Dune
Production Companies
Dino De Laurentiis Company
Estudios Churubusco Azteca S.A.
Estudios Churubusco Azteca S.A.
Genre: Sci-Fi
Rating: PG
Runtime: 137 minutes
177 minutes
(extended cut)
Budget: $42,000,000
Box Office Gross: $30,980,991 (Worldwide)
177 minutes
(extended cut)
Budget: $42,000,000
Box Office Gross: $30,980,991 (Worldwide)
Plot Summary
In the distant future, the universe and space travel heavily rely on the spice that can only come from the planet Dune. Now, a young son of the noble Duke Leto named Paul Atreides must not only avenge his father's betrayal and murder at the hands of the evil Baron Harkonnen. He has to find the secret of Dune and lead the Fremen in freeing the planet and its residents of the despotic rule of the Emperor, which was his destiny.
Cast
Kyle MacLachlan - Paul Atreides
Sean Young - Chani
Sting - Feyd-Rautha
Patrick Stewart - Gurney
Halleck
Francesca Annis - Lady
Jessica
Jürgen Prochnow - Duke
Leto Atreides
Richard Jordan - Duncan
Idaho
Dean Stockwell - Dr.
Wellington Yueh
Freddie Jones - Thufur
Hawat
Max von Sydow - Dr. Kynes
Linda Hunt - Shadout Mapes
Everett McGill - Stilgar
Alicia Witt - Alia
Virginia Madsen - Princess Irulan
José Ferrer - Padishah
Emperor Shaddam IV
Siân Phillips - Reverend
Mother Gaius Helen Mohiam
Kenneth McMillan - Baron
Vladimir Harkonnen
Brad Dourif - Piter De Vries
Jack Nance - Nefud
Paul L. Smith - The Beast Rabban
Leonardo Cimino - The
Baron's Doctor
Silvana Mangano - Reverend Mother Ramallo
Danny Corkill - Orlop
Honorato Magaloni - Otheym
Judd Omen - Jamis
Molly Wryn - Harah
David Lynch - Spice Worker
(Cameo) (Uncredited)
William Phipps - Narrator
(TV Version) (Uncredited)
Crew
Screenplay/Director - David
Lynch
Lynch
Based on the Novel "Dune" - Frank Herbert
Executive Producer - Dino De Laurentiis
Producer - Raffaella De Laurentiis
Technical Advisor - Gerald Green
Casting Director - Jane Jenkins
Production Designer -
Anthony Masters
Supervising Art Director - Pier Luigi Basile
Art Director - Benjamin
Fernandez
Anthony Masters
Supervising Art Director - Pier Luigi Basile
Art Director - Benjamin
Fernandez
Assistant Art Directors, Jose Maria Alarcon, Peter Childs, Raul Paton Garcia, Kevin Phipps and Gilberto de Anda (Uncredited)
Draughtsmen - Miguel Chang, Steve Cooper, Ferdinando Giovannoni and Giles Masters
Set Decorator - Giorgio Desideri
Set Decorator - Giorgio Desideri
Costume Designer - Bob Ringwood
Wardrobe Supervisors - Thomas Casterline and Nadia Vitali
Head of Construction: Stillsuit - Mark Siegel
Creative Makeup - Giannetto De Rossi
Cinematographer - Freddie Francis
Cinematographers/Supervisors: Additional Unit -
James Davis and Frederick Elmes
Production Coordinator - Golda Offenheim
Stunt Coordinator - Richard Humphreys
Fight Coordinator - Kiyoshi Yamasaki
Creature Creator - Carlo Rambaldi
Special Effects Coordinator - Charles L. Finance
Special Effects Flying Unit Chief - John K. Stirber
Special Photographic Effects - Barry Nolan
Mechanical Special Effects - Kit West
Additional Special Visual Effects - Albert Whitlock
Model Unit Supervisor - Brian Smithies
Foreground Miniatures - Emilio Ruiz del Rio
Model Unit Supervisor - Brian Smithies
Foreground Miniatures - Emilio Ruiz del Rio
Motion Control - Eric Swenson
Film Editor - Antony Gibbs
Assistant Film Editor - Penelope Shaw
Sound Designer - Alan Splet
Sound Editors - Teresa Eckton,
Leslie Shatz and Les Wiggins
Re-Recording Mixers – Bill Varney,
Steve Maslow and Gregg Landaker
Music - Toto
Composers: Prophecy Theme - Brian &
Roger Eno and Daniel Lanois
Awards
1985 Academy Awards
Best Sound - Bill Varney, Steve Maslow,
Kevin O'Connell and Nelson Stoll (Nominated)
Review
I have never reviewed a David Lynch feature before, as I have not seen one except for DUNE. The film adaptation of DUNE has become a big part of my life after Star Wars. I'm sad to say it was a financial flop during its release, added to a dismal reception among readers and fanatics of Frank Herbert's acclaimed sci-fi book series. Unfortunately, halfway through the filming process, the director, David Lynch, lost control of the movie due to pressure to cut the film's length. His original vision of DUNE was severely compromised in post-production when numerous scenes got trimmed, deleted, re-shot and arranged in a way that seemed so disorganised. The changes also reduced the overall running time of the movie to just over two hours.
It was not until 1988 that more editing applied to the extended cut release, which aired on television. Previously filmed scenes used as stock footage and censorship have been added to this version, not by the decision of Lynch, and this did not please him as he requested for his name to be changed in the opening credits to "Alan Smithee" and "Judas Booth" instead. Since the 1988 re-release, it began a following through the online community and remained a cult favourite to all people who were into sci-fi, films by David Lynch or even the source material from Frank Herbert. After watching the film's theatrical cut, the plot seems inconsistent, with most scenes misplaced and what seems like a disastrous butchery. We can all forget the bad stuff in this stale version as the film has glorious elaborate sets, costume and makeup design and some VFX, which complement the movie and make the bad things about DUNE more bearable.
It was not until 1988 that more editing applied to the extended cut release, which aired on television. Previously filmed scenes used as stock footage and censorship have been added to this version, not by the decision of Lynch, and this did not please him as he requested for his name to be changed in the opening credits to "Alan Smithee" and "Judas Booth" instead. Since the 1988 re-release, it began a following through the online community and remained a cult favourite to all people who were into sci-fi, films by David Lynch or even the source material from Frank Herbert. After watching the film's theatrical cut, the plot seems inconsistent, with most scenes misplaced and what seems like a disastrous butchery. We can all forget the bad stuff in this stale version as the film has glorious elaborate sets, costume and makeup design and some VFX, which complement the movie and make the bad things about DUNE more bearable.
The acting is good. Some classic actors proved terrific choices for names, such as Kyle MacLachlan in his debut role as Paul Atreides and Sean Young as the film's leading lady. The supporting actors, like future Star Trek alumnus Patrick Stewart, Sting and Max von Sydow, also have their place in the movie. The background score by rock band Toto creates a genuine ambience not heard in any other classic sci-fi film.
DUNE has its moments, but it leaves us wondering if a director's cut of Lynch's version would do this movie justice. In my opinion, DUNE doesn't deserve the bad feedback that it received at the box office and nearly cost the directional career of David Lynch, which DUNE should have finished under his supervision.
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