Saturday, January 8, 2022

In Memory of Sidney Poitier (1927-2022)










Sidney Poitier (1927-2022)

African-American actor Sidney Poitier, known for breaking through Hollywood's racial barriers and being the first black actor to win an Oscar, passed away on January 7th, 2022. He was 94 years old. Without Sidney Poitier, all of this would not have been possible. He was an inspiration to many black performers who would go on to do big things, including Morgan Freeman, Denzel Washington, Whoopi Goldberg, Halle Berry, and others.

Poitier was born in Miami and is the son of Bahamian tomato farmers. His father, Reginald, didn't expect him to live as he was only two months premature from birth and had brought home a shoebox to bury him if he died. But Sidney did survive and was raised on Cat Island in the Bahamas before moving to the U.S. at age 15. Poitier joined the American Negro Theatre in Harlem, and though it took him a while to adjust to film, he landed his first speaking role in "No Way Out" in 1950. Poitier garnered his first Best Actor Oscar nomination in 1959 for "The Defiant Ones," starring opposite Tony Curtis as escaped prisoners who work together to survive and stay free. Six years later, for his performance as handyman Homer Smith in the comedy-drama "Lilies of the Field," Poitier became the first African-American actor to win an Oscar. Before he died, he was the oldest living actor to win an Oscar. Because of this, the role remains his most memorable and has the most powerful social impact. In 1967, he was in the mystery drama "In the Heat of the Night," playing a homicide detective, Virgil Tibbs, who had to deal with bigotry. Other of his groundbreaking roles include his character befriending a blind girl in "A Patch of Blue," an English teacher in "To Sir, with Love," and a doctor trying to persuade the parents to accept his marriage to their daughter in "Guess Who's Coming to Dinner."

In the late 1970s, Poitier scaled back his acting and turned his attention to directing films for Bill Cosby, Richard Pryor, and Gene Wilder, like "Uptown Saturday Night" in 1974 and "Stir Crazy" in 1980. After nearly a decade, Sidney returned to acting in films and television, including 1988's "Shoot to Thrill" with Tom Berenger and the 1992 crime comedy "Sneakers" in an ensemble cast with Robert Redford, Dan Aykroyd, Ben Kingsley, and James Earl Jones. Sidney Poitier was friends with the young, talented actor River Phoenix before Phoenix's untimely death in 1993. Phoenix appeared with Poitier in his two final theatrical movies, including the 1988 thriller "Little Nikita," in which they shared the screen and again in "Sneakers."

Beyond his acting, Poitier worked as a Civil Rights activist, joining Dr. Martin Luther King in his historic 1963 movement in Washington, D.C. For a decade, he was a bona fide ambassador, serving as the Bahamas' ambassador to Japan from 1997 to 2007. He received many honours, including a Lifetime Achievement award from the American Film Institute and an Honorary Oscar Award in 2001 for "his remarkable accomplishments as an artist and a human being." Poitier even earned a knighthood from Queen Elizabeth II of Britain in 1974. In 2009, he was awarded the highest honour for an American civilian, the Presidential Medal of Freedom, given by the first African-American President, Barack Obama.

Here are a few clips of his movies that highlight his screen presence. Such as the iconic line he uttered from his unforgettable role in "In the Heat of the Night."

Friday, December 10, 2021

No Time to Die Review











No Time to Die


Release Date: 11th November 2021 - Australia


Production Companies
Metro-Goldwyn-Mayer (copyright holder)
Universal Pictures (copyright holder)
Eon Productions (presents)
B25
Danjaq (copyright holder)

Distribution
Universal Pictures Australia 


Genre: Action

Rating: M

Runtime: 163 minutes 


Budget: $301,000,000

Box Office Gross: $906,801,749 (Worldwide)


Plot Summary
Having retired from active service as a secret agent, James Bond is now
enjoying a life of serenity
in Jamaica. However, he
is called out of retirement
when his old CIA contact,
Felix Leiter, turns up
and asks for his help,
and M also wants to thrust
007 back into his new
assignment. Bond even
encounters a new 00,
Nomi, who has replaced
him as the top agent
and learns she is not
impressed by his previous
accomplishments.

