Mean Bully
Danny McCarthy - Meaner Bully
Jason Bailey - Mucus Boy
Jesse Bendevis - Spitball Kid
Rashad Richards - Jupiter the Gas Giant
Chantal Cole - Speed Blinker
Steven Torres - Callente
Austin Torres - Muy Frio
David L. Lander - Wendy's Employee
Lauren Sanchez - Reporter
Willie Garson - Dick

Crew
Director - Peter Hewitt
Based on the Book "Zoom's Academy" -
Jason Lethcoe
Screen Story/Screenplay - Adam Rifkin
Screenplay - David Berenbaum
Executive Producer/Unit Production Manager -
Neil Machlis
Executive Producers - Nicholas Osborne
and Trevor Engelson
Producers - Suzanne & Jennifer Todd
and Todd Garner
Co-Producer - Julie Ragland
Casting Director - John Papsidera
Production Designer - Barry Chusid
Art Director - Joshu de Cartier
Set Decorator - Clive Thomasson
Costume Designer - Ha Nguyen
Special Makeup Effects Designer -
David LeRoy Anderson
Director of Photography - David Tattersall
First Assistant Director: Second Unit -
Simon Board
Third Assistant Director: Second Unit -
Adam Bocknek (Uncredited)
Second Unit Director/Stunt Coordinator -
James Arnett
Stunt Coordinator - Matt Birman
Action/Fight Coordinator - Tommy Chang
Special Effects Coordinator - Clive Beard
Special Effects Supervisor - Colin Chilvers
Assistant Special Effects Coordinators -
Steve Cullane and Andy Williams
Visual Effects Supervisor - Mark O. Forker
Visual Effects Supervisor: Custom Film Effects -
Mark Dornfeld
Visual Effects Producers: Digital Domain -
Todd Isroelit and David P.I. James
Visual Effects Art Director: Digital Domain -
Claas Henke
Digital Effects Supervisor: Digital Domain -
Serge Sretschinsky
Operators: Mr Pitt - Ron Prott and
Jamie Oxenham (Uncredited)
Previz Artist - Patrick Perez (Uncredited)
Film Editor - Lawrence Jordan
Supervising Sound Editor - Matthew Wood
Sound Designer/Supervising Sound Mixer -
Christopher Scarabosio
Assistant Sound Designer - David Acord
Supervising Sound Mixer - Gary Summers
Sound Effects Editors - Erclot,
David C. Hughes and Addison Teague
Dialogue Editors - Cheryl Nardi
and Steve Slanec
Foley Artists - Jana Vance,
Dennie Thorpe and Ellen Heuer
Foley Mixer - Frank Rinella
Music - Christophe Beck
Music Supervisors - John Houlihan and
Darian Pollard
Songs - Smash Mouth


Review
ZOOM came out a year after the similar Disney superhero movie Sky High and was a box-office bomb. It was one of those movies that followed the massive success of The Incredibles. From other reviews, I heard the film was unfaithful to the book it adapted (though I haven't read it) and that most critics were harsh on it. While it had an intriguing premise, the storyline was derivative and inconsistent, with gross-out, unfunny jokes, unlikable characters, poor editing, and a rushed climax. The product placement (like Wendy's) is redundant, the costume design is limited, and some scenes barely make sense. Unfortunately, the film has only one fight scene, and it appears in the last few minutes.

This movie lacks energy and squanders its duration on comedy. Tim Allen's character seemed tired (maybe intentionally). Despite his generic acting and limited emotional depth, his performance was decent. Courteney Cox did not seem like an ideal actress to portray a scientist. Chevy Chase's appearance suggests he's still headlining Community and trying to be funny. Instead, he takes on a disposable role with embarrassing scenes. Even Kevin Zegers has the least-developed role in the feature.

Some comical moments redeem the film, but these weren't enough. The special effects vary from decent to subpar. However, by the time this movie premiered in 2006, some of its CGI had become outdated because it relied on simple techniques. The music score is okay, but it uses songs (some are from Smash Mouth and Five for Fighting).

It's far from being the worst superhero movie. ZOOM didn't hold up to The Incredibles and Sky High. I am sorry, it's not super. However, it is only for a one-time viewing.

