Wednesday, August 30, 2017

Dunkirk Review














Dunkirk


Release Date: 20th July 2017 - Australia


Production Companies
Syncopy
Warner Bros. Pictures
Dombey Street Productions

Distribution
Roadshow Films


Genre: War

Rating: M

Runtime: 106 minutes


Budget: $150,000,000

Box Office Gross: $530,432,122 (Worldwide)


Plot Summary
In 1940, in the French port town of Dunkirk during World War II, four hundred thousand Allied soldiers from Britain, Belgium and France were trapped on the beach when German forces had them cut off and surrounded. While the enemy is closing in, the men must make their way into evacuation before all hope is lost.


Cast
Fionn Whitehead - Tommy
Tom Hardy - Farrier
Mark Rylance - Mr. Dawson
Kenneth Branagh - Commander Bolton
Harry Styles - Alex
James D'Arcy - Colonel Winnant
Tom Glynn-Carney - Peter
Jack Lowden - Collins
Aneurin Barnard - Gibson
Barry Keoghan - George
Cillian Murphy - Shivering
Solider
Matthew Marsh - Rear Admiral
John Nolan - Blind Man (Cameo)
Bill Milner - Lone Private
Will Attenborough - Second Lieutenant
Michael Caine - Fortis Leader (Voice) (Cameo) (Uncredited)

Crew
Writer/Producer/Director -
Christopher Nolan
Executive Producer - Jake
Myers
Associate Producer - Andy Thompson
Producer - Emma Thomas
Casting Directors - John
Papsidera and Toby Whale
Historical Consultant - Joshua Levine
Production Designer - Nathan Crowley
Supervising Art Director - Kevin Ishioka
Supervising Art Director: UK
Unit - Toby Britton
Supervising Set Decorator - Gary Fettis
Property Master - Andrew Petrotta
Costume Designer - Jeffrey
Kurland
Director of Photography - Hoyte Van Hoytema
Director of Photography: Aerial Unit -
Hans Bjerno
Supervising Location Manager - Ben Piltz
Location Managers: UK - Mandy Sharpe
and Paul Tomlinson
Unit Production Manager - David Witz
Unit Production Manager: UK - Chris Brock
First Assistant Director - Nilo Otero
Second Assistant Director - Eric Lasko
Third Assistant Director: UK - Toby Spanton
Stunt Coordinator - Tom Struthers
Aerial Coordinator - David Paris
Helicopter/Aerostar/Yak Pilot: Aerial Unit -
Craig Hosking
Marine Coordinator - Neil Andrea
Special Effects Supervisor - Paul Corbould
Special Effects Assistant Supervisor - Ian Corbould
Special Effects Workshop Supervisors: UK -
Tony Edwards and Jason Leinster
Visual Effects Supervisor - Andrew Jackson
Visual Effects Supervisor: Double Negative -
Andrew Lockley
Visual Effects Producer - Mike Chambers
Digital Effects Supervisor: Double Negative -
Tim McGovern
CG Supervisors: Double Negative -
Alexander Seaman, Alison Wortman
and Kedar Khot
Sound Designer/Supervising Sound Editor -
Richard King
Sound Mixer - Mark Weingarten
Sound Effects Recording Mixers -
Peter Albrechtsen, John P. Fasal,
Eilam Hoffman, Ken J. Johnson,
Max Lachmann, Mats Lundgren, Bernard Löhr
and Eric Potter
Re-Recording Mixers - Gregg Landaker
and Gary A. Rizzo
Foley Artists/Recordists (Uncredited) - 
Shelley Roden and John Roesch
Editor - Lee Smith
Associate Editor - John Lee
Music/Synth Programming - Hans Zimmer
Score Producer - Lorne Balfe
Composers: Additional Music -
Satnam Singh Ramgorta,
Andrew Kawczynski and Andy Page
Score Recordist - Geoff Foster
Score Mixer - Alan Meyerson
Sequencer Programming - Steve Mazzaro
Supervising Music Editor - Alex Gibson


Review
Director Chris Nolan was on the verge of losing his touch when two of his previous films, The Dark Knight Rises and Interstellardivided audiences. However, these films still had positive responses compared to his earlier successes. Now, Nolan triumphs through the ongoing success of his latest film, DUNKIRK. It's a down-to-earth, suspenseful and melancholy war drama that accurately portrays the realism of the operation that has taken place in a small town in Europe during World War II. It's told from a few different perspectives, including civilians and young soldiers who were desperate to survive and be rescued from a war-torn land occupied by the Germans.

