Tuesday, August 17, 2021

G.I. Joe: Retaliation Review













G.I. Joe: Retaliation


Release Date: 28th March 2013 - Australia


Production Companies
Paramount Pictures (presents)
Metro-Goldwyn-Mayer (presents)
Skydance Media (presents)
Hasbro (in association with)
Di Bonaventura Pictures
Saints LA
Spyglass Entertainment

Distribution
Paramount Pictures Australia


Genre: Action

Rating: M

Runtime: 110 minutes
                112 minutes
                (extended)


Budget: $93,600,000

Box Office Gross: $375,740,705 (Worldwide)


Plot Summary
The G.I. Joe team is branded as traitors by their nemesis, Cobra, after successfully infiltrating the government. With Zartan masquerading as the president and the Cobra Commander having all the world leaders under his control, they plan to launch advanced nuclear warheads upon innocent countries as part
of their evil scheme. After
escaping a deadly attack, the
remaining Joes have no
recourse but to turn to their
original leader, General
Cotton, to help them uncover
Cobra's plot and save the
world from destruction.


Cast
Dwayne Johnson - Roadblock
Bruce Willis - Gen. Joe Cotton
Ray Park - Snake Eyes
Channing Tatum - Duke
Jonathan Pryce - President
Luke Bracey - Cobra Commander
Elodie Yung - Jinx
Ray Stevenson - Firefly
D.J. Cotrona - Flint
Adrianne Palicki - Jane
Walton Goggins - Warden Nigel James
Arnold Vosloo - Zartan
Joseph Mazzello - Mouse
Byung-hun Lee - Storm Shadow
RZA - Blind Master
Joe Chrest - Chief of Staff
Nathan Takashige - Young Storm Shadow
Jim Palmer - Clutch
Nick Erickson - President Picture Double

Crew
Director - Jon M. Chu
Writers - Rhett Reese and Paul Wernick
Executive Producers - Gary Barber,
Roger Birnbaum, David Ellison, Dana Goldberg,
Erik Howsam, Paul Schwake and
Stephen Sommers
Executive Producer/Unit Production Manager -
Herbert W. Gains
Producers - Lorenzo di Bonaventura
and Brian Goldner
Casting Director - Ronna Kress
Military Technical Advisor - Harry Humphries
Production Designer - Andrew Menzies
Supervising Art Director - Tom Reta
Art Directors - Luke Freeborn,
Alan Hook, Scott Plauche and
Sebastian Schroeder
Set Decorator - Cynthia La Jeunesse
Costume Designer - Louise Mingenbach
Special Makeup Effects Artists - Martin Astles,
Bart J. Mixon and Lauren Thomas
Director of Photography - Stephen F. Windon
Aerial Director of Photography: British
Columbia Unit - David B. Nowell
Production Supervisors - Sara Flamm
and Daren Hicks
First Assistant Director - Philip A. Patterson
First Assistant Director: Second Unit - David Sardi
Second Unit Director - George Marshall Ruge
Helicopter Pilots - Frédéric North
and Cliff Fleming
Stunt Coordinator - Steven Ritzi
Fight Coordinator - Thomas DuPont
Special Effects Coordinator - Michael Meinardus
Visual Effects Supervisors - James Madigan
and Gregory L. McMurry
Visual Effects Supervisor: ILM - Bill George
Visual Effects Supervisor: Digital Domain - Thad Beier
Visual Effects Supervisor: Lola Visual Effects -
Edson Williams
Visual Effects Producer - Paul V. Molles
On-Set Visual Effects Producer: Digital Domain -
Jeff Olson
Visual Effects Executive Producer: ILM -
Janet Lewin
Visual Effects Executive Producer: Digital Domain -
Daniel Brimer
Visual Effects Art Director: Digital Domain -
Claas Henke
Digital Effects Supervisor: Digital Domain -
Lou Pecora
Animation Supervisor: ILM - Paul Kavanagh
Animation Supervisor: Luma Pictures -
Raphael A. Pimentel
CG Supervisor: ILM - Craig Hammack
CG Supervisor: ILM Singapore - Patric Roos
CG Supervisors: Digital Domain - Erik Gamache
and Paul George Paloo
Additional Supervisors: Digital Domain -
Simon Carr, Tushar Kewlani, Mark Michaels,
David Mucci and Abhinav Sah
Concept Artist: ILM - John Bell
Editors - Roger Barton and Jim May
Additional Editor - Calvin Wimmer
Supervising Sound Editors/Sound Designers -
Ethan Van Der Ryan, John Marquis and
Erik Aadahl
Re-Recording Mixers - Scott Millan
and Greg P. Russell
Music - Henry Jackman
Additional Music - Dominic Lewis,
Matthew Margeson and Junkie XL
Additional Music Arrangements - Stephen Hilton
and Andrew Kawczynski
Music Recordist and Mixer - Alan Meyerson