Bond's new mission is to
rescue a captured
scientist who turns out to
be far more treacherous
than expected, leading
him to hunt down the
mysterious villain behind
the plot, Safin, with dangerous new technology.


Cast
Daniel Craig - James Bond
Léa Seydoux - Madeleine Swann
Rami Malek - Lyutsifer Safin
Lashana Lynch - Nomi
Ralph Fiennes - M
Ben Whishaw - Q
Naomie Harris - Miss Moneypenny
Rory Kinnear - Bill Tanner
Jeffrey Wright - Felix Leiter
Billy Magnussen - Logan Ash
Christoph Waltz - Ernst
Stavro Blofeld
David Dencik - Valdo Obruchev
Ana De Armas - Paloma
Dali Benssalah - Primo (Cyclops)
Lisa-Dorah Sonnet - Mathilde
Coline Defaud - Young Madeleine
Mathilde Bourbin - Madeleine's Mother
Hugh Dennis - Dr. Hardy
Priyanga Burford - Dr. Symes
Amy Morgan - Alison Smith
Lizzie Winkler - Sarah Jones
Brigitte Millar - Vogel
Hayden Phillips - Sir
Sebastian D'ath
Michael G. Wilson - Officer
at Spectre Party (Cameo) (Uncredited)

Crew
Story/Screenplay/Director - Cary Joji Fukunaga
Based on Characters - Ian Fleming
Story/Screenplay - Neal Purvis and Robert Wade
Screenplay - Phoebe Waller-Bridge
Associate Producer - Gregg Wilson
Executive Producer - Chris Brigham
Producers - Michael G. Wilson
and Barbara Broccoli
Co-Producers - Daniel Craig,
Andrew Noakes and David Pope
Casting Directors - Debbie &
Jemima McWilliams
Production Designer - Mark Tildesley
Supervising Art Director - Chris Lowe
Senior Art Director - Mark Harris
Art Directors - Andrew Bennett,
Neal Callow, Dean Clegg, Sandra Phillips
and Mark Scruton
Set Decorator - Véronique Melery
Property Master - Ben Wilkinson
Costume Designer - Suttriat Anne Larlarb
Hair and Makeup Designer - Daniel Phillips
Prosthetics Makeup Designer - Barrie Gower
Director of Photography - Linus Sandgren
Camera Operators - Jason Ewart,
Ossie McLean, Oliver Loncrane,
Clive Jackson, Gary Spratling,
Tim Wooster and Chris Plevin
Supervising Location Manager - Ben Piltz
Location Production Managers - Matt Jones
and Martin Joy
Location Managers - Rob Campbell-Bell,
Charlie Hayes, Duncan Broadfoot,
Matthew Clarke, Mandy Sharpe and Liam Irving
Location Managers: Italy - Fabio Ferrante,
Simona Scianimanico, Vincenzo Testa and
Elisabetta Tomasso
Unit Location Managers - Jason W. Nightingale,
Ben Firminger and Charlie Simpson
Unit Production Managers - Katherine Tibbetts
and Chris Brock
Production Manager: Scotland - Mally Chung
First Assistant Director - Jon Mallard
Key Second Assistant Director - Matthew Sharp
Second Unit Director/Director of
Photography - Alexander Witt
Marine Coordinator: Jamiaca - Daniel F. Malone
Diving Coordinator - Dave Shaw
Supervising Stunt Coordinator - Olivier Schneider
Stunt Coordinator - Lee Morrison
and Petr Rychly
Stunt Coordinators: Second Unit - Yves Girard
and Boris Martinez
Fight Coordinator - Patrick Vo
Fight Arranger - Grégory Loffredo
Action Vehicle Supervisor - Neil Layton
Special Effects Supervisor - Chris Corbould
Special Effects Floor Supervisors -
Ian Lowe and John Van Der Pool
Visual Effects Supervisor - Charlie Noble
Visual Effects Supervisor: ILM - Mark Bakowski
Visual Effects Supervisor: Framestore -
Jonathan Fawkner
Visual Effects Supervisor: DNEG - Joel Green
Visual Effects Producer - Anna V. James
Computer Graphics Supervisor: BLIND
LTD - Andrew Booth
Compositing Supervisor: Lola Visual
Effects - Edson Williams
Film Editors - Tom Cross and Elliot Graham
Supervising Sound Editor - Oliver Tarney
Co-Supervising Sound Editor - James Harrison
Sound Designers - Michael Fentum,
Bryan Bowen and Elias Hoffman
Re-Recording Mixer - Paul Massey
Re-Recording Mixer/Sound Effects Editor -
Mark Taylor
Main Titles Designer - Daniel Kleinman
Music - Hans Zimmer
Score Producer/Additional Music - Steve Mazzaro
Conductor/Arranger: Title Song/Score
Conductor - Matt Dunkley
Writer/Singer: Title Song - Billie Eilish
Music: Title Song - Finneas O'Connell
Music Supervisor - Randall Poster
Ambient Music Designer - Mel Wesson
Supervising Music Editor - Christopher Bernstead