Star rating: (4/10) Below Average

Tuesday, October 27, 2020

Scooby-Doo Review














Scooby-Doo


Release Date: 20th June 2002 - Australia


Production Companies
Warner Bros. Pictures (presents)
Mosaic Media Group
Atlas Entertainment (Uncredited)

Distribution
Roadshow Films


Genre: Family/Comedy

Rating: G

Runtime: 86 minutes


Budget: $84,000,000 

Box Office Gross: $275,678,613 (Worldwide)


Plot Summary
After two years apart, Scooby and Shaggy reunite with Fred, Velma, and Daphne as the Mystery Inc. gang receives an invitation to Spooky Island, an amusement park/resort. However, strange things are happening at Spooky Island, seemingly affecting young visitors in unusual ways.

Scooby and the gang must work together and set aside their differences to solve the mystery and discover whether this island is being haunted. Or it could be the work of a sinister individual behind it all.


Cast
Matthew Lillard - Shaggy
Neil Fanning - Scooby (Voice)
Freddie Prinze Jr. - Fred
Sarah Michelle Gellar - Daphne
Linda Cardellini - Velma
Rowan Atkinson - Mondavarious
Isla Fisher - Mary Jane
Miguel A. Nunez Jr. - Voodoo Maestro
Steven Grives - N' Goo Tuana
Scott Innes - Scrappy (Voice)
J. P. Manoux - Scrappy Rex
Sam Greco - Zarkos
Charlie Cousins - Velma's Friend
Kristian Schmid - Brad
Nicholas Hope - Old Man Smithers
Jess Harnell - Creatures (Voice)
Frank Welker - Creatures (Voice)
Pamela Anderson - Herself (Cameo)
Sugar Ray - Themselves (Cameos)

Crew
Director - Raja Gosnell
Story - Craig Titley
Story/Screenplay - James Gunn
Based on Characters - Joe Ruby and Ken Spears (Uncredited)
Based on Characters/
Executive Producers - William Hanna and Joseph Barbera
Associate Producer - Sheryl Benko
Associate Producer/Unit Production Manager -
Stephen Jones
Associate Producer/First Assistant Director -
Philip A. Patterson
Executive Producers - Robert Engelman,
Andrew Mason and Kelley Smith-Wait
Producers - Charles Roven and
Richard Suckle
Co-Producer - Alan Glazer
Casting - Mary Vernieu
Production Designer - Bill Boes
Art Directors - Bill Booth, Donna Brown,
Helen Gabrielle Gliniak and Christian Wintter
Set Decorators - Jodie Allen,
Suza Maybury, Matthew Putland
and Sandy Wingrove
Costume Designer - Lessa Evans
Hair/Makeup Supervisor - Lesley Vanderwalt
Director of Photography - David Eggby
Second Unit Director/Stunt Coordinator -
Guy Norris
Special Effects Supervisor - Brian Cox
"Scooby Doo" Designer/Cyber-Scan Model
Sculptor: Jim Henson's Creature Shop/
Rhythm + Hues - Brian Wade
Visual Effects Supervisor - Peter Crosman
Visual Effects Supervisor: Rhythm + Hues -
Betsy Paterson
Additional Visual Effects Supervisor -
Neil Krepela
Visual Effects Producer - Kurt Williams
Digital Effects Supervisor: Rhythm + Hues -
Todd Shifflet
Director of Photography: New Deal Studios -
Tim Angulo
Animation Supervisor - Richard Baneham
Animation Supervisors: Rhythm + Hues -
Leon Joosen and Bill Kroyer
Animation Sequence Supervisors: Rhythm +
Hues - Erik De Boer, Keith Roberts and
Lyndon Barrois
Animation Leads: Rhythm + Hues -
Bud Myrick and Danny Speck
Editor - Kent Beyda
Supervising Sound Editor - Michael D. Wilhoit
Sound Designer - Scott Sanders
Production Sound Mixer - Paul 'Salty' Brincat
Re-Recording Mixers - David E. Campbell,
John T. Reitz and Gregg Rudloff
Music - David Newman
Music Supervisor - Laura Ziffren
Music Recordist and Mixer - Bruce Botnick


Review
Initially conceived as a risqué, adult-oriented take on the cartoon franchise, the studio that owns the Hanna-Barbera property toned down SCOOBY-DOO into a kids' movie. I grew up with this film and didn't notice how bad it was, though it had a few good aspects. For example, Matthew Lillard was consistent as Shaggy. Later, he would inherit the character in subsequent Scooby productions. Unfortunately, some disappointing elements ruin it. The attempts at humour (except in a few scenes) and outdated CGI characters didn't age well, not to mention the poorly executed storyline (revealing a plot twist involving the real villain that comes out of nowhere), which James Gunn wrote. Yes, that man, James Gunn, who 12 years later would successfully bring Guardians of the Galaxy to the big screen. I didn't even realise that the live-action adaptation was just a rehash of the direct-to-video Scooby-Doo movie Zombie Island.