Review
After The Rise of Cobra made good box-office earnings despite the first G.I. Joe film being a lacklustre feature. Director Stephen Sommers steps down from the helm because of his rocky start with Cobra. However, the duties were handed to Jon M. Chu, best known for directing the concert feature, Never Say Never, featuring pop sensation Justin BieberI'm satisfied that RETALIATION is a mild improvement over its predecessor, with its heavy action, incredible visuals, and a few notable actors, including Dwayne Johnson and Bruce Willis.

The most striking aspect about RETALIATION is that it's supposed to be true to the G.I. Joe mythology, which, fortunately, only mildly succeeds. We finally see Cobra Commander in his full costume, no longer a mere shadow of his former self. I'm disappointed that Channing Tatum's character got killed off at the start. He didn't survive or develop in the sequel. I'm so surprised that Johnson and Willis consistently gave solid performances in what is almost a lacklustre film.

RETALIATION could have put the series on ice had it not been as successful. This sequel was flawed, but I enjoyed it more than Cobra.

Star rating: (6/10) Fair Movie

Wednesday, August 4, 2021

Black Widow Review











Black Widow


Release Date: 8th July 2021 - Australia


Production Companies
Marvel Studios

Distribution
Walt Disney Studios Motion Pictures Australia


Genre: Action

Rating: M

Runtime: 133 minutes


Budget: $200,000,000

Box Office Gross: $379,751,655 (Worldwide)


Plot Summary
Former Avenger Natasha Romanoff, also known as Black Widow, must face the darker parts of her past when a dangerous conspiracy with ties to her past emerges. When a deadly force begins pursuing her and plans to take her down, Natasha must confront her history as a spy and the torn relationships left in her wake, long before she became an Avenger.


Cast
Scarlett Johansson - Natasha Romanoff/Black Widow
Florence Pugh - Yelena Belova
David Harbour - Alexei/
Red Guardian
Rachel Weisz - Melina
Ray Winstone - Dreykov
Ever Anderson - Young Natasha
Violet McGraw - Young Yelena
O-T Fangbenle - Mason
William Hurt - Secretary Ross
Ryan Kiera Armstrong - Young Antonia 
Liani Samuel - Lerato
Michelle Lee - Oksana
Lewis Young - Scientist Morocco 1
C.C. Smiff - Scientist Morocco 2
Olivier Richters - Ursa
Olga Kurylenko - Antonia/
Taskmaster
Jeremy Renner - Clint Barton/Hawkeye (Voice) (Cameo)
Julia Louis-Dreyfus - Valentina
Allegra de Fontaine (Cameo)
(Uncredited)