There have been several movies based on the same historical battle. Each one shared its same-titled location before Nolan was to have this depiction filmed in 2017. Similar to what Steven Spielberg had to offer in his well-made epic Saving Private Ryan, it deserves to be appreciated by veterans who might tell their grandchildren and great-grandchildren about their experiences in Dunkirk.

Seeing the newcomers Fionn Whitehead and Harry Styles from One Direction get together with veterans like Kenneth Branagh and Tom Hardy. They were performing most splendidly with the guidance of their director. The well-balanced cinematography was stunning and catered to scenes involving action, suspense and heartbreak. Hans Zimmer is again the composer for one of Nolan's compelling achievements, and he certainly hasn't changed the style of orchestration for which he is known.

Nolan's signature directing style is unmistakable, and DUNKIRK is no different, from deep psychological thrillers, caped-crusaders, magicians, exploring sub-consciousness, and travelling wormholes. It's now often considered one of Nolan's best movies. For those who may or may not be familiar with its history, I recommend seeing DUNKIRK in theatres before it hits the shelves.

Star rating: (10/10) Best Movie Ever

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Monday, August 21, 2017

War for the Planet of the Apes Review










War for the Planet of the Apes


Release Date: 27th July 2017 - Australia


Production Companies
20th Century Fox
Chermin Entertainment
TSG Entertainment (in association with)

Distribution
20th Century Fox Australia


Genre: Sci-Fi

Rating: M
 
Runtime: 140 minutes


Budget: $150,000,000

Box Office Gross: $490,719,763 (Worldwide) 


Plot Summary
Highly intelligent Caesar and his ape colony are engaged in a heated battle with power-hungry humans. At the loss of several apes, Caesar is enraged and vows to avenge his fallen primates. To do so, he knows he'll have to combat the leader of the humans, a merciless Colonel. 

Whichever way the battle goes, the fate of apes and the future of Planet Earth hang in the balance. (Source - Metro Cinemas)


Cast

The Apes
Andy Serkis - Caesar
Steve Zahn - Bad Ape
Karin Konoval - Maurice
Terry Notary - Rocket
Ty Olsson - Red
Michael Adamthwaite - Luca
Max Lloyd-Jones - Blue Eyes
Judy Greer - Cornelia
Toby Kebbell - Kopa 
Sara Canning - Lake
Devyn Dalton - Cornelius
Aleks Paunovic - Winter
Alessandro Juliani - Spear
Timothy Webber - Ape Elder

The Humans
Woody Harrelson - Colonel
Amiah Miller - Nova
Gabriel Chavarria - Preacher
Chad Rook - Boyle
Roger Cross - Captain
Mercedes de la Zerda - Lang
Doug Chapman - Alpha Omega Deserter
Shaun Omaid - Soldier Who Sees Ape
James Pizzinato - Captured Solider
Dean Redman - Commanding Officer