The acting (save for Matthew Lillard) is far from perfect, including Linda Cardellini, who sounds so bored in her role as Velma. She did a magnificent job with her voice. Freddie Prinze Jr. had no big shoes to fill as Fred. The same goes for Sarah Michelle Gellar when playing Daphne. Rowan Atkinson's character was underused. It should have played a significant part in the movie.

It's "ruh-oh" for Scooby-Doo fans, as the movie adaptation fell short of the series' ongoing mystery. It spawned a sequel, Monsters Unleashed, along with a few others that have shifted to direct-to-video.

I would rather sit through watching the first few direct-to-video animated movies than revisit the lowbrow cinematic interpretation.

Star rating: (4/10) Below Average

Tuesday, August 11, 2020

Ocean's Eleven (2001) Review













Ocean's Eleven


Release Date: 10th January 2002 - Australia


Production Companies
Warner Bros. Pictures
Village Roadshow Pictures (in association with)
NPV Entertainment (in association with)
Section Eight
WV Films II
St. Petersburg Clearwater Film Commission

Distribution
Roadshow Films


Genre: Crime/Comedy

Rating: M

Runtime: 117 minutes


Budget: $85,000,000

Box Office Gross: $450,717,527 (Worldwide)


Plot Summary
Danny Ocean, a thief/con artist, has recently been released from prison. To earn his parole, he's assembled a team of eleven accomplices to pull off the biggest, most daring, and most elaborate heist in the century, which involves three casinos in Las Vegas.


Cast
George Clooney - Danny Ocean
Brad Pitt - Rusty Ryan
Matt Damon - Linus Caldwell
Andy Garcia - Terry Benedict
Julia Roberts - Tess Ocean
Bernie Mac - Frank Catton
Don Cheadle - Basher Tarr
Casey Affleck - Virgil Malloy
Scott Caan - Turk Malloy
Elliot Gould - Reuben Tishkoff
Carl Reiner - Saul Bloom
Eddie Jemison - Livingston Dell
Shaobo Qin - Yen
Joe La Due - Billy Tim Denham
Scott L. Schwartz - Bulldog, the Bruiser
Lennox Lewis - Boxing Opponent (Cameo)
Wladimir Klitschko - Boxing Opponent (Cameo)
Jerry Weintraub - High Roller (Cameo)
Henry Silva - Boxing Spectator (Cameo)
Angie Dickinson - Boxing Spectator (Cameo)
Wayne Newton - Boxing Spectator (Cameo)
Siegfried Fischbacher - Boxing Spectator (Cameo)
Roy Horn - Boxing Spectator (Cameo)
Larry Merchant - Boxing Spectator (Cameo)
Holly Marie Combs - Herself (Cameo) (Uncredited)
Topher Grace - Himself (Cameo) (Uncredited)
Joshua Jackson - Himself (Cameo) (Uncredited)
Steven Soderbergh - Vault-Bombing Thief
(Cameo) (Uncredited)
Barry Watson - Himself (Cameo) (Uncredited)
Shane West - Himself (Cameo) (Uncredited)

Crew
Director of Photography/Director - Steven Soderbergh
1960 Story - George Clayton Johnson and
Jack Golden Russell
1960 Screenplay - Harry Brown and
Charles Lederer
Screenplay - Ted Griffin
Executive Producers - Bruce Berman,
Susan Ekins and John Hardy
Producer - Jerry Weintraub
Co-Producer - R.J. Louis
Casting Director - Debra Zane
Production Designer - Phillip Messina
Art Director - Keith P. Cunningham
Construction Coordinator - Chris Snyder
Set Decorator - Kristen Toscano Messina
Property Master - Steven B. Melton
Costume Designer - Jeffrey Kurland
First Assistant Camera: "A" Camera - Barry Baz Idoine
Unit Production Manager - Frederic W. Borst
First Assistant Director - Gregory Jacobs
Second Second Assistant Director -
Basti Van Der Woude
Special Effects Coordinator - Kevin Hannigan
Visual Effects Supervisor: Cinesite -
Thomas J. Smith
CG Supervisor: Cinesite - Serge Sretchinsky
Film Editor - Stephen Mirrione
Lead Sound Editor - David E. Stone
Re-Recording Mixer/Supervising Sound
Editor - Larry Blake
Foley Artists - Dawn Fintor and
Alicia Stevenson
Music - David Holmes