Crew
Director - Cate Shortland
Story - Jac Schaeffer and Ned Benson
Screenplay - Eric Pearson
Associate Producer/First Assistant Director - Jamie Christopher
Executive Producers - Victoria Alonso, Louis D'Esposito, Nigel Gostelow, Scarlett Johansson and Brad Winderbaum
Producer - Kevin Feige
Co-Producers - Mitchell Bell
and Brian Chapek
Casting Director - Sarah Finn
Production Designer - Charles Wood
Visual Development
Supervisor - Andy Park
Visual Development Concept Illustrators - Anthony Francisco, Rodney Fuentebella, Josh Nizzi, Jana Schirmer and Jackson Sze
Supervising Art Director - Thomas Brown
Art Directors: Los Angeles
Unit - Jann Engel and Clint Wallace
Set Decorator - John Bush
Set Decorator: Los Angeles Unit - Lauri Gaffin
Property Master - Barry Gibbs
Costume Designer - Jany Temime
Costume Designer: Los Angeles Unit - Lisa Loovas
Costume Supervisor - Dan Grace
Makeup and Hair Designer - Paul Gooch
Director of Photography - Gabriel Beristain
Camera First Assistants: Los Angeles Unit -
Dan Ming, Chris Toll and Jacqueline Stahl
Production & Development Manager -
Kyana F. Davidson
Unit Production Manager: Los Angeles Unit -
Leeann Stonebreaker
First Assistant Director: 2nd Unit - Marvin Williams
Second Unit Director - Darrin Prescott
Second Unit Director: Descent Unit -
Jeff Habberstad
Stunt Coordinator - Rob Inch
Stunt Coordinator: Wind Tunnel - Allan Hewitt
Fight Coordinator - James Young
Aerial Coordinator - Jeremy Braben
Aviation Advisor - Mike Woodley
Special Effects Supervisor - Paul Corbould
Special Effects Coordinator - Jodie Jackman
Special Effects Coordinator: Los Angeles Unit -
Chris Brenczewski
Special Effects Floor Supervisor: Second Unit -
Chris Corbould
Visual Effects Supervisor: Weta Digital -
Sean Noel Walker
Visual Effects Supervisor - Geoffrey Baumann
Visual Effects Supervisor: Third Unit -
Chris Shaw
Visual Effects Supervisor: LA Unit -
Janelle Croshaw
Visual Effects Supervisors: ILM - Craig Hammack
and Jose Burgos
Visual Effects Supervisor: Digital Domain -
David Hodgins
Visual Effects Supervisor: Lola VFX -
Trent Claus
Additional Visual Effects Supervisor -
Jesse James Chisholm
Visual Effects Producer - Lisa Marra
Compositing Supervisor: Lola VFX -
Edson Williams
Digital Roto and Paint Supervisors: ILM -
Beth D'Amato and Naren Naidoo
Creative Finishing Supervisor - Evan Jacobs
Editors - Leigh Folsom Boyd and
Matthew Schmidt
Supervising Sound Editors - Shannon Mills
and Daniel Laurie
Sound Designer - Nia Hansen
Production Sound Mixer - Chris Munro
Re-Recording Mixers - Juan Peralta
and Lola Hirschberg
Foley Supervisor - Christopher Flick
Foley Artists - Ronni Brown and Jana Vance
Music - Lorne Balfe
Music Supervisor - Dave Jordan
Score Mix Engineers - Peter Cobbin
and Kirsty Whalley


Review
Last year, BLACK WIDOW was delayed several times due to the ongoing COVID-19 pandemic, which also impacted the release of other forthcoming movies, such as Fast & Furious 9Thankfully, it finally came out in theatres and on Disney+ Premier Access. The film isn't like the typical Marvel movie you're looking for; it is an action-packed spy thriller, full of espionage and so on. BLACK WIDOW explains everything you need to know about the heroine, making her death in Avengers: Endgame even more tragic. The first half was impressive, especially when you learn about the character whose idyllic life was deprived of her before she became the titular Avenger she is now.

The action sequences are first-rate and explosive, with spectacular performances by Scarlett Johansson, Florence Pugh, and David Harbour. It will be the last time Scarlett has played a character in the eleven she's been in the Marvel Cinematic Universe.

Whereas Avengers: Endgame served as a send-off of Marvel's ensemble team, BLACK WIDOW feels like it is tying up all the loose ends for the character. Nevertheless, it remains an enjoyable movie for Marvel fans who have waited for a lifetime.

Star rating: (9/10) Excellent Movie

Monday, August 2, 2021

Fast & Furious 9 Review










Fast & Furious 9


Release Date: 17th June 2021 - Australia


Production Companies
One Race Films
Roth/Kirschenbaum Films
(in association with)
Perfect Storm
Original Film
Universal Pictures
China Film Co. Ltd (in association with)

Distribution
Universal Pictures Australia


Genre: Action

Rating: M

Runtime: 145 minutes


Budget: $225,000,000

Box Office Gross: $726,229,501 (Worldwide)


Plot Summary
Dom Toretto now lives a quiet life off the grid with Letty and his son. But when danger strikes, Dom has to confront his past sins to save the people
he loves most. With his
crew by his side, they join
together to foil a world-
shattering plot and face
the most skilled
assassin and high-
performance driver
they've ever confronted:
a man who also happens to
be Dom's forsaken brother, Jakob.