Crew
Writer/Director - Matt Reeves
Based on Novel and Suggested Concept
"La Planete des Singes" - Pierre Boulle (Uncredited)
Based on Characters/
Producers - Rick Jaffa and 
Amanda Silver
Writer/Executive Producer - Mark Bomback
Executive Producer/Unit Production Manager - Mary McLaglen 
Executive Producer - Jenno Topping
Producers - Dylan Clark and Peter Chermin
Co-Producer/Visual Effects Producer - Ryan Stafford
Casting Director - Debra Zane
Production Designer - James Chinlund
Costume Designer - Melissa Bruning
Director of Photography - Michael Seresin
Second Unit Director - Bradley Parker
Stunt Coordinator/Movement Choreographer -
Terry Notary
Stunt Coordinator - John Stoneham Jr.
Stunt Coordinator/Horse Stunts - Danny Virtue
Special Effects Supervisors - Dan Cervin and
Joel Whilst
Senior Visual Effects Supervisor - Joe Letteri
Visual Effects Supervisors - Dan Lemmon,
Luke Millar and Erik Winquist
Visual Effects Supervisor: Weta Digital - Mark Gee
Visual Effects Producer - Ryan Stafford
Creative Visual Effects Art Director/Texture Supervisor -
Gino Acevedo
Animation Supervisors - Daniel Barrett,
Sidney Kombo, Dennis Yoo and Emile Ghorayeb
Models Supervisor: Weta Digital - Florian Fernandez
Film Editors - William Hoy and Stan Salfas
Music - Michael Giacchino


Review
The 'Apes' trilogy has come to a screeching halt with its recent third instalment of 'WAR FOR THE PLANET OF THE APES'. Director Matt Reeves is among those crew members that have returned to conclude the extensive chapter of the apes' re-told origins. The story-line of the third instalment was bleaker, heartbreaking and more interesting than the first two. I am surprised how this instalment turned out good with a more brooding atmosphere and less human protagonists (sans one). It's supposed to show us the outcome of the warring conflict between the apes and the humans in their battle for inheritance. It's simply unexpected for the apes to win the fight for domination.

So much has changed for Andy Serkis being his last time in the mo-cap as the ape-leader Caesar, who is now more vengeful than ever and is struggling to face his inner demons. Steve Zahn was funny as the film's comic relief as Bad Ape whom becomes a great help to Caesar and the other apes in their cause. Woody Harrelson was a gentleman actor and was rather outstanding to portray a vicious military colonel who is just as bad as the other humans that were unpleasant, cruel, selfish and misguided. His character was very much an extremist only that he is trying to preserve humanity above ape. The music score by Michael Giacchino was absolutely vivid and breathtaking to listen too. The score hit the right cords to portray emotion in situations of torture and prison confinement.

'WAR FOR THE PLANET OF THE APES' feels like an end to the characters and not the series itself, which could mean there may be a few more 'Apes' films in the future. It could possibly lead to a remake of the 1968 classic which is unlike the drastically altered version by Tim Burton. It's a fantastic movie that could never be forgotten by its fan-base and is a must-see on the big screen.

Star rating: (8/10) Very Good Movie

Monday, August 14, 2017

The Great Wall Review












The Great Wall


Release Date: 16th February 2017 - Australia


Production Companies
Universal Pictures
Legendary East
Atlas Entertainment
China Film Group Co., Ltd. (in association with)
Kava Productions
Le Vision Pictures (in association with)
Legendary Entertainment
Fuji Television Network
Dentsu

Distribution
Universal Pictures Australia


Genre: Fantasy/Action

Rating: M

Runtime: 103 minutes


Budget: $150,000,000

Box Office Gross: $334,933,831 (Worldwide)


Plot Summary
A mercenary warrior gets imprisoned within the Great Wall. He discovers the secret behind one of the greatest wonders of the world. As the massive structure began to be besieged by wave after wave of marauding beasts, his quest for fortune became a journey of heroism when he joined an enormous army of elite warriors to confront the unimaginable and seemingly indestructible force.