Review
Since April 2020, I have waited for the new James Bond movie, NO TIME TO DIE, to land in theatres as everyone gets vaccinated for COVID-19. Now the wait is over, and we finally see the conclusion of Daniel Craig's tenure as Bond after 15 years in the role. This film is a fitting end to the actor's portrayal of the iconic British secret agent we have been hoping for, unlike a few that are not so great, such as those starring Sean Connery, Roger Moore, and Pierce Brosnan (though Timothy Dalton's Licence to Kill comes close in second).

NO TIME TO DIE is a definite improvement on Spectre, which had issues with the plot and characterisation. It doesn't suffer the same problems as its predecessor but maintains the status quo of Bond you least expect. This feature has several callbacks from previous Bond flicks, including those from On Her Majesty's Secret Service.

Daniel Craig has all he can give to provide proper closure for his character, especially since he is at the end of his era as Bond. Still, he's fantastic. While the rest of the cast call their shots, Rami Malek has had the opportunity to play Safin, a Bond villain far more terrifying than Blofeld or Raoul Silva, who plans to unleash a bio-weapon on the unsuspecting world. I didn't think that Léa Seydoux would return as a Bond girl. I recall the same thing that almost happened to Olga Kurylenko's character in Quantum of Solace, which would return in Skyfall. However, she never reappeared. Hans Zimmer becomes the new composer for Bond and does a terrific score in NO TIME TO DIE.

I had no idea that NO TIME TO DIE would be shocking to end Craig's interpretation, and I believe the series would reboot again with a new actor taking a new edge of James Bond, whether it's Tom Hardy or a highly obscure and unknown actor. NO TIME TO DIE is arguably the best Bond movie we've seen and will appeal to Bond fans.

Star rating: (10/10) Best Movie Ever

Tuesday, October 19, 2021

Total Pageviews App Installed


Hello everyone. It's been a while since I've done a news update that isn't an obituary or an Oscar announcement. I removed one redundant gadget from the sidebar and installed the Total Pageviews app to see how many views this blog has. I even moved a few things on the sidebar. Although it's a minor update, it's essential for maintaining consistency.

For more updates, I have revised and republished my reviews of The Empire Strikes Back and Rango (which I updated a few months ago), as well as a movie analysis of the former (click here). I have also rewritten the plot summaries on most of my reviews.

Tuesday, October 12, 2021

Next Gen Review











Next Gen


Release Date: 7th September 2018 - Australia (Netflix)


Production Companies
Netflix
Baozou Manhua
Tangent Animation (in association with)
Alibaba Pictures

Distribution
Netflix (Worldwide)


Genre: Animation/Family/
Sci-Fi

Rating: PG

Runtime: 104 minutes


Budget: ¥150,000,000


Plot Summary
A rebellious young girl named Mai discovers a top-secret robot, and their friendship begins. At the same time, they must contend with an evil madman unleashing terror through his plan for technological domination.