 
Cast
Vin Diesel - Dominic Toretto
Michelle Rodriguez - Leticia "Letty" Ortiz
Jordana Brewster - Mia Toretto
Tyrese Gibson - Roman Pearce
Ludacris - Tej Parker
Nathalie Emmanuel - Ramsey
Charlize Theron - Cipher
John Cena - Jakob Toretto
Sung Kang - Han Seoul-Oh
Anna Sawai - Elle
Helen Mirren - Queenie
Kurt Russell - Mr. Nobody
Lucas Black - Sean Boswell
Shad Moss - Twinkie
Thus Ersted Rasmussen - Otto
Don Omar - Santos
Shea Wingham - Stasiak
Vinnie Bennett - Young Dom
Finn Cole - Young Jakob
JD Pardo - Jack Toretto
Michael Rooker - Buddy
Jim Parrack - Kenny Linder
Siena Agudong - Young Mia
Isaac & Immanuel Holtane - Little Brian
Azia Dinea Hale - Young Letty
Juju Zhang - Young Elle
Karson Kern - Young Vince
Igby Rigney - Young Jesse
Sophia Tatum - Racer Chick
Francis Ngannou - Ferocious Professional
Martyn Ford - Lieutenant Sue
Bad Bunny - Lookout
Jimmy Lin - Lookout
Jason Tobin - Earl
Cardi B - Leysa
Cered - Young Leo
Ozuna - Young Santos
Oqwe Lin - 'Hey' Kid
Bill Simmons - Linder Pit Crew
Vincent Sinclair Diesel - Younger Dom
Luka Hays - Deputy
Jason Statham - Deckard Shaw (Cameo)
(Uncredited)

Crew
Story/Screenplay/Producer/Director - Justin Lin
Based on Characters - Gary Scott Thompson
Story - Alfredo Botello
Story/Screenplay - Daniel Casey
Producers - Vin Diesel, Jeff Kirschenbaum,
Neal H. Moritz, Joe Roth and Samantha Vincent
Producer/Unit Production Manager -
Clayton Townsend
Co-Producer - Joshua Henson
Casting Director - Rachel Tanner
Production Designer - Jan Roelfs
Supervising Art Director - Ashley Lamont
Senior Art Director - Andrew Palmer
Set Decorator - Lucy Eyre
Construction Manager - Paul J. Hayes
Costume Designer - Sanja Milkovic Hays
Makeup Designer - Amanda Knight
Hair Designer - Lisa Tomblin
Director of Photography - Stephen F. Windon
Directors of Photography: Second Unit -
Igor Meglic and Callan Green
Aerial Director of Photography: Second Unit -
David B. Nowell
Camera Operators: Second Unit - Nino Pansini,
Peter Field, Picha Srisansanee, Maurice McGuire
and Barney Piercy
Steadicam/Additional Camera Operator -
Jonathan 'Chunky' Richmond
Second Assistant Camera: Second Unit,
Los Angeles - Mike Cahoon, Robert Forrest,
Michael Luntzel, Jordan Pellegrini,
Matt Taylor and Theresa Wong
First Assistant Director - Vincent Lascoumes
Second Unit Director and Stunt Coordinator -
Spiro Razatos
Second Unit Director/Supervising Stunt
Coordinator - J.J. Perry
Stunt Coordinators - Steve Griffin
and Troy Robinson
Stunt Coordinator: Los Angeles Unit/
Rehearsal Stunt Coordinator/Stunt Utility:
Second Unit - Steve Kelso
Stunt Coordinator: 2nd Unit - Andy Gill
Fight/Stunt Coordinator - Justin Yu
Fight Coordinator: Additional Photography -
David Wald
Picture Vehicle Coordinator - Dennis McCarthy
Picture Vehicle Supervisor: UK - Alex King
Special Effects Supervisor - Alistair Williams
Special Effects Supervisor: Los Angeles Unit -
Michael Meinardus
Special Effects Department Coordinator -
Usha Chaman
Visual Effects Supervisor - Peter Chiang
Visual Effects Supervisor: ILM - Julian Foddy
Visual Effects Supervisor: DNEG - Daniel Rauchweger
Additional Visual Effects Supervisors: DNEG -
Derek Wentworth and Michael Grobe
Visual Effects Producer - Hal Couzens
Visual Effects Producer: Factory VFX -
Eric D. Christensen
Compositing Supervisor: ILM - Jeff Sutherland
Computer Graphics Supervisor: BLIND LTD -
Andrew Booth
Editors - Greg D'Auria, Dylan Highsmith
and Kelly Matsumoto
Additional Editor - David Kern
Sound Designer and Supervisor - Peter Brown
Sound Designers - Stephen P. Robinson,
Eliot Connors and Ann Scibelli
Production Sound Mixer - John Casali
Re-Recording Mixers - Jon Taylor
and Frank A. Montaño
Music - Brian Tyler