Cast
Matt Damon - William
Tian Jing - Commander Lin Mae
Willem Dafoe - Ballard
Andy Lau - Strategist Wang
Pedro Pascal - Tovar
Hanyu Zhang - General Shao
Lu Han - Peng Yong
Kenny Lin - Commander Chen
Eddie Peng - Commander Wu
Xuan Huang - Commander Teng
Ryan Zheng - Shen
Karry Wang - Emperor
Pilou Asbæk - Bouchard
Numan Acar - Najid
Johnny Cicco - Rizzetti
Vicky Yu - Lt. Xiao Yu
Bing Lu - Lin Mae's 2nd Lt. Li Qing

Crew
Director - Yimou Zhang
Story - Max Brooks, Edward Zwick and Marshall Herskovitz
Screenplay - Carlo Bernard, Doug Miro and Tony Gilroy
Executive Producers - Alex Gartner, La Peikang, Jillian Share, E. Bennett Walsh and Zhao Zhang
Producers - Jon Jashni, Peter Loehr, Charles Roven and Thomas Tull
Co-Producers - Yong Er, Wang Zhang and Alex Hedlund
Co-Producer/Production Manager: Second Unit - Eric Hedayat
Casting Director - John Papsidera
Production Designer - John Myhre
On-Set Supervisor: Weta Workshop - Joe Dunkley
Design & Manufacturing Supervisor:
Weta Workshop - Richard Taylor
Workshop Supervisor: Weta Workshop -
Rob Gillies
Senior Supervising Art Director - Helen Jarvis
Supervising Art Directors - Huang Xinming
and Colin Gibson
Set Decorators - Gordon Sim and Yanbin Sun
Property Master - Simone Leclerc
Costume Designer - Mayes C. Rubeo
Makeup & Hair Designer - Paul Engelen
Directors of Photography - Stuart Dryburgh
and Xiaoding Zhao
Supervising Location Manager - William Doyle
Unit Production Manager - Kwame Parker
First Assistant Director - P.J. Voeten
Second Assistant Director - Scott Lovelock
Action Unit Director - George Marshall Ruge
Supervising Stunt Coordinator - Buster Reeves
Stunt Coordinator - Hua Yan
Stunt Co-Coordinator - Hiro Koda
Fight Coordinator - Vincent Wang
Special Effects Coordinator - Mark Koivu
Special Effects Consultant - Allen Hall
Visual Effects Supervisor - Phil Brennan
Visual Effects Supervisors: ILM - Samir Hoon
and Ben Snow
Associate Visual Effects Supervisor: ILM - Jeff Capogreco
Visual Effects Executive Producer: ILM - Jill Brooks
Animation Supervisor: ILM - Jance Rubinchik
Additional Supervisors: ILM - Jay Cooper,
Hayden Landis, David Nakabayashi and
David Weitzberg
Editors - Mary Jo Markey and Craig Wood
Supervising Sound Editor - Gwendolyn Yates Whittle
Sound Designer - Kyrsten Mate
Additional Sound Design - Gary Rydstrom
Re-Recording Mixers - Michael Semanick
and Beau Borders
Foley Artists - Jana Vance, Dennie Thorpe
and Geoff Vaughan
Music - Ramin Djawadi
Music Supervisors - Peter Afterman and
Margaret Yen


Review
An ambitious US/Asian co-production came crashing down due to its unpopularity and lost income at the box office. At first, THE GREAT WALL seemed to be a pleasant historical fantasy film with great action scenes and a bonafide star like Matt Damon. Unfortunately, the Chinese were too offended by its white-saviour plot in a setting for a famous landmark in China. While not the worst but certainly not the best movie ever made, THE GREAT WALL lacked the distinctive flair of an epic film. Some historical aspects were in THE GREAT WALL. The remainder was fantasy-based as its storyline was entirely fictional, and none were true to the Chinese legends. Many characters are flat and one-dimensional, caused by the writing and direction.

I don't blame Matt Damon for being in this big-budgeted misfire if it weren't for the filmmakers' decision to hire him in the first place. Instead, he is the centre of attention and nearly ends up getting his career killed by the movie. Willem Dafoe also takes a risk in being cast as a European stuck in the Great Wall for a long time.

Here is another big-screen disappointment you would have least expected. It'd be one of those recent movies that belong to obscurity. THE GREAT WALL is powerless against a silly plot and wooden characters. I consider this a mediocre film. It's not something I want to watch again.

Star rating: (4/10) Below Average

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