Voice Cast
John Krasinski - 7723
Charlyne Yi - Mai
Jason Sudeikis - Justin Pin/Ares
Michael Peña - Momo
David Cross - Dr Tanner Rice/Q-Bots
Constance Wu - Molly
Kiana Lede - Greenwood
Anna Akana - Ani
Isaac Ryan Brown - Ric
Reba Borr - Diagnostic Computer
Amber Friendly - Mailbox Drone
Jet Jurgensmeyer - Junior
Joe Ksander - Ramen Cup
Shaye Ogbonna - Fan Boy
Jon Oswald - Toothbrush/
Door
Betsy Sodaro - Toilet/Gate/
Hairbrush
Fred Tatasciore - Police
Robots/Robot Podium/
Announcer
Kitana Turnbull - RJ
Charlotte Alexis White - Fan Girl

Crew
Story/Screenplay/Directors - Kevin R. Adams
and Joe Ksander
Creative Director/Storyboard Artist -
Ricardo Curtis
Based on the Comic "7723"/Story/Screenplay -
Wang Nima
Story/Screenplay/Executive Producers -
Olivia Hao and Ricky Rem
Story/Screenplay - Napkin Su and Sasa Zhau
Screenplay - The Baozou Family
Additional Screenplay Material - Ryan W. Smith
Script Translator - Angelina Wang
Executive Producers - Luluyan Fan,
Ounan Hong, Michael Yu, Teger Sheng,
Alfred Jin, Ronbjiang Ye, Jerry Li, Face Hu
and Phyllis Laing
Executive Producer/Artist - Wei Zhang
Producers - Javier Zhang, Jeff Bells,
Patty Hicks, Charlene Logan Kelly,
Yangbin Lu, John Morch and Ken Zorniak
Pre-Production Studio Supervisor/Designer -
Ken Duncan
Production Designer - Craig Sellars
Art Director/Additional Visual Development
Artist/Character Designer/Printing/Main Titles
Art Direction - Richard Chen
Character Designers - Tohru Patrick Awa
and Marceline Gagnon-Tanguay
Character Designer/Animator - Charlie Bonifacio
Additional Visual Development Artist/CG
Supervisor - Conrad Dueck
Additional Visual Development Artist/Surfacing
Supervisor - Shane Jackson
Additional Visual Development Artist/
Modelling/Character Effects Supervisor/
Visual Effects Set Dressing Artist - Andy Carney
Additional Visual Development Artist/
Lighting Supervisor - Alex Carney
Story Supervisor - Joe Giampapa
Storyboard Producer - Wes Lui
Animation Supervisors - Adam Beck
and Wesley Rodricks
CG Supervisor - Brian Foster
Character Effects Technical/Rigging Supervisor -
David Hearn
Director of Photography: Camera - Paul Kohut
Director of Photography: Lighting - Paul Stoldony
Editor - Matt Ahrens
Sound Designer/Supervising Sound Editor/
Re-Recording Mixer - David Acord
Supervising Sound Editor - Steve Slanec
Re-Recording Mixer - Tom Myers
Foley Supervisor - Frank Rinella
Foley Artists - Ronni Brown and Margie O'Malley
Music - Samuel Jones and Alexis Marsh
Executive in Charge of Music - Robyn Klein
Music Supervisor - Justine Von Winterfeldt


Review
The streaming service Netflix offered access to many movies, including original productions. I had seen some that were watchable, and I was curious about the animated feature NEXT GEN. Because I looked at the trailer and thought it was similar to Big Hero 6Big Hero 6 was an action-packed movie with a lot of heart and humour, while NEXT GEN was surprisingly edgier and more of a cautionary tale about the dangers of technology. A significant difference exists between the two main characters: one focuses on a rebellious teen who finds companionship with a robot. The other revolves around a troubled teen who deeply resents anything robotic but learns to accept her newfound relationship with the robot.