Review
It's been a year since the release of FAST & FURIOUS 9 faced delays due to COVID-19. It has finally made its way into theatres with two more instalments from the series underway. There's no telling how it would end. The movie is not as good as the other instalments like Fast & Furious 5 or 7but it retains the supercharged thrills and madcap stunts. Justin Lin returns to helm the ninth chapter after being absent in the director's chair for the last two Fast & Furious movies (barring Hobbs & Shaw). Unfortunately, he has forgotten what made the franchise so special. The action is getting outlandish, and some plot issues, such as Han's survival, detract significantly from Furious 7.

It featured new cast members, including John Cena as Dom's estranged younger brother Jakob. The wrestler-turned-actor was terrific in the role and handled it very well. I'm slightly disappointed that Dwayne Johnson didn't appear in this movie, given his previous reluctance to be part of the franchise. That would explain a lot.

While FAST & FURIOUS 9 didn't give the series closure, I'd be surprised if it had, given the series' formulaic nature and the implausibility of its plot. Nonetheless, I consider it a semi-decent film, and it's up to fans or non-fans to decide whether they should see it in theatres before all sessions expire or wait until it becomes available on DVD, Blu-ray, iTunes, and video streaming.

Star rating: (7/10) Good Movie

Tuesday, July 13, 2021

In Memory of Ned Beatty (1937-2021)









Ned Beatty (1937-2021)

I know it's too late to do an obituary of someone who passed away last month, but I hope you understand.

Oscar-nominated character actor Ned Beatty, known for his roles in films such as "Deliverance," "All the President's Men," "Network," "Superman," and "Toy Story 3," passed away on June 13th, 2021, due to natural causes. He was 83 years old.

In 1972, after years of being in regional theatre, Beatty made his screen debut opposite Burt Reynolds in the movie "Deliverance," where his character gets brutally assaulted by two mountain men while on a canoeing trip. In 1976, Beatty appeared in films like "All the President's Men," "The Big Bus," "Silver Streak," and "Mikey and Nicky." Later that same year, Ned Beatty's performance in "Network" earned him his only Oscar nomination for Best Supporting Actor.

In 1978, Beatty received a call from director Richard Donner to play Lex Luthor's bumbling henchman, Otis, in "Superman: The Movie" and its 1980 sequel, "Superman II." In 1991, he had a leading role in the Irish movie "Hear My Song."

Beatty's other films included "The Front Page," "The Big Easy," "Nashville," and, more recently, "Shooter," "Charlie Wilson's War," "Toy Story 3" (where he voiced the evil stuffed bear Lotso), and "Rango" before he retired in 2013. Beatty often appeared on television, with recurring roles such as John Goodman's father on the sitcom "Roseanne" and a detective on "Homicide: Life on the Streets."

Contrary to the belief, Ned was unrelated to fellow Hollywood actor Warren Beatty, as both were born in 1937.

Wednesday, July 7, 2021

In Memory of Richard Donner (1930-2021)











Richard Donner (1930-2021)

Richard Donner, who directed films such as "The Omen," "Superman: The Movie," "The Goonies," "Scrooged," and the "Lethal Weapon" series, passed away on July 5th, 2021. He was 91 years old.