Review
It all started in 2001 with Steven Soderbergh's remake of OCEAN'S ELEVEN, a fun and sophisticated popcorn flick with a superb storyline and an ensemble cast. I have seen this caper a few times, including at a drive-in, where I watched it for a second time. I never got to see the sequels (except Ocean's Eight) or the original that featured the "Rat Pack" players, such as Frank Sinatra, Dean Martin, Peter Lawford, and Sammy Davis Jr. This movie doesn't have many surprises. The cinematography is acceptable, the humour is witty, and the pace is good.

The all-star cast is terrific, with George Clooney and Brad Pitt headlining, alongside supporting players like Matt Damon, Julia Roberts, Elliott Gould, Carl Reiner, and Casey Affleck. The only problem with the acting is Don Cheadle. He adopted a fake English accent for his role, which is one of the worst I've ever heard.

While it is considered the granddaddy of all cinematic heist movies, OCEAN'S 11 is a no-brainer. It is thoroughly enjoyable to all audiences. If you're looking for a great heist movie, now is the time to watch it.

Star rating: (8/10) Very Good Movie

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Tuesday, June 2, 2020

50 First Dates Review












50 First Dates


Release Date: 25th March 2004 - Australia


Production Companies
Columbia Pictures
Happy Madison
Anonymous Content
Flower Films

Distribution
Sony Pictures Releasing Australia


Genre: Romance/Comedy

Rating: M

Runtime 99 minutes


Budget: $75,000,000

Box Office Gross: $198,520,934 (Worldwide)


Plot Summary
When Henry Roth, a marine veterinarian living in Hawaii, avoids commitment, he meets Lucy Whitmore. She seems like the girl of his dreams, but Henry discovers Lucy has short-term memory loss and doesn't remember him from their first meeting. He romances her every day, hoping that she will fall in love with him.


Cast
Adam Sandler - Henry Roth
Drew Barrymore - Lucy Whitmore
Rob Schneider - Ula
Sean Astin - Doug Whitmore
Luisa Strus - Alexa
Dan Aykroyd - Dr. Keats
Amy Hill - Sue
Allen Covert - Ten Second Tom
Blake Clark - Martin Whitmore
Maya Rudolph - Stacy
Pomaika'l Brown - Nick
Missi Pyle - Noreen
Lynn Collins - Linda
Jackie Sandler - Dentist (Cameo)
Kevin James - Factory Worker

Crew
Director - Peter Segal
Writer - George Wing
Associate Producer - Kevin Grady
Executive Producers - Michael Ewing and Jay Roach
Executive Producer/Unit Production Manager - Daniel Lupi
Producers - Jack Giarraputo, Steve Golin and Nancy Juvonen
Co-Producers - Scott Bankston and Larry Kennar
Casting Director - Roger Mussenden
Animal Coordinator - Steve Berens
Production Designer - Alan Au
Art Director - Domenic Silvestri
Set Decorator - Robert Greenfield
Property Master - Timothy S. Wiles
Costume Designer - Ellen Lutter
Director of Photography - Jack N. Green
Director of Photography: Second Unit -
Joseph D. Urbanczyk
Camera Operator - Stephen S. Campanelli
First Assistant Director - John Hockridge
First Assistant Director: Second Unit -
Adam Druxman
Second Assistant Director - Joseph J. Kontra
Second Unit Director/Visual Consultant -
Jim Bissell
Stunt Coordinator - Webster Whinery
Special Effects Coordinator - John C. Hartigan
Visual Effects Supervisor - Sheena Duggal
Visual Effects Producer - Victoria Alonso
Visual Effects Executive Producer - Debbie Denise
Film Editor - Jeff Gourson
Additional Editors - Tom Costain
and Jason Gourson
Supervising Sound Editor - Elmo Weber
Sound Effects Supervisor - Derek Vanderhorst
Supervising Sound Mixers - Jeffrey J. Haboush
and Bill W. Benton
Music - Teddy Castellucci
Music Supervisor - Michael Dilbeck


Review
What seemed like a typical Adam Sandler movie or an average romantic comedy was unlike anything I had ever seen. 50 FIRST DATES is both touching and funny. It has a terrific storyline and a wonderful setting. I know a person who has also suffered from short-term memory loss, but is nothing like the character portrayed by Drew Barrymore. While it is the second film to feature Sandler and Barrymore, and they have been together since The Wedding Singer, their performances are adequate, with easy chemistry. The supporting cast is also good, but they don't usually stand out as much as the lead actors.

I rank 50 FIRST DATES as my new favourite rom-com. It's one of those films I wish I could see again.

Star rating: (10/10) Best Movie Ever

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Monday, April 27, 2020

Paul Blart: Mall Cop Review










Paul Blart: Mall Cop


Release Date: 19th March 2009 - Australia


Production Companies
Columbia Pictures (presents)
Relativity Media (in association with)
Happy Madison Productions
Hey Eddie

Distribution
Sony Pictures Releasing Australia


Genre: Action/Comedy

Rating: PG

Runtime: 91 minutes


Budget: $26,000,000

Box Office Gross: $183,348,429 (Worldwide)


Plot Summary
All his life, mild-mannered Paul Blart has dreamed of becoming a state trooper, but instead he works as a security officer at a local mall in New Jersey. When a gang of crooks invades the mall and takes some hostages, it's up to Paul Blart to rescue them and defend the place from intruders, as he must go from being a mall cop to an actual cop!


Cast
Kevin James - Paul Blart
Keri O'Donnell - Veck Simms
Jayma Mays - Amy
Raini Rodriguez - Maya
Shirley Knight - Mom
Stephen Rannazzisi - Stuart
Peter Gerety - Chief Brooks
Bobby Cannavale - Cmdr. James Kent
Adam Ferrara - Sergeant Howard
Jamal Mixon - Leon
Adhir Kalyan - Pahud
Erick Avari - Vijay
Mike Vallely - Rudolph
Jason Ellis - Prancer
Jason Packham - Comet
Rick Thorne - Cupid
Victor Lopez - Donner
Natascha Hopkins - Vixen
Mookie Barker - Mr. Ferguson
Dylan Clark Marshall - Jason
Bernie McInerney - Old Man on Scooter
Gary Valentine - Karaoke Singer

Crew
Director - Steve Carr
Writer - Nick Bakay
Writer/Producer - Kevin James
Executive Producer - Jeff Sussman
Producers - Todd Garner,
Jack Giarraputo and Adam Sandler
Producer/2nd Unit Director - Barry Bernardi
Production Designer - Perry Andelin Blake
Art Director - Alan Au
Set Decorator - Tracey Doyle
Costume Designer - Ellen Lutter
Director of Photography - Russ T. Alsobrook
"A" Camera Operator - Casey Hotchkiss
Location Manager - Charles Harrington
Stunt Coordinator - Chris O'Hara
Special Effects Coordinator - Ray Bivins
Visual Effects Supervisor: Zoic Studios -
Patti Gannon
Editor - Jeff Freeman
1st Assistant Editor - Jason Gourson
Supervising Sound Editors -
Michael J. Benavente and Elmo Weber
Supervising Sound Mixers - Deb Adair
and William Freesh
Music - Waddy Wachtel
Music Supervisor - Michael Dilbeck


Review
While COVID-19 is affecting the world, the pandemic is unfolding. I was disappointed when several new movies were postponed, and the cinemas were temporarily closed. Fear of the pandemic was so widespread that everyone stayed home and began social distancing. Fortunately, it didn't stop me from continuing to review movies. One of the films I watched while self-isolating was PAUL BLART: MALL COP.

I was supposed to review this comedy before 2020, but I started doing it anyway. The film has some great laughs, but the jokes are inconsistent, and the storyline is predictable. It feels like a stale, lighthearted Die Hard parody that misses the fun and gratuitous violence. I liked the moment when Paul got drunk and then made a fool out of himself. Kevin James was not a bad comedian, though he had a knack for playing overweight characters. James's acting was decent. It doesn't save the movie from its shortcomings.

MALL COP is not one of my favourite comedies. And it was an average movie at best. I was surprised that the film had a sequel, since it could never be as good as the original.

Star rating: (5/10) Average

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