This animated feature reminds me of I, Robot with Will Smith, which used to stream on Netflix. Both movies featured similar human protagonists who disliked robots. However, they later bond and face an uprising against humanity. The only thing that bothers me is the film's target audience, which includes bleeped-out profanity (courtesy of the foul-mouthed dog), cartoon violence, and mature themes.

In examining the characterisation of NEXT GEN, the young female protagonist is too bratty, unlikable, and ungrateful. It is hard to understand her struggles with the new age of technology and some personal issues. However, this angry adolescent is abandoned by her father, bullied by her peers, and neglected by her mother. The main robot, however, is a wise and likeable character. The people who made this movie are trying so hard not to copy Baymax's design and personality for this character.

Overall, the story is good, but the execution is poor. The film boasted strong messages, remarkable animation (thanks to the animators for using Blender), and incredible voice acting from John Krasinski, Charlyne Yi, David Cross, and Jason Sudeikis.

Being a Netflix animated movie, it is on par with those shown in cinemas. While it's not a product of animation giants Disney, Pixar, Blue Sky, Illumination, and DreamWorks, it is still a decent movie.

Star rating: (6/10) Fair Movie

Monday, September 27, 2021

Planes, Trains and Automobiles Review












Planes, Trains and Automobiles


Release Date: 26th December 1987 - Australia


Production Companies
Paramount Pictures (presents)
Hughes Entertainment

Distribution
Paramount Pictures Australia


Genre: Comedy

Rating: M

Runtime: 92 minutes


Budget: $30,000,000

Box Office Gross: $49,752,241 (Worldwide)


Plot Summary
He is advertising executive Neal Page, trying to get home to Chicago to spend Thanksgiving with his family. Unfortunately, his flight gets rerouted to Wichita. There, he bumps
into a talkative yet
lovable salesman named
Del Griffith. Together,
they undertook a cross-
country trip that included
various modes of
transportation, hilarious
mishaps, and unforgettable
rental car shenanigans.


Cast
Steve Martin - Neal Page
John Candy - Del Griffith
Lalia Robins - Susan Page
Michael McKean - State Trooper
Kevin Bacon - Taxi Racer
Dylan Baker - Owen
Carol Bruce - Joy
Olivia Burnette - Marti
Diana Douglas - Peg
Martin Ferrero - Second Motel
Clerk
Larry Hankin - Doobie
Richard Herd - Walt
Susan Kellermann - Waitress
Matthew Lawrence - Little Neal
Edie McClurg - Car Rental Agent
George Petrie - Martin
Gary Riley - Motor Thief
Charles Tyner - Gus
Susan Isaacs - Marie
Lulie Newcomb - Owen's Wife
John Randolph Jones - Cab Dispatcher
Nick Wyman - New York Lawyer
Gaetano Lisi - Cab Driver - New York
Diana Castle - Stewardess
Julie H. Morgan - Stewardess
Bill Erwin - Man on Plane
Ruth de Sosa - New York Ticket Agent
Ben Stein - Wichita Airport Representative
Kim Genelle - Receptionist
Grant Forsberg - Brand Manager
David Raiport - Cafe Patron
Andrew J. Hentz - Bus Lover
Karen Meisinger - Bus Loverette
Gary Palmer - Pilot
Diane Nieman - Earring Customer
Sylvia Vitrungs - Earring Customer
Joann Taylor - Earring Customer
Julie A. Herbert - Earring Customer
Jennifer Allswang - Earring Customer
Wendy Lee Avon - Earring Customer
Amy Meyers - Earring Customer
John Moio - Screaming Driver
Victor Vanderkloot - Screaming Driver's Wife
Lyman Ward - John (Uncredited)
William Windom - Mr. Bryant (Uncredited)