Donner initially wanted to become an actor to develop his career and gained a minor role in a television program. However, its director, Martin Ritt, encouraged Donner to pursue directing instead. And so Dick was hired by Ritt to be his assistant. Later, Donner began directing commercials while working at Desilu. He transitioned to television series in the late 1950s, starting with "Get Smart," "The Twilight Zone" (most notably, "Nightmare at 20,000 Feet" with William Shatner), "The Wild Wild West," "Perry Mason," "Kojak," and "Gilligan's Island." Donner also worked with the animation studio Hanna-Barbera, directing several episodes of the serial "Danger Island" as part of the kids' show "The Banana Splits."

Richard's first movie as a director, in 1961, was the low-budget "X-15," starring Charles Bronson. He then directed a few British films, including "Salt and Pepper," "Twinky" (also known as "Lola"), and "Child Bride." Donner also broke into directing made-for-television movies, including "A Shadow in the Streets" and "Sarah T: Portrait of a Teenage Alcoholic."

Building on the experience he gained from "The Twilight Zone," Donner successfully navigated the challenges of helming his first feature-length movie, the scary "The Omen." This runaway success led to his assignment to bring "Superman" to the big screen in 1978, for which he received worldwide recognition. The movie starred Christopher Reeve as the Man of Steel, alongside Margot Kidder, Marlon Brando, Gene Hackman, and Ned Beatty, and set the template for future superhero movies. However, halfway through the film's sequel, "Superman II," which was nearing its completion, a dispute with the producers led to Donner being booted and replaced by Richard Lester. Much of Donner's work remained intact, albeit uncredited. In 2006, Donner released his director's cut of "Superman II" on DVD on the same day that Bryan Singer's franchise revival, "Superman Returns," debuted on home video.

After his dismissal from "Superman II," Donner directed "Inside Moves," one of his smaller and personal films, and it didn't perform well at the box office despite fair notices and "The Toy", starring Richard Pryor.

In 1985, Donner directed the period romantic fantasy "Ladyhawke" with Michelle Pfeiffer. The same year, Donner directed a seminal children's adventure movie for writer Chris Columbus and fellow filmmaker Steven Spielberg, "The Goonies," a coming-of-age film about a group of kids looking for hidden treasure.

Following the mid-80s movies came the success of "Lethal Weapon," in which Donner reinvented the buddy-cop subgenre with "Mad Max" star Mel Gibson and Danny Glover in the lead roles. It led to three more entries, all directed by Donner. Donner would later work with Gibson on films such as "Maverick" and "Conspiracy Theory." Donner's other films include "Scrooged" with Bill Murray, "Radio Flyer," "Assassins," "Timeline," and "16 Blocks." The latter of which proved to be his last.

In addition to directing features, Donner served as executive producer on films such as "Omen III: The Final Conflict," "The Lost Boys," "Delirious," three "Free Willy"  movies, and "Any Given Sunday." He was even involved in the "X-Men" movie franchise with his wife, Lauren Shuler, through their company, The Donners' Company, especially Bryan Singer's first entry (click here) and its prequel, "X-Men Origins: Wolverine."

Monday, July 5, 2021

A Dog's Purpose Review














A Dog's Purpose


Release Date: 4th May 2017 - Australia


Production Companies
Walden Media
Amblin Entertainment
Reliance Entertainment
Pariah Entertainment Group
Amblin Partners
DreamWorks (Copyright Holder)

Distribution
eOne Australia


Genre: Family/Fantasy/
Comedy/Drama

Rating: PG

Runtime: 99 minutes


Budget: $22,000,000

Box Office Gross: $205,035,819 (Worldwide)


Plot Summary
A dog discovers the meaning of life when he is reincarnated several times in different breeds with different owners before reuniting with his true master.


Cast
Josh Gad - Bailey/Ellie/Tino/
Buddy (Voice)
Dennis Quaid - Adult Ethan
Peggy Lipton - Adult Hannah
Bryce Gheisar - Ethan - 8 Years Old
K.J. Apa - Teen Ethan
Juliet Rylance - Ethan's Mom
Luke Kirby - Ethan's Dad
Gabrielle Rose - Grandma Fran
Michael Bofshever - Grandpa Bill
Britt Robertson - Teen Hannah
Logan Miller - Todd
Kirby Howell-Baptiste - Maya
Pooch Hall - Al
John Ortiz - Carlos
Nicole LaPlaca - Wendi
Primo Allan - Victor
Peter Kelamis - Dad's Boss
Caroline Cabe - Boss's Wife
Jane McGregor - Rachel
Michael Patric - Sam
Brooke Warrington - Bree -
7 Years Old
Kenyan Alexander Walcott -
Ty - 5 Years Old
Treyton Augustus Walcott - Richie - 4 Years Old
Alicia Johnston - Hysterical Mother
Chris Webb - Kidnapper
Naomi Frenette - Kidnapped Girl