Crew
Writer/Producer/Director - John Hughes
Associate Producer/Second Unit Director -
William H. Brown
Executive Producer - Michael Clinich
Executive Producer/Unit Production Manager -
Neil Machlis
Casting Directors - Janet Hirshenson
and Jane Jenkins
Production Designer - John W. Corso
Art Director - Harold Michelson
Set Decorators - Jane Bogart and
Linda Spheeris
Costume Designer - April Ferry
Makeup Designer: John Candy - Ben Nye III
Director of Photography - Don Peterman
Location Coordinator: New York -
Lydia Dean Pilcher
First Assistant Director - Mark Radcliffe
Second Assistant Director - Arthur Anderson
First Assistant Director: Second Unit -
Richard Graves
First Assistant Director: Second Unit,
Chicago - James Giovannetti Jr.
Second Unit Director/Stunt Coordinator -
Bernie E. Dobbins
Special Effects - William Aldridge,
Stan Parks and Ken Speed (Uncredited)
Editor - Paul Hirsch
Additional Editors - Adam Bernardi,
Andrew London and Peck Prior
Supervising Sound Editors - Lon Bender
and Wylie Stateman
Re-Recording Mixers - David E. Campbell,
John T. Reitz and Gregg Rudloff
Foley Artists - Dean Drabin, Gary A. Hecker
and Alicia Stevenson
Music - Ira Newborn
Composers: Additional Score - Brian Banks
and Anthony Marinelli
Music Supervisor - Tarquin Gotch


Review
After years of making teen comedies, filmmaker John Hughes breaks out of the sub-genre to make the buddy/road comedy PLANES, TRAINS AND AUTOMOBILES. It was hilarious and groundbreaking, but often dramatic, as the film revolves around a mismatched pair who must get through the worst of a bad situation. Sure, there are times when the movie has funny moments that make us laugh, such as the iconic "Those Aren't Pillows!" There are heartfelt scenes that occasionally emerge in a comedy like this, providing a balance.

Steve Martin and John Candy were terrific and had fantastic chemistry, but they were the best. It's a shame they never got around to working again in another movie that is almost as good, heartfelt, and hilarious as PLANES, TRAINS AND AUTOMOBILES when Candy met his untimely death in 1994. I enjoyed the soundtrack, which is remarkable. It has songs I didn't even know existed.

I appreciate how the late John Hughes was willing to shift from producing movies aimed at teens like Weird Science, The Breakfast Club, and Ferris Bueller's Day Off to comedies like this one and Home AloneAUTOMOBILES was his best work, and nothing could compare to this film with those made in modern times. I highly recommend it to fans of the filmmaker. Not to mention those who liked Steve Martin and the late John Candy.

Star rating: (10/10) Best Movie Ever

Monday, September 6, 2021

Valerian and the City of a Thousand Planets Review












Valerian and the City of a Thousand Planets


Release Date: 10th August 2017 - Australia


Production Companies
EuropaCorp
TF1 Films Production (Co-Production)
OCS (with the participation of)
TF1 (with the participation of)
Fundamental Films (in association with)
BNP Paribas (in association with)
Orange Studio (in association with)
Universum Film (UFA) (in
association with)
Novo Pictures (in association
with)
River Road Entertainment (in association with)
Belgium Film Fund (in association with)

Distribution
eOne Australia


Genre: Sci-Fi

Rating: M

Runtime: 137 minutes


Budget: €197,000,000
              (gross)
              $205,000,000 (net)

Box Office Gross: $225,973,340 (Worldwide)


Plot Summary
In the 28th century, two operatives from the United Human Federation, Valerian and Laureline, must track down the last converter, a rare species considered extinct.

After completing their mission, they head back to the space station Alpha, only to find out that the mysterious humanoids have abducted the commander. It's up to the two heroes to rescue him without relinquishing the converter into the wrong hands.


Cast
Dane DeHaan - Major Valerian
Cara Delevingne - Sergeant
Laureline
Clive Owen - Commander
Arun Filitt
Rihanna - Bubble
Ethan Hawke - Jolly the Pimp
Herbie Hancock - Defense Minister
Kris Wu - Sergeant Neza
Sam Spruell - General Okto-Bar
Alain Chabat - Bob the Pirate
Rutger Hauer - President of the World State Federation
Peter Hudson - Captain Crawford
Xavier Giannoli - Captain Norton
Sasha Luss - Princess Lïhio-Minaa/Creature 'Candy Dress'
Aymeline Valade - Emperor Haban Limaï
Elizabeth Debicki - Emperor Haban Limaï (Voice)
Pauline Hoarau - Empress Aloï/Creature 'Swing Angel'
Barbara Scaff - Empress Aloï
(Voice)
Ola Rapace - Major Gibson
Stefan Konarske - Captain Zito
Gavin Drea - Sergeant Cooper
Eric Lampaert - Guide Thaziit
Laurent Ferraro - Igon Siruss/
Dothan-Dagui
John Goodman - Igon Siruss (Voice)
Alexandre Willaume - Captain Kris
Tristan Robin - Roper
Réginal Kudiwu - Major Samk
Louis Leterrier - Captain Welcoming Mercurys (Cameo)
Olivier Megaton - Captain
Welcoming KCO2 (Cameo)

Crew
Screenplay/Director - Luc Besson
Based on the Comic Book Series "Valerian and
Laureline" - Pierre Christin
Based on the Comic Book Series "Valerian and
Laureline"/Additional Concept Design: Development Phase - Jean-Claude Mézières
Executive Producers - Jc Cheng, Mark Gao and Gregory Ouanhon
Producer - Virginia Besson-Silla
Production Designer - Hughes Tissander
Concept Designers - Ben Mauro,
Alain Brion, Sylvain Despretz,
Patrice Garcia, Marc Simonetti
and Feng Zhu
Art Directors - Gilles Boillot,
Stéphane Robuchon, Etienne Rohde,
Patrick Tandiang, Christian Vallat and
Thierry Zemmour
Art Director: Drawings - Dominique Moisan
Set Decorator - Evelyne Tissandier
Costume Designer - Olivier Bériot
Valerian's Space Suits - Claudine Lachaud,
Laurent Couline, Anthony Sgard and
Laurent Dozot
Director of Photography - Thierry Arbogast
Stunt Supervisor/Fight Choreographer
(Uncredited) - Laurent Demianoff
Special Effects Supervisor - Philippe Hubin
Special Effects Coordinator - Jean-Christophe Magnaud
Senior Visual Effects Supervisor: Weta Digital -
Joe Letteri
Visual Effects Supervisor - Scott Stokdyk
Visual Effects Supervisors: Weta Digital -
Wayne Stables, R. Christopher White,
Martin Hill and Ken McGaugh
Visual Effects Supervisor: ILM - Philippe Rebours
Visual Effects Supervisor: Rodeo FX - François Dumoulin
Visual Effects Supervisor: Digital Factory -
Jérôme Lionard
Associate Visual Effects Supervisor: Rodeo FX -
Peter Nofz
Visual Effects Producer - Sophie Leclerc
Visual Effects Producer: Weta Digital - Ben Pickering
Visual Effects Art Directors: ILM - Bianca Draghici
and Christian Alzmann
Art Director: Rodeo FX - Olivier Martin
Previs Supervisor: HALON - Brad Alexander
Animation Supervisors: Weta Digital - Paul Story
and Eric Reynolds
Motion Capture Supervisors: Weta Digital -
Dejan Momcilovic and Ben Murray
On Set Layout Supervisor: ILM - Duncan Blackman
Editor - Julien Rey
Supervising Sound Editors - Shannon Mills
and Guillaume Bouchateau
Sound Designers - David Farmer, Josh Gold
and Nia Hansen
Additional Sound Designers - Gurwal Coïc-Gallas
and Alexis Place
Sound Editor - Aymeric Devoldère
Production Sound Mixer - Stephane Bucher
Re-Recording Mixers - Tom Johnson,
Didier Lozahic and Juan Peralta
Original Score - Alexandre Desplat
Recordists and Music Mixers - Peter Cobbin
and Kirsty Whalley