Crew
Director - Lasse Hallström
Based on the Novel/
Screenplay - W. Bruce Cameron
Screenplay - Cathryn Michon,
Audrey Wells, Maya Forbes and
Wallace Wolodarsky
Executive Producer/Unit Production Manager -
Alan C. Blomquist
Executive Producers - Lauren Pfeiffer
and Mark Sourian
Producer - Gavin Polone
Co-Producers - Holly Bario and Kim Todd
Co-Producer/Unit Production Manager -
Lesley Oswald
Casting Director - John Papsidera
Animal Trainers - Raymond W. Beal,
Tammy Blackburn, Mathilde Decagny,
Yuka Fukushima, Larry Madrid,
Doree Sitterly, David Sousa and Brian Turi
Production Designer - Michael Carlin
Supervising Art Director - Réjean Labrie
Art Director - Larry Spittle
Set Decorator - Craig Sandells
Costume Designer - Shay Cunliffe
Director of Photography - Terry Stacey
Additional Photography - Robby Baumgartner
Stunt Coordinator - Marny Eng
Special Effects Coordinator - Tim Freestone
Visual Effects Supervisor - Jon Campfens
Editor - Robert Leighton
Supervising Sound Editor - Eliza Paley
Sound Designer - Mariusz Glabinski
Re-Recording Mixers - Skip Lievsay
and Lawrence Zipf
Music - Rachel Portman
Music Supervisor - Liza Richardson
Score Conductor/Orchestrator - Jeff Atmajian


Review
Before watching A DOG'S JOURNEY, I decided to watch A DOG'S PURPOSE before its sequel. Deep, poignant, and thought-provoking, this film will make dog lovers cry, even if it reminds them of the pets they once owned. Frankly, I haven't seen a movie about a dog that was so sad since I watched Red DogHowever, critics were unkind to A DOG'S PURPOSE as allegations of animal abuse spread when a video from the movie's set, supposedly showing it (which proved misleading), went viral on TMZ, hurting its reputation before its release.

I liked the movie's concept of a dog going through multiple lives and showing its unique perspective. The film is somewhat comparable to the other dog movies that Lasse Hallström has directed. I have not seen any of them. It will be fun to explore these films that may contain sadness. I am surprised that Josh Gad has done a terrific job voicing the dog's inner thoughts. The casting is impeccable, with Dennis Quaid as the older Ethan, who delivers his heartfelt role with conviction.

It's a sentimental movie that is doggone wild, tugging at your heartstrings. A DOG'S PURPOSE is a must-see film recommended for all ages.

Star rating: (10/10) Best Movie Ever

Saturday, July 3, 2021

Cruella Review












Cruella


Release Date: 27th May 2021 - Australia


Production Companies
Walt Disney Pictures
Gunn Films
Marc Platt Productions

Distribution
Walt Disney Studios Motion Pictures Australia


Genre: Family/Comedy/
Crime

Rating: PG

Runtime: 134 minutes


Budget: $200,000,000

Box Office Gross: $233,503,234 (Worldwide)


Plot Summary
Before she became Cruella de Vil, Estella had dreamed of becoming a fashion designer. She had the ambition, creativity, and talent to achieve this. She befriends a pair of thieves who admire her appetite for mischief. Together, they make a life
for themselves on the
streets of London. One day, Estella soon catches the eye of the narcissistic Baroness, a fashion legend, who lands her a perfect job, allowing her to live out her dreams of becoming a top fashionista. However, a course of events set in motion will cause Estella to embrace her wild side and become the raucous, stylish, and revenge-bent Cruella.