Review
A misguided effort by filmmaker Luc Besson, VALERIAN AND THE CITY OF A THOUSAND PLANETS rivals the Star Wars prequel trilogy in its overproduced visuals, scope, and deficiencies. The film was an adaptation of a French sci-fi comic series, which some speculate George Lucas borrowed some of its ideas for his Star Wars series, but it was just a coincidence. Having experienced the images rather than the storyline, Besson took it upon himself to revisit these ideas he had previously integrated into his other space opera, The Fifth Element. He successfully replicated the state-of-the-art visuals that James Cameron used to create the world of Pandora in AvatarWhile the visuals are stunning, they tend to overdo it.

I am so fascinated by the incredible world-building and its concepts. Unfortunately, the film failed to overcome its shortcomings. It includes an uninspired, convoluted plot. The movie begins with an opening sequence, which is the best moment, accompanied by David Bowie's "Space Oddity" playing in the background.

Dane DeHaan is miscast as the titular protagonist. He looks too boyish and creepy, and tries to imitate Keanu Reeves' acting when he attempts to emulate him. Cara Delevingne is wooden in her performance as Laureline, and this role would have benefited from a different, more experienced actress. The romance between the two characters feels flat, possibly due to a lack of chemistry. Rihanna, however, does a fantastic job as the shape-shifting alien Bubble.

VALERIAN is a feasible space adventure, but it's nothing new. It fell short of my expectations and was instantly forgettable. I recommend that viewers see this film just once. They are curious about something that has potential.

Star rating: (4/10) Below Average

Wednesday, September 1, 2021

In Memory of Ed Asner (1929-2021)








Ed Asner (1929-2021)

Seven-time Emmy-winning actor Ed Asner, known for playing the gruff Lou Grant in "The Mary Tyler Moore Show" and its titular spin-off and a poignant voice role in Pixar's Oscar-winning movie "Up," passed away on August 29th, 2021. He was 91 years old.

Ed worked for many years as a character actor in films and television series before rising to fame in the 1970s as the curmudgeonly newsroom head in the sitcom "The Mary Tyler Moore Show," which earned him three Emmys for Best Supporting Actor. When that sitcom ended, he returned as the same character in the hour-long dramatic spin-off that brought him two leading actor Emmys and five nominations. Ed won Emmys for the miniseries "Rich Man, Poor Man" and "Roots" and was even honoured with seven. He recently appeared in hit shows like "Grace and Frankie," "Modern Family," and "Cobra Kai" and has remained active on television for decades in numerous roles. Asner also worked in film, beginning in 1961 with his debut role in the Elvis Presley vehicle "Kid Galahad" as well as other movies like "The Satan Bug," "The Slender Thread," "El Dorado," "Gunn," and "Change of Habit" (again with Elvis and Mary Tyler Moore). He made occasional appearances in films such as "Skin Game," "Fort Apache the Bronx," "Daniel," and "JFK." Throughout the 1990s and 2000s, Asner continued to work steadily on the big screen with features including "Academy Boyz," "Hard Rain," "The Bachelor," "Above Suspicion," "Elf" (where he played Santa for the fifth consecutive time), and "Enchanted Cottage."

Aside from his film and television work, Ed has done voiceovers in animation like "Captain Planet and the Planeteers" (which drew him a Daytime Emmy nomination), "Fish Police," Batman," "Gargoyles," "Spider-Man," "Freakazoid," "Superman," "The Boondocks," "WordGirl," etc. However, his finest work on voice acting would be his emotional role as Carl Fredericksen in the animated Pixar film "Up," which won two Academy Awards, including Best Animated Feature.

The acclaim of "Up" reinvigorated interest in the actor's presence, resulting in guest spots on shows like "Law & Order: SVU," "The Middle," and "Hawaii Five-O."