Cast
Emma Stone - Estella/Cruella
Emma Thompson - The
Baroness
Joel Fry - Jasper
Paul Walter Hauser - Horace
John McCrea - Artie
Emily Beecham - Catherine/
Maid
Mark Strong - John the Valet
Kayvan Novak - Roger
Kirby Howell-Baptiste - Anita Darling
Jamie Demetriou - Gerald
Niamh Lynch - Liberty Shop Girl
Andrew Leung - Jeffrey
Ed Birch - Baroness Head of Security
Dylan Lowe - Mean Ginger
Abraham Popola - George
Leo Bill - Headmaster
Ninette Finch - Lady
Sarah Crowden - Beehive Lady
Tom Turner - The Baron
Sid Sagar - Mark
Tim Steed - Frederick
Tipper Seifert-Cleveland - Estella (12 yrs)
Maeve & Nell Chadwick -
Estella (Toddler)
Billie Gadsdon - Estella (5 yrs)
Ziggy Gardner - Jasper (12 yrs)
Joseph MacDonald - Horace (12 yrs)
Florisa Kamara - Anita (12 yrs)
Bobby - Bubby
Bluebell - Wink

Crew
Director - Craig Gillespie
Based Upon the Novel "One Hundred and One Dalmatians" - Dodie Smith
Story/Executive Producer - Aline Brosh McKenna
Story - Kelly Marcel and Steve Zissis
Screenplay - Dana Fox and Tony McNamara
Executive Producers - Glenn Close,
Jared LeBoff, Emma Stone and Michelle Wright
Producers - Kristin Burr, Andrew Gunn and
Marc Platt
Co-Producer/Unit Production Manager -
Mark Mostyn
Casting Directors - Lucy Bevan and Mary Vernieu
Production Designer - Fiona Crombie
Supervising Art Director - Martin Foley
Set Decorator - Alice Felton
Costume Designer - Jenny Beavan
Hair and Makeup Designer - Nadia Stacey
Director of Photography - Nicolas Karakatsanis
Supervising Location Manager - Ali James
Choreographer - Adam Murray
Stunt Coordinator - Jason Hunjan
Fight Coordinator - Vincent Wang
Special Effects Supervisor - Steven Warner
Special Effects Co-Supervisor - Stephen Hutchinson
Special Effects Coordinator/Buyer - Anna Krawczyk
Visual Effects Supervisor - Max Wood
Film Editor - Tatiana S. Riegel
Supervising Sound Editor - Mark P. Stoeckinger
Sound Designers - Alan Rankin
and Ann Scibelli
Sound Designer/Re-Recording Mixer -
Martyn Zub
Production Mixer - Paul Munro
Re-Recording Mixer - Ron Bartlett
Music - Nicholas Britell
Music Supervisor - Susan Jacobs
Score Recordist and Mixer - Geoff Foster


Review
Many people saw 101 Dalmatians when they were young, depending on which version: the Disney animated classic or the 1996 remake. However, the only thing in the movie that terrifies them the most is the villain, Cruella de Vil, a fur-obsessed villainess who will stop at nothing to get what she wants, even when she tries to skin a few Dalmatian puppies to make fur coats. The animated incarnation is the one that they remember best. Not even Glenn Close's portrayal could capture the character's mannerisms. While I haven't compared the two versions of Cruella and reviewed much of the 101 Dalmatians movies, CRUELLA will be an opportunity to delve into the character we all fear and love to hate.

The film did not belong to the ongoing tradition of Disney live-action remakes, though it might as well have been part of it. It provides a unique spin on the titular character, offering empathy through her backstory, whereas previous iterations are villainous and petty. It isn't the first time Disney has done this sort of thing; it did so in Maleficent. I didn't realise, after watching the movie, that Glenn Close was one of the executive producers involved. CRUELLA is a family-friendly heist film packed with pathos and dark comedy, which Disney would never include in a few of its live-action offerings. It has an involved storyline that explains everything, and I admire the movie's production values.

Emma Stone was a perfect choice for Cruella, and despite fans finding her version of the character too soft and not wicked enough, her performance is hypnotic. Emma Thompson was dapper as she played the icy fashion designer Baroness, who was far more sinister than Cruella. Even Mark Strong was great as the valet. The costume design is superb, and the film has a great soundtrack with songs from Queen, ELO, and The Clash.

Some people have favourably compared this movie to another tragic-villain origin story, Joker, but it's less violent and cynical. However, CRUELLA is an entertaining film.

Star rating: (8/10) Very Good